Name: stimming by sonic structures and silent stretches
Duration: 3 min 12 s
Description: crafted noise ... had to get it out of my system, despite the restrictions

Cast of Characters:
Steve's Planet-- @steve-vervaet —Steve—acoustic guitar, vocals, lyrics, composition/arrangement
TexMex Shaman– @texmex-shaman –Stephen–electric guitar
J.J. Terrell-- @j-j-terrell—JJ—organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and rhythm guitar
cgmaness-- @user-419254289-15129531 – Chris -- electric guitar
Llanpsych– @llanpsych –Tez–electric guitar, production, and mix
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass 

This song was released a few weeks ago as a mix that Stephen did. Tez, being the equally talented producer that he is, decided to make a mix that highlighted the interplay between the guitars and the keys. This mix is more focused on the instruments, while still giving Steve's vocals their due. 
  The song was written by Steve on the acoustic guitar. He passed it along to Ken, who added a sturdy rhythm acoustic guitar, as well as his always solid, dynamic drums to it. In short order, Ken got the rest of the Eclectic Collective together on it, starting with Josh, who added his five string fretless bass to complete the rhythm section. Next up was JJ, who's keys, both organ and piano, can be heard livening the whole thing up. Then came Tez with his fiery ripping guitar fills. 
  We were all blown away, though, when Stephen added his equally ripping guitar fills as responses to Tez's parts. It really sounds like the two maestros are having a conversation. Not to be outdone, Chris sprinkled some of his magical guitar to fill in the spaces, mostly at the beginning.  
  We all really enjoy working on Steve's songs, although it's been a few months since we did one together.  It's been proven many times before that if you start out with something good, and you end up with some thing great. We hope you enjoy listening to this as much as we enjoyed making it.

Hope We Ever Meet-Llanpsyched (Eclectic Collective)

Buy by Apple Music

Leitmotiv

Mystery

Z-Cirrostratus Clouds

crafted noise ... had to get it out of my system, despite the restrictions

stimming

From the album "Interstellar", available on Bandcamp.
https://andymclean.bandcamp.com/album/interstellar

Andy McLean: Tenor saxophone, bass guitar, keyboards and drum programming

Vesica Piscis encoded artwork. Can you see this fabulous shape, the "mind's eye"?

Recognition of sacred geometry, the humble circle, pie, mathematics and it's direct connection/joining with music (Fibonacci series cf Pentatonic scale).
To our forefathers, who sought and gave us perfection with the Sexagesimal system and the importance of ratios. Upon which time and shape is still measured, secretly, in plain sight..
As the world turns and a new day begins, the cycle repeats. The night's sky a constant reminder if we just look up;  the patterns found everywhere in nature like a simple flower; the rhythm and patterns in music if we tune in and listen carefully enough.
When two are joined perfectly to form the "mind's eye", two become three and new life is born and so it goes on, and on, and on...
Recent life events have made me share this once again.

Interstellar

Cycle Of Life

Cast of Characters:

Frans Beelaard – @user-936947521 – Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine! He also composed the song

TexMex Shaman– @texmex-shaman –Stephen–  Duesenberg Starplayer TV Phonic hollow body electric guitar

Llanpsych-- @llanpsych -- Tez – Gibson Les Paul electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- Yamaha workstation organ and piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–lyrics and vocals 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – PRS semi-hollow body electric guitar


This is a song that Frans wrote, recorded, and gave to Josh to share with the Eclectic Collective. Frans is playing all the foundational instruments of the incredibly intricate yet perfectly foundational rhythm section, including Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine. All of Frans's music is a dazzling display of solo work on top of a dense, rock solid rhythm section. 

So, in that spirit, this song is a display of all of us taking 12 bars to show what we can do.
Tez was first to add his expert blues guitar in the section right after the opening vocals. Josh took the next slot, with the notey second guitar solo on the first chorus section. Stephen added his fiery guitar next, in the last two slots, after the second verse. JJ was next in line, though, bringing his piano and organ to the mix, both in a support role throughout, and in the piano solo between Josh's solo and the second verse. Ken, then came up with some lyrics and sung the whole thing for us, very ably and in the propper spirit of the song (which was named randomly by Frans). 

  Of course, every great song needs a great producer, and we tapped Stephen to do the honors here, as he's our resident expert producer. 

 We are all honored and very grateful to Frans, whom we all respect and admire to a very high degree, for sharing this with us. On the off chance you aren't familiar with him, do yourself a favor and check out his page. He's as talented a multi-instrumentalist as you'll ever come across, with hours of astounding music on his page.

  We hope you enjoy listening to this as much as we all enjoyed creating it.

Original Lyrics by K2 and the Three:
I got a bull legged woman,
You know that’s where it’s at
Gotta bull legged woman 
You know that’s where it’s at
The devil may care, 
but he don’t know thin from fat
Well!!

I got a bull legged woman 
You know that’s what I got
I got a bull legged woman
You know that’s what I got
A dope ass Betty
5’ 4”, and she’s smoking hot
 
Hey fellas, can I get a witness?

I got a bull legged woman 
you know that’s what I have
Gotta bull legged woman 
You know that’s what I have
She’s all stacked up, she’s mine
And she’s got the Jazz

Bull Legged Woman by Frans Beelaard with The Eclectic Collective

grapefruit

The first

DISCLAIMER: This account doesn't encourage crimes of any kind.
Dieser Account verherrlicht keine Straftaten jeglicher Art.

V3nD3TTa_Th3_M3nAc3 ist ein ausgedachter Charakter und nicht mehr.

THIS IS NOT A THREAT!

V3nD3TTa_Th3_M3nAc3 - HIDE&SEEKINADARKF0REST..HEHIDES..USEEK!../SLENDER:THE 8 PAGES INSPIRED/

désert blanc

I thank SHELLF LIFE for accepting my "involuntary generosity". 

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

stimming

sonic structures and silent stretches

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