https://www.sonokinetic.net/focus/
“Path To Valhal” rescored!

We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, 
the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”!

As a composer, there are specific musical rules that you have to obey, and one of them is that there always has to be contrast. A loud
passage will not sound really loud unless it’s contrasted by a 
softer counterpart and a climax cannot arrive without a journey
 to get you there.

We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
There are a lot of beautiful beds with different playing
techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. 
For Sotto we further expanded our voice leading concept 
to get even smoother transitions 

between chords. The combinations of different phrases and 
sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other 
Sonokinetic orchestral products.

To add intimacy we have included a breath slider for 
woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your 
compositions and feel we have succeeded in doing just that. We hope you agree.

Sonokinetic Focus Feature Sotto

https://sonokinetic.net/products/classical/sotto?ref=sottosoundcloud
Orchestral sampled instrument for delicate moments and deafening silence. We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”. As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there.  We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library. Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive. There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products.  To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it. Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto

Nice

Minimalism

Bab Aziz - Armand Amar

Jinora's Light

Sonokinetic Focus Feature Sotto By Kaizad & Firoze Patel

License on Musicbed: https://www.musicbed.com/songs/the-great-wonder/10227

Follow Ryan Taubert:

Instagram: www.instagram.com/ryantaubert/?hl=en
Twitter: twitter.com/taubertryan
Facebook: www.facebook.com/ryangtaubert
Spotify: open.spotify.com/artist/79jExF7jUg31BFtXAmru1k
Soundcloud: @ryantaubert
Website: www.ryantaubert.com

The Great Wonder

'Promise of Spring' is from the forthcoming album 'Music to an unborn film', too be released in late 2014 More info here: http://bit.ly/1fIODlM

Petur Jonsson | Promise of Spring

Musicbed

Deeper

Here's the instrumental version of my extended cover of "Tower of Mistakes" from Steven Universe. Free for anyone to use, just make sure you let me know so I can enjoy your version too :)

Music and lyrics by @jeff-liu
Artwork by c0si: http://fav.me/d91lv8p

Guitar tab (original version): https://dl.dropboxusercontent.com/u/46480801/Tower%20of%20Mistakes%20guitar%20tab.pdf

Tower of Mistakes (instrumental)

https://sonokinetic.net/products/classical/sotto
Orchestral sampled instrument for delicate moments and deafening silence. We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”. As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there.  We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library. Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive. There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products.  To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it. Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto Demo -Discovery- (Lib Only) By Franck Barré

Sotto Demo -Enchanting- By Marie - Anne Fischer

Sotto Demo -A Beautiful Goodbye - By Dirk Ehlert

Sotto Demo -Valkyrie's Blessing- By Douglas Helsel

Sotto Demo -Ship Of Dardael- By Piotr Musial

Sotto Demo -Discovery- By Franck Barré

https://sonokinetic.net/products/classical/sotto
Orchestral sampled instrument for delicate moments and deafening silence. 
We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.
As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there. 
We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive.
There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products. 
To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto Demo -Seventh Sotto- By Reuben Cornell

Sotto Demo -Interception- By Valentin Boomes

https://sonokinetic.net/products/classical/sotto?ref=sottosoundcloudsascha
Orchestral sampled instrument for delicate moments and deafening silence. 
We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.
As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there. 
We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive.
There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products. 
To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.

Sotto Demo -Tides Of Time- By Sascha Knorr

Last Day

It is, once again, the most wonderful time of the year. For all of us struggling to feel like it's Christmas, let me whisk you away to a magical land for just a few moments with "Immanuel."

I chose to blend my favorite melodies from two songs: Carol of the Bells and Veni, Veni, Emmanuel (O Come O Come Emmanuel) into a seamless piece of music. Because of the complex nature of these songs, I decided not to include lyrics - rather to accentuate my favorite pieces of each song with cello, fiddle and mythical vocals. Enjoy - I've made downloading free as a celebration of everything good, wintry, Christmas and magical...

Tony

Cello: Chris Coleman
Fiddle & Textural Vocals: Maggie Lander
Voice: Timbre Cierpke
Art Direction: Luke Atencio

The melodic content from Carol of the Bells and Veni Veni resides in Public Domain - Immanuel has been published through Tony Anderson Music, all rights reserved. Licensing can be brokered through my representation at Music Bed:

https://www.musicbed.com/artists/tony-anderson/7054

iTunes

Immanuel

Apotheosis - 'Rush to me'

Always Summer

Walker 1955 Concert D - Phil Lober - Eyes First

Internally Fractured Rhythms

The Banquet

Music by Immediate Music
Album TRAILERHEAD : TRIUMPH


Immediate Music - Destiny Of The Chosen

Please support Two Steps From Hell and buy brand new Album "SkyWorld": https://itunes.apple.com/us/album/skyworld/id573729318

Two Steps From Hell - SkyWorld

Liz On Top of the World (From Pride and Prejudice 2005 Film) by L'Orchestra Numerique

Sonokinetic is renowned for producing very original top quality sample libraries and digital musical instruments
Sonokinetic provide high quality yet affordable sample libraries. Ranging from  authentic vocal and instrumental multi-samples & performances to next-level symphonic phrase based instruments to more traditional instruments, Sonokinetic products cover a lot of ground. Using only the best instruments, acoustics and technology and hiring top-notch musicians for recording we try to deliver the best tools for our customers.
We take great care in ‘translating’ the recorded material to highly usable instruments whilst preserving the characteristics that made us want to record it, and making sure our products can add realism to any track. Please feel free to contact us for any of your questions or feedback on our products or company.
And enjoy our products!
CEO Son Thomsen