Beautiful music, peaceful, sad, serene...

Beautiful string and piano arrangement. I read your profile description and both felt very sublime at that moment. Beautiful music and a beautiful moment! Thank you for that, it's going straight onto my Feel It playlist, Sonni!🙏🏻

This is wonderful, Sonni! After reading the description in this song of what you are going through, and that you are just trying to figure out how to play music, is amazing! So many prayers and good thoughts being sent your way! 😃👏👏

Sonni, your strength, pride and courage shine through your music and make it even more beautiful. All five of us are with you in our hearts!!! Love you! ❤️‍🔥

Beautiful composition full of emotions. 😘💐💐💐💐💐

What a genuinely beautiful, inspiring composition, Sonni... Sending lots of love, strength, warm wishes and hugs your way!

Lovely music, for exceptional harmony and intense melody!

A really beautiful and moving soundscape that speaks quietly to us. Thank you for sharing your beautiful work!

From the Hearts

Made for fun — Electro Pop at 115-120 bpm that hopefully makes you want to dance 💃🕺💃💃🕺🕺 A light-hearted fun song because Atlanta (A-Town) is fun, y’all — hot and humid 🥵 — but never dull. 

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human 

Available to download (.wav) if anyone feels inspired to collaborate for a remix, adding vocals or whatever. DM me if you prefer MP3.
……………
Home to sports legend Hank Aaron and Braves baseball, southern cooking, tons of historical landmarks — from Centennial Olympic Park to the King Memorial Center — and history-makers, MLK, John Lewis, Jimmy and Rosalyn Carter to name a few, A-Town has neighborhoods of talented minds from all over the world. 

As the American South’s “Ellis Island”, our melting pot of metro neighborhoods makes us ATL strong and welcoming. As home to dozens of colleges and universities, Atlanta acts as a hub for higher education.

Night clubs? And hip hop? Oh yeah, we got that! A-Town is also a huge urban center for LGBTQ folks, so if you’re straight but not narrow, come, dine, and party with us!
..……….…
115/120 bpm

Written in 2022, I ordinarily don’t compose above 100 bpm but A-Town needed a 2025 refresh — the beats fit ATL.

DAW Apple Logic Pro X
MIDI Akai Professional Keyboard 

E-INSTRUMENTS
Concert Grand 
SoCal Ballad Piano 
Classical Acoustic Guitar 
Flamenco Echoes 
Plucked Bass Arp
Deep Round Synth Bass 
Analog Phaser Pulse
Film Memories synth
Chordal Chimes
Classic Pad 
SoCal Ballad Piano
Ambient Lead
Indian Sitar
Chinese Guzheng Zither
Modern TR-727 Timbales High
Persian Santoor

E-PERCUSSION 
Atlanta Drum Kit 
Beat Machine 
Hip Hop Kit 
2-Step Remix
Pawn Shop 808 Maracas 
Castanets

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop.

2023 Copyright SUNNYBECK 
All rights reserved 2025
..……….…
.

Summertime in A-Town

Travelling with Ghosts

Yesterday you told me that you‘ll leave our home today 
I think it’s okay cause you’re eighteen now anyway

It seems to me like someone pushed fast-forward on my tape
Keep holding back the memories in my head so they won't escape

Farewell my son, be safe when travelling with ghosts
They like to whisper in your ear, the things you fear the most

And when you‘re old and grey like your father is by now
Most likely you will think of me and drop a line somehow

Farewell my son, be safe when travelling with ghosts
They like to whisper in your ear, the things you fear the most

And when the time has come for you to meet your dad again
We‘ll be sitting on our cloud together, smiling now and then 

Happy birthday David!



Thanks a million for pre-listening: Michele, Gary, Judith and Brenda!

Travelling With Ghosts (David’s 18th birthday)

"One day blooms, the next day blusters—spring keeps us guessing and growing."
this quote would perfectly describe my Lovely Niece 🪴😊
Happy birthday to my dear 'Iren'. ❤️

mix & mastering by @bahram-dashtii

Buy/Stream

Iren, the Spring Girl

This song is actually more of a poem. But I only realized that when I tried to set the text to music after I had written it. 
"I count on you" is a song written as a heartfelt thank-you to the quiet companions in our lives — those who stand by us when times get tough. 
Sometimes, these are the people who understand us without needing many words. Sometimes, they are the loyal, four-legged friends who remain by our side through the years. And sometimes, it’s a spiritual presence that carries us through our darkest moments.

This song is about that steady, silent presence — the comforting feeling of not being alone. It reminds us how much strength can be found simply in being there for one another. Some call it friendship, others call it love — some believe it is God. Ultimately, it’s about connection, trust, and the quiet certainty: I can count on you.

A heartfelt thank-you to Andreas and Colter, who deeply inspired me in the creation of this song.

It would mean a lot to me if this song finds a place in your heart and uplifts you when you listen.



I count on you

When everything inside goes quiet,
and I don't know what to do,
when every step feels heavy,
somehow – there’s you.
You never asked for answers,
you just stood there by my side.
In a time that felt so broken,
you were my piece of light.

I count on you 
when the fire’s burning low.
When I feel like fading,
you’re the one who still knows.
I count on you –
not 'cause you're loud or strong,
but 'cause you stay,
when everything feels wrong.

You held my silence gently,
carried every flaw I had.
You saw the parts I couldn’t show,
and never said it’s bad.
You never needed big ideas,
you just showed up as you are.
And in the middle of the night,
you were my northern star.

I count on you 
when hope has gone to hide.
When the world gets smaller,
you still stay by my side.
I count on you 
no questions, no disguise.
You’re the quiet truth
in a world of little lies.

