Let's Go Back To The Forest

Work in progress

Caterpillar

When the medication kicks in and you just drift away. A moment of surpassing relief.

Annecy Mirror (calm)

Written by James Geer

A bell and a whistle
A truck with a ladder to climb 
A carpet to play on
And nearby a grownup to mind
A doll and a squirt gun
A toy chest with wonders to find

Just ten more minutes
Then off to the bedroom to sleep
The rote incantation regarding
Our souls for to keep
Beds tucked and lights out
And counting of numerous sheep

Dreams of a party with
Candles alight on a cake
Marching toy soldiers
And dragons that
Make the earth quake
Fantastic journeys
But all of it gone once awake

Dreaming

More Signals

A Storm In The Desert

all instruments and voices: Jeff Gardiner 
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said


you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 1

scalar fields pt 1: scalar fields - with stonerjazz

Had some fun writing a "break up" song. I asked my brother Vincent to work up the music and to produce it...he aced it!

Gone, Gone, Gone

Sky tribe - 20-7-2025

Roman Polanski

The City - Words & Music by Pravinand Maharaj

Once it was a city
Now it’s just a street
With every mile another dream lays crushed
And the sun shows no pity
Pouring out its heat
As mighty towers crumble into dust

One by one they followed
One by one they left without a trace

There were signs on the water
Portents in the sky
The Watchers blind by sleep didn’t see a thing
Six crows at the altar
A bargain for the price
Half less worth an eagle’s broken wing

One by one they followed
One by one they left without a trace

What walks the moon at midnight
Through the narrow lanes 
Lurking in the shadows that it cast
A pestilence upon us, a blight
A spreading stain
Taking everything out on its path

One by one they followed
One by one they left without a trace

So, sing the last love song written
Drink up the vineyard grape
Rouse the ghosts of tomorrow from their slumber
If I break out of this prison
And the hour’s not too late
I’ll be down the road without a name or number

One by one they followed
One by one they left without a trace

Pravinand: Vocals and Acoustic
Bas: Backing Vocals and Electric
Mix and Mastered by Bas Kooman

The City - Johnny Minstrel and Bas Kooman

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

scalar fields pt 1: scalar fields - with stonerjazz

sonic structures and silent stretches