Jo you are a master of words, sounds space and time! Now can you focus your alchemy on making me 20 years younger!

Wonderful production, very beautiful soundscape!

This playlist is a collection of collaborations and a couple of other tunes. I am so lucky to have worked with these artists. It has given me a renewed vigor and change my paradigm, thank you all!

Please checkout these artists:
https://soundcloud.com/waximi_ackawala
https://soundcloud.com/inrgd
https://soundcloud.com/henry-koek
https://soundcloud.com/ilaria_boffa
https://soundcloud.com/agnosturaelwar aka Ingvar Tatura
https://soundcloud.com/mynocturnaltwin My Nocturnal Twin

Selected Collaborations and Erstwhile Notes

produção em downtempo energy no estilo industrial, leve fluxo num pesado compasso tech... 

Save The Nature, and leave a good planet for future generations!

Earth Asks For Help

fade out.mp3

Re-Dead Unicorns Can Dance w/My Nocturnal Twin #https://soundcloud.com/mynocturnaltwin is a joint effort instigated by Jacob's -aka My Nocturnal Twin https://soundcloud.com/mynocturnaltwin/deadunicorndance - lovely moody industrial trance like track, Dead Unicorn Dance. Jacob asked if I would like to collaborate and I agreed and here is the result.

Re-Dead Unicorns Can Dance w/My Nocturnal Twin ©2022 
My Nocturnal Twin: guitar and echo fx as a live performance, mastered later for the original one.
Re-Evolution Cafe' Orchestra: Drums, Percussion, Acoustic Piano, Electric Piano, Synth, Vox Fx, Vocal Loops, Fx

Recorded and Re-mixed at Broken Glass Ranch, Colorado 2022.

Re-Dead Unicorns Can Dance w/My Nocturnal Twin

DEEPLY SHAKiNG SEE I COME THAT WAY ! by SUBSONIC DISSIDENCE
Album "INNER BITCHES" (2022)

DEEPLY SHAKiNG SEE I COME THAT WAY !

Having benefitted from many generous SC artists' Open Collaborations in the past, I have decided to upload my own.

Please feel free to add anything you like. If you'd like me to comment and repost, please send me a DM and I'll oblige as soon as I can. Sorry I won't be able to send individual stems.

It is a simple guitar, bass and drums turnaround, repeated three times. Complicate it as much as you'd like, or just use it to jam to as you please

Be good

Nick

pic: https://www.researchgate.net/figure/see-also-colour-in-the-insert-Ephyra-larval-stage-of-jellyfish-scyphomedusa-feeding-on_fig29_266223304

Open Collab - Jelly

Romans & Celtic......who was first 🤔😁

Hope you enjoy my new Track! 😍❤️🌹🙏😉

Hadrian's Wall

*downloadable
my good pal muterial offered for me to remix his splendid track "Descent" -
https://soundcloud.com/muterial/descent
Other muterial remixes:
https://soundcloud.com/r-salchaks-mood-exhibit/muterial-embers-mood-exhibit-1
https://soundcloud.com/r-salchaks-mood-exhibit/muterial-operator-mood-exhibit-copilot-mix
https://soundcloud.com/r-salchaks-mood-exhibit/muterial-reactions-mood-exhibit-hue-mix

muterial - Descent [Mood Exhibit Dendron Mix]

Compassionate scale.
Each impulse results in a force. The more momentum we take, the higher we jump. When there is a misfortune, an impulse of greater or lesser strength is generated. Here is a personal scale of that compassionate strength.
Cs0 Compassion predisposed asleep We are not aware of the existence of a misfortune. There is no force.
Cs1 Instant Compassion. We have seen it on a newspaper page and we have turned the page. It has caught our attention.
Cs2 Indirect compassion. Donations to charities. A person assaults you in the street and asks you, do you want to be human? And you say how much money you do it for. It is instant, but voluntary.
Cs3 Daily Compassion The news of the day. Floods, wars, social injustices. Your ideals come to light. To each one by his side and based on close experiences with said news.
Cs4 Compassion live. You are present when a misfortune occurs, but it is not with you. A violent situation that left a big impression on you.
Cs5 Compassion known. Here we begin to exceed the limits. A friend tells us about the misfortune of his mother. We offer our humanity.
Cs6 Voluntary compassion. You are a volunteer. You offer hours of your life to others many times without knowing them.
Cs7 Compassion target. The bomb explodes in your house, in your family or in your friends. You do everything you can to help.
Cs8 Self-pity. Misfortune concerns you directly. Prevent you from drowning. It can be extraordinary and lead to overcoming or useless if you no longer believe in it.
Cs9 Total compassion. It is when you give yourself to others putting your life at stake. I am not talking about a soldier, I am talking about a missionary in Haiti who does not leave, even if they tell her to leave.