And if the day should ever come
when you can’t hold it all alone –
I’ll be the one who holds you back,
like you have always done.

I count on you 
And you can lean on me
We carry what the other can´t
And set each other free
I count on you 
and hope you feel it too.
Through every broken piece,
I’ve found a friend in you.


Lyrics/Vocals/Music: Axel Menningen

I Count On You

Kintsugi is an art form that embodies the philosophy of wabi-sabi which values the beauty of imperfection and transience. Kintsugi also serves as a metaphor for embracing our flaws and imperfections in life seeing them as a source of strength and beauty and finding resilience in the face of adversity. 

Kintsugi

An improv composition in celebration of the perfect, simple days that bring us moments of happiness and wonderful memories. Wishing more of these days to everyone listening.

The Perfect Day

The final one of the series of rough demos created by Hubert Stytz 
Hubert Stytz: vocals, all instruments, composition and arrangement
Pee Gee       : lyrics

Inspired by the overwhelming beauty of nature and the secrets of meditation ,  calmness  and mystical miracles!
INANNA

There´s a sound as darkness grows
In the moorlands till the nightwind blows
There´s a whisper up in the evening sky
Out in the distance the seagulls cry

Inanna.. Inanna.......Inanna.. Inanna

There´s a glow, a flickering in the air
Causing a change, a change of atmosphere
When the sun goes down , it´s fiery red
The moonlight shines so bright instead

It´s the wind that whispers in my ear
Sweet words of soothing I yearn to hear
As we sit  and watch the glowing stars above
Peaceful hours bring words of love

Inanna.. Inanna..a walk in the moonlit night
Inanna...Inanna..a dance in the shine of the moonlight
Inanna.. Inanna..a kiss in the face of the goddess
Inanna.. Inanna.......

Inanna.. Inanna..a walk in the moonlit night
Inanna.. Inanna..a dance in the shine of the moonlight
Inanna.. Inanna..a kiss in the face of the goddess
Inanna.. Inanna..a touch under cover of darkness

Inanna.. Inanna.. a walk............................................

Inanna

Recording sessions from 14-08-2025 - 18-08-2025.
presets, mixing, processing and editing: Pier WILL.

"Waiting for your sunshine"
Lyrics and singing: Special Cecilia 
Music: Pier WILL

Everything here is clear, simple and limpid... a voice, a synth, an old piano... enjoy listening. 
Pier WILL◄┤❤️🕊️🙏├►

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Sony, 
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Waiting for your sunshine

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Not everyone is on holiday, even in the heat of summer. Some still work while the city falls silent, stretched under a long, empty day. I can’t tell if the man expects something to happen; to me, it feels like nothing will happen today either. Anyway, everything's good.

This is the third in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon

Composed by Michele Ansani (2020-2025 - this is a remake with a lighter sound and standard guitar tuning of a piece I already posted last year: https://soundcloud.com/michele-ansani/imperfections).
All the ambient noises are taken from public sound archives. Female vocals are courtesy by Black Octopus.
Posted on SoundCloud: 2025, August 23.

In case nothing happens - part 3 (noon)*

Using Paul Revere's famous night-time ride alerting people of the coming of the red coats, Light The Lanterns serves as a contemporary warning to light the lanterns again, this time, for the enemy within the US Administration.
Smart people doing wrong always perplexes me.
Religious people supporting wrong raises concerns about faith claims of following truth.
Political parties  and governments oppressing people causes alarms to ring out.

Track 10 from the 2025 Album called Fringe, available at https://www.terrywigmore.com/wigmore-allen-gibbons

Light The Lanterns

V1
In a world that's confusing
When the Sheriffs are the bad guys
When the ones with the masks on
Are putting cuffs on the good guys
When the ones being locked up
May be the ones that we needed

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it


V2 
When they tax the poor ones,
And give it back to the rich ones
When the constitution becomes
the  whim of a convicted felon
Maybe it's time for Paul Revere 
to light the lantern ( to light the lanterns)

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it

How can something wrong, seem so right, for some 
Right for some (yeah yeah)yeah yeah
How can something wrong, seem so right, for some
Right for some 
Something wrong was right
Something wrong not right
Something wrong but right
Something

Wigmore: Lyrics, Vocals, Music, Production
Allen: Lyrics, Vocals, Guitars, Bass

Wigmore Allen Gibbons - Light The Lanterns

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
This is the final part of my small experimental project called „What’s Up?”.
Hope you enjoy the „rockabilly vibe” of this song ! 😎

The lead guitar part was recorded in real time, as always in my songs! 🔆🎸

Thanks a lot for listening and support!
Artur

What’s Up? (Final Part)

08 Sanctuary III:Fujara I

Recorded in 2021. remastered.  I have to have a new way to play the piano. My sister and my son are doing that. They are working out a way to bring the piano to my hospital bed. I can no longer sit up, even in my powerchair. It's too uncomfortable and hard to breathe. I don't have functioning back or abdominal muscles, and I can't lift my head off my chest unless In laying back. Only my arms and hands are semi-functioning. My thumbs are going bad. I can't pull a zipper. I won't be able to play as well and I don't know how I'll work the sustain pedal - but I'll do my best! 😊🎶🎹🎶

Light at The End of The Darkness

Chiara:  Vocals, Girl on the Photography
Nino Chikviladze:  Violin
Ben Juul:  Drums, Mix & Master at Tone Hill, NY
Dirk Taubenheim:  Guitars, Bass, Synths, Vocals

This song is based on a poem by Tim Cannon who passed away three years ago. 
Thanks so much, Chiara & Nino!

Bright Eyes  ft. CHIARA

Dreams of Eternity (Meditation)

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

Light at The End of The Darkness

Sonni Quick

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