Hey Joe man, this is a very trippy and enchanting soundscape. Love when the e. piano major tones pop through. Excellent work here, my friend!

Not sure the speeded up voice works . Sounds are great , text is too abstract/‘meanjngless for me

she must have had an affection for him--i think the compression pedal works good:)

Weirdness

Humans are the only species who preserve a lasting relationship from parents to children and vice versa after the offspring has reached adolescence. This can be curse and blessing at the same time in some cases, but overall it is a gift in my view. We will stay the children of our parents for a lifetime obviously. Once you have realized this and don't consider it a threat anymore you are given the chance to close the circle in a peace- and beautiful way.


Photo (c) Laurent Bayeux

One Day When it was Time to Come Home

SUN IS LOW
-------------
Wind cries lonely 
across the snow
Sky is frozen,
sun is low
Ice cold dust dry as sand,
whip the ground upon this land

Never day, never night
All that I see... turn to white

Freezing,
time move slow,
back to fence.
I'll go where the white doves go

Winter,
please hide my way.
Cross the plain,
the hills and far away


Wolves that gathered,
have watched each move
Teeth are showing,
tails held low.
Hungry eyes with patience view,
In this domain their reign is true

Infinite march, likely in vain
Tracks cross the plain... turns to a chain

Freezing,
time move slow,
back to fence.
I'll go where the white doves go
where they go
in the night
they take flight
soaring to sky
so high and free
just like me
Always heading for their home
just like me

Sun is low

method: I only wanted to test run a compression pedal .... balabolka helped out with a voice ....  this is not about beauty, you know
narration: later on, epimetheus and pandora will prove that recreating reality (looking back) can actually save the day
image; my photograph, taken at the Greek National Museum, 2012

poem / copyright jo richter:

shards of broken mars
strewn on a tummy hum drum
saluting solar flares
where are you, my dear dear, from

winter shadows rang too harsh
to grief for saturn’s bloom
are you the one who dares
(or, better still, who cares)
there is no other song

woo pandora

woo pandora - the epimetheus conundrum

I wrote the flute part for a friend. In this case it is played with midi.  The harp is played with a little celtic harp.

Dream on

"Beduine"

Jackhammer field recording snippet slowed, spread into 6 (3 stereo) tracks, paulstretched for drone part, cut, reassembled. All sounds, mixing and production: Velvet Something Superdark.

This jackhammer also appears in "Together Forever": https://soundcloud.com/velvetsomethingsuperdark/together-forever & “Chimaera”: https://soundcloud.com/velvetsomethingsuperdark/chimaera

Jackhammer Étude

The Million Star Hotel  (Rehearsal)

Close To You

myriad

wheredoigo?

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

woo pandora - the epimetheus conundrum

sonic structures and silent stretches

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