Very gentle, like a breeze on the soul, beautiful!

Love the birds in the background ! The layers are beautiful

Wonderfully serene... delicate piano melodies. Listening with the realization that there is beauty in winter, as with all the seasons.

This is the kind of crashing beauty that happens when immersive talent meets expressive emotion and the unnecessary technical linkage is dispensed with.  No-one could sit down to read the notes on a page and present this "appassionata" with the embodiment of spirit that you have, here.

@TheAmbientalist @sonni_quick Pair Of Dice Ann Lov @Heitmannmusic @LaraAusensi @pelegrim Kaori Kataoka 香織リトル片岡 ♥ @PaulPearson_ @XiJaroAndPitch ELLA @SteveAllenMusic @richsolarstone

Who Can We Be Whispers On The Wind #4290

Introducing Ann LoV's latest single - 'Could You...' a vibrant and captivating love song perfect for those balmy summer days.

With its progressive melodies and airy vocals, this track will transport you to a world of romance and nostalgia.

Hit play and let Ann LoV's delicate and soulful vocals serenade you as she sings about potentially finding 'The One'.

Available on all streaming platforms and Bandcamp. Due for release on Beatport 31st May. 

https://annlovmusic.bandcamp.com/track/could-you-original-mix

Written, performed, produced, and mixed  by Ann LoV. 

Mastered by Lee Howe.

Could You (Stream Edit)

Buy/Stream

Could You - Ann LoV (Stream Edit) [Inner LoV]

In this track I used piano, electric guitar, Korg Minilogue, Rhodes, electric bass, drums and djembe.
Thank you for listening !
Composition: Julien Apelian
Recording studio: Audio Colors
December, 13th, 2024

Thrive

This music has be been edited and mastered from an upload several years ago that needed new light shined upon it.  I hope you enjoy.

Someone Time Forgot (remastered)

Music Video: https://www.youtube.com/watch?v=JzErZoRVyrM

Composer Eric Heitmann and Vocalist Lara Ausensi's second collaboration, The Forest Deep is an ambient epic tale of discovery, wonder, and magic; a quest by moonlight through a mystical forest realm.

The Forest Deep

I was looking out my front window the other day, getting ready to warm up my fingers to play my piano. I sat there watching the weather. It was cold and windy. It wasn't a day that invited you to go outside and enjoy the day. It was January, and springtime with green leaves and flowers were a long way off. I am not a cold weather person. I hibernate in the winter, and don't leave my house unless I have to. As I sat there I started to play a melody with my right hand, and this is the music I recorded that day. If you listen, you will hear the weather - wind, rain, thunder and birds that give you hope and beauty that Spring always follows Winter - every single year. Year after year after year. It doesn't ever get out of order. So I tell myself, "Be patient. Don't wish your life away. It goes by fast enough without wishing Spring were here already." I sigh, and go back to creating music.

Whispers On The Wind

Nearly two years ago, I released one of my favorite tracks from my discography, Who We Are. It was both a question and a statement, examining the essence of our identity. 
Now, as my first release of the year, I’m excited to introduce Who Can We Be, a song that explores the potential of who we can become when we commit our time and energy to growth.
Musically, the song  centers on a repetitive, two-note piano motif with subtle variations, symbolizing how we evolve through life while retaining our core essence. The harmony undergoes shifts throughout, mirroring the changes and transitions we all experience on our personal journeys.
I hope Who Can We Be resonates with you and perhaps inspires you to reflect on your own potential.
Much love ❤️

Follow me:
- YouTube discography: https://bit.ly/41pyFKh
- Spotify discography: https://spoti.fi/2HImqEc
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- Instagram: https://www.instagram.com/the.ambientalist/

The Ambientalist - Who Can We Be

🙌 Cortinas.
🎧 https://open.spotify.com/track/7BpPPoHKp03s28qj6HPfDA
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🧡 Pair Of Dice
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💿 Suggested track: https://youtu.be/j3jQYs1ek64

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#ambient #classical #relaxing

Watch on YouTube 🧡

Pair Of Dice - Cortinas

Original composition by Neno J. (April, 2025.)

No Name Waltz (Guitar solo)

https://soundcloud.com/plex-auchta - bass guitar and drums
lil' spaceman - beatbox and vocals

susie's got an uzi

https://too.fm/ro65pg4
"All" is a deeply emotional orchestral arrangement based on Anastasiya Ihnatovich’s piano composition. The piece evolves from delicate, intimate textures to powerful cinematic moments, blending lyrical melodies with rich harmonic depth. It is a musical journey full of longing, warmth, and a touch of melancholy.

Thanks to the incredibly talented @anastasiya-ihnatovich for providing and sharing this wonderful composition.

Watch the Video on Youtube: https://youtu.be/BFBwKQEJkTY

All (Orchestral Version)

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Woodwinds and Percussion No. 2

Summer Day w/Rob Olsson on Bass

Synths, electric guitars and electric bass guitar played to a relaxed, positive vibe.

A slower pace of life

gehirn

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

Wow, hadn't realised what a journey SoundCloud would take me on.  After many years of passive listening to music I've dieted on a variety of tastes. My appetite for new sounds is undiminished and SC provides plenty of food. I am not a musician and have only recently started to listen positively to the sounds. My early years began listening to music from ABC, The Beatles, The Carpenters Dire Straits Eagles Fleetwood Mac Genesis Elton John Led Zeppelin Gilbert O'Sullivan Rod Stewart Supertramp Tangerine Dream Vangelis The Who and many more.
If you can't spot a trend in my current likes it may be because it is diverse. I love listening to all my playlists which contain tracks that I like and if you like any of the music you must thank the artists not me.

Whispers On The Wind

Sonni Quick

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