one of the best tracks ive heard in a while good job

Fallen Angels

1834 
1834label.wordpress.com 

ET-097 
1834.bandcamp.com/album/et-097-sea-of-solaris

released January 7, 2022

Sea Of Solaris (excerpt)

Bollas

Taken from my album, 'New Sands'. Download the entire album here:

https://soulcraft.bandcamp.com/album/new-sands

Zeus' daughter's sister

Exploring double feedback among Makenoise Mimeophone and Erbeverb.

Feedback 1

TDA038 - Soprano Laments 'Gliss'

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

Field recording based composition by Alëna Korolëva, with voice of Eki Shola.

Recorded in marble quarries near Borba, Portugal, October 2022.

Strange but true fact: mining is responsible for nearly half of the world’s economy. The history of mining around the world can be read in the open scars that have been left when the sought after resource has been extracted. In these wounds, often larger-than-life pits abandoned by humans, new forms of life have gathered. Inverted Mountains is a documentary record of one of these spaces. 

Portugal’s Borba Region is rich in marble, 400 pit mines dot the landscape, all but 50 are abandoned. In 2018 a wall of one of the biggest quarries collapsed and buried five people in a landslide.

This track offers a detailed examination of sunset at the bottom of the pit, four years after the accident. Pigeons circle in the lower levels, offering a sound of wings, while starlings and swallows gather near the mouth of the pit, 50 meters above. The natural echoing acoustics of the steep walls allow each bird cry to resonate in a living delay, as if there were thousands not hundreds of birds gathering here. At the very end, the lonely bird song is echoed by a human voice, calling out in a plaintive wordless cry, the ghost of all those whose lives were lost in this forsaken place.

Inverted Mountains

New single inspired by the cult movie Terminator 2.
The challenge was to make the soundtrack of the "No Fate" Scene of the movie.
https://awitw.bandcamp.com/track/no-fate-single

No Fate (Single)

No Fate

Epitaph (for Theo Calis 1960 - 2020)

Martin Hoogeboom: guitar/loop station
Marlon Wolterink: mastering

Theo and I have worked on countless music projects over the past 40 years. I have learned a lot from his stubborn and headstrong views and methods of recording and mixing music. His influence on my soundscapes is immense. In 2014 we both enjoyed working on “Where Do We Go From Here?” (2014 - Etched Traumas - ET77) which became also part of the soundtrack of Australian short movie “Grid Face”. Pieces for acoustic guitar and loop station.

In 2017 I worked on a sequel, the guitar suite "Licht". 
“Epitaph (for TC)” is originally a demo version of one of the pieces but unused in the “Licht” version as it appeared on CD (2018 “LIght / Well” - Thirsty Leaves Music - TLM019). Due to Theo’s health problems it was not possible to collaborate on this project but he appreciated the sober minimal guitar pieces for what they were.

I will remember Theo with great respect for the rest of my life.

Martin

Epitaph (for TC)

Comment les sons s'écoulent.
Comment les sons découlent, les uns des autres.
Comment les sons s'écoulent-ils les uns dans les autres.
comment un son, d'abord contenu, peut-il se déverser
Et nous offrir une surface
Sur laquelle nous pourrions pratiquer divers sports.
Comment une corde pincée pourrait-elle devenir
Le support mouvant de nos déambulations

pièce instrumentale pour 14 musiciens:Clarinette Basse; Contrebasson; 2 Trombones Basses; 2Timbaliers; Harpe; Piano; 2 Altos; 2 Violoncelles; Contrebasse)  
joué au CNSMDP par les étudiants
enregistré par le service audio visuel

Comment les sons s'écoulent

Electronic artist & composer 

All things.

Zeus' daughter's sister

Soul▲Craft

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