COMPASSIONATE STRENGTH 6

Z-Green Black Hair

method: Sending back and forth, reworking and creating in collaboration with re-evolution café orchestra who composed all the music and played all the instruments. To enjoy more, listen here:  https://soundcloud.com/re-evolution_cafe. Apart from the poem, I added field recordings and partook in the editing.
narration: I live in a region that is home to some space industry – more importantly however, this region is also home to marvellous nature. This poem is nourished by many concepts and theories, most notably the colonial ideology of space as the „new frontier“ as well as Whiteheads „fallacy of misplaced concreteness“ and Nagel‘s thoughts expressed in „What is it like to be a bat“. It is also fed by the human-tamed beauty of reed landscapes around lake Federsee which can be seen in the photo I took.

gedicht / copyright jo richter:

welch unvorstellbare macht
muss die masse im erdkern
beleben, das wasser, die erde,
die wurzeln sicher zu halten

zu wahren, die landschaftsfalten
wie eine große gebärde
ins weltall zu richten, das fern
sternlicht um sternlicht entfacht

des tags wuchert das grün
höher und höher empor
bis der wind braune samen
biosphärenweit streut

welch wuchskraft, die sich nicht scheut
sich bis zum astralen
zu wenden aus schwarztiefem moor,
anarchisch und kühn

so müsse auch mensch sich recken,
heißt es, sich loszulösen,
zu den sternen zu streben,
geballte planetenmassen

mit erdensproßsinnen zu fassen,
sich aus den symbiosen zu heben
und seine bedürfnisblößen
xenobiotisch zu decken

welch trugschluss, den leib
dort zu bewegen, wo geist
sich angleicht und fragt: wie
ist es, so zu erleben

die saat darf und muss schweben,
sich aus massewucht lösen, die
sie hielt, doch wie weit sie auch reist,
das schilf, das sie treibt, verbleibt



interlinear rendition:
reeds at lake federsee // what incomprehensible power / has to inspire the mass in earth‘s core/ to hold, to keep the water, the earth / and the roots securely // the folds of the landscape / akin to a giant gesture / directed into the cosmos which lights / star after star in the distance // during the day, the lush green rises / higher and higher / until the wind distributes brown seeds / across the biosphere // what power of growth, not hesitating / to turn towards the stars / from the black deep of the moor / anarchic, courageous // thus man would have to strech as well / people say, to loosen their ties / per aspera ad astra / to measure dense planet masses // with earth-grown senses / detach themselves from symbioses / and cover their bare and many needs / with xenobiosis // what a fallacy of misplaced concreteness to move the body / where the mind adapts and queries / what it is like / to experience like that // mind‘s pollen may and will hover / free itself from the power of mass which / had held it but however far it will travel /  the reed that grows it remains where it is //

schilf am federsee -  with re-evolution café orchestra

Detour Ahead

THE  LITTLE  MOVEMENTS  OF THE  MIND   16

How Do You Do: is a collaboration featuring the multimedia artist/poet/musician, henry koek @henry-koek, from his SC profile-  "Beside improvising and meeting the moment, I bring my poetry in a sferic of sound , interaction of fibration , using a variety of instruments ".

www.henrykoek.com
www.maisonbleuecollectifartistes.com
henry.koek@orange.fr

How Do You Do You ©2020 lyrics by Henry Koek
Henry Koek: Sax, Percussion, Vocals and Fx
Re-Evolution Cafe' Orchestra: Drums, Percussion, Synth and Fx, Electric Piano, Acoustic Bass, Acoustic Piano and Vocal Fx

Recorded and Remixed @ Broken Glass Ranch, Wet Mountain Valley, Colorado.
©2020 Re-Evolution Cafe' Orchestra

Re-Evolution Cafe' Orchestra w/ Henry Koek

How Do You Do You w/ henry koek

One day I was traversing Soundcloud and came across the fabulous Italian poet, Ilaria Boffa. This is why I love Soundcloud. @ilaria_boffa. Her words and voice flowed out of my web browser and into my heart and soul. So  I reached out and begged her to collaborate with me. Lucky for me she agreed and then allowed me some creative license. So this is for you Ilaria, to you and your voice. May the world be as touched as I was by your words and creative spirit.

Ilaria took the piece published here on SC as "Music for Trains and Station Platforms" and captured it's mood and wrote some stellar, powerful words that created a whole new life and vision for the music. I applaud and am humbled by her multilingual approach to her art using a beautiful vividness of expression of human soul! Bravo Ilaria , bravo. 

Days in Autumn w/ Ilaria Boffa Mix 2 @https://soundcloud.com/ilaria_boffa/days-in-autumn-mix-2-re-evolution-cafe-orchestra-ilaria-boffa

Days in Autumn ©2020 Ilaria Boffa and Re-Evolution Cafe' Orchestra.
Re-mixed @ Broken Glass Ranch, Colorado and Padua, Italy
Words by : Ilaria Boffa
Music by : Re-Evolution Cafe' Orchestra.

Days in Autumn (homage to ‘You Must Believe in Spring’ by Bill Evans) 

we must believe in spring
Earth axis increases
its tilt to the Sun
dew comes, frost no more
vernal peers share light

many a time belatedly
days in autumn
prepare for cold and 
special smell of soil
many a time fitfully

oh we must believe in spring
let snow melt and streams swell
the hardiest flowers sprout
days in autumn
prepare for dark and
many a time forecast the yield

dobbiamo sperare nella primavera
l’asse della terra aumenta
l’inclinazione al sole
giunge la rugiada, scongela la brina
i pari dividono la luce in primavera 

spesso in ritardo
i giorni d’autunno
preparano al freddo
all’odore tipico della terra
spesso irregolari nel modo

oh dobbiamo sperare nella primavera
lasciamo la neve sciogliere e i fiumi gonfiare
che spuntino i fiori più temerari 
i giorni d’autunno
preparano al buio e
spesso dicono il raccolto

Days in Autumn w/ Ilaria Boffa

#agnosturaelwar & #re-evolution_cafe 

This track is another collaboration/invitation to Mr. Agnostura Elwar. Once again, as per his usual he plays beautifully! Thank you sir!
Original Composition/ Invitation 
https://soundcloud.com/agnosturaelwar/in-the-endopen-collab

In The End, But Again
Agnostura Elwar: Electric Acoustic Guitar.
Re-Evolution Cafe' Orchestra,  Electric Piano, Synth Fx, Bass, Percussion, and Fx.

In The End, But Again: is a joint production of Agnostura Elwar and Re-Evolution Cafe' Orchestra © 2021

Recorded in Grimstad, Norway and @ Broken Glass Ranch, Deep in the Wet Mountains, Colorado.

In The End, But Again w/ Agnostura Elwar by Re-Evolution Cafe' Orchestra is licensed under a  Creative Commons License.

More Collaborations with Agnostura Elwar
https://soundcloud.com/re-evolution_cafe/sets/re-evolution-cafe-orchestra-1

In The End, But Again w/ Agnostura Elwar aka Ingvar Tautra

Re-Evolution Cafe' Orchestra is an multimedia, sound and art project, featuring sonic canvasses and videos for your perusing: "eclectic musings" and "musical disambiguation", sometimes with lyrical commentary, sometimes not even a mere word. Near an unassailable flow, memory re-asserts its musicality.

Life forms commanded by code and intuition.
All code can be hacked!
Re-invent your paradigms.
Hack into your code.
Re-define who you are.
This is a yoga, 
this is you... 
Re-Evolution Cafe' Orchestra.
Always open to collaborations:

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

schilf am federsee - with re-evolution café orchestra

sonic structures and silent stretches

Recent comments

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