dj / Promoter... owner and founder 
of freespirit & chemistry events..

love music in all it's glory....

House Music Curator | Podcast Series | Free Download Tracks.

Barcelona, Spain.
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Welcome to MHB! Dive into the world of electronic music with our curated selection of all kinds of Melodic House Music. Enjoy our exclusive podcast series and discover tracks for free download. Tune in and let the smooth sounds elevate your vibes. 

Please submit Premiere, Repost and Free Download request to : https://forms.gle/6FQnhWgiGX99RpX87

Luke Brancaccio is a DJ and producer of global experience and escalating renown. His musical evolution has lead him from frontman of the British band “Suicide Sports Club” and the chart-topping production partnership of Brancaccio & Aisher to headlining international events and featuring on the cover of DJ Magazine.

A perennial of Bedrock, with whom he has had more releases than any other artist, he has also signed with Circus, Selador and Crosstown Rebels, and his cutting-edge tracks have swept the charts, generating several number ones. Widespread critical acclaim has lead to collaborations with Nick Muir and John Digweed.

Now at the vanguard of his craft, he has just remixed a brace of classics; Air and Beth Hirsch’s “All I Need” for Last Man Music (the label of Maceo Plex, Solomun, UNKLE and Bookashade), and Rockers Revenge’s “Walkin’ On Sunshine”. An album is on the way.

instagram.com/artchemusic
facebook.com/artchemusic

Management: Danny Whittle - dannywhittle@me.com
Bookings: dannywhittle@me.com

Hailing from Dublin, Ireland, Stephen 'Soulfinder' Hogg has had a passion and a love for electronic music from a very young age. Inspired by artists such as Sasha, and other monoliths of progressive house music, Soulfinder knew it was his destiny to eventually follow in the footsteps of these musical masterminds. Before long He had his very first release published on Outside the Box Music. In 2009 he was voted best newcomer and his debut album Wasteland was voted album of the year on Swiss National Radio. Fast forward to 2021 he has now released on multiple labels. He was a regular DJ at ADE for many years playing alongside Nick Warren & Hernan Cattaneo with his former management Groove Collection.

Musician,Composer, Dj.......... Live DJ for Onallee, Head of audio production for the hit TV show "It's peak unplugged".  Blowpop UK, superstyling ZA, Soho house NYC. Innereyefull, Ways And Means. 
Producer, Mastering engineer............ React, Relative dimensions, Blowpop records, On A Break, Boink music,
Wabantu music, Yucatech records, Surgery music, Domina records, Frillbeats, Flectual, Kamikazi records, DFA.
TVC/RC, VO and Radio Audio Producer.......... Over 30 TVCs and Rc's audio produced. Bonjourno, BMW, Courvoisier.
Pirate Fm Station producer.
Foley composition ( Film,TV). Sabc3(prime time series). Mnet(feature film).

It’s not progressive if it doesn’t push music forward: this is the position held by KSTEELE. Be it the next track in his mix or his ambitions out on the horizon, the Denver DJ always keeps it real and keeps it moving.

KSTEELE is the forerunner of #properPROG — less a genre and more a philosophy of sonic exploration. His refusal to conform has yielded an unpredictable style that holds captive house, techno and trance fans alike in rooms like Temple Denver, Bar Standard, Club Vinyl, and Meow Wolf Denver. Only a few short years into his electronic music career, he’s beginning to rapidly accelerate.

It’s a rare sort of confidence that allows KSTEELE to rise above the tribalism that plagues modern dance music. It only makes sense, though, as he’s no stranger to going against the grain.

Born Kalib Steele in Colorado Springs, he first fell in love with trance at boarding school when he found “For An Angel” by Paul van Dyk on a friend’s iPod Nano. He played the track on repeat every day. Even without access to a community who shared his newfound passion, he then explored much of the electronic music landscape on his own before graduating high school.

2013 marked a turning point as Steele touched down in Denver and immediately got involved with Global Dance, the city’s largest electronic music event brand. Doors opened to a world even bigger than the one he envisioned when he heard the otherworldly melodies of his formative influences. He started out as a promoter and quickly worked his way up to A&R.

It wasn’t until much later that Steele entertained the idea of performing himself. By 2017 he was constantly dazzling established artists in the trance-progressive arena with his knowledge of cutting-edge tracks on obscure labels. After enough respected tastemakers pushed him to take up DJing, he finally made his way to the other side of the decks.

KSTEELE debuted at Denver club Bar Standard in December of 2019. He was billed as the opener, but by the time his set ended he had a crowd that any local DJ would envy. More importantly, he demonstrated to all the right people in the city that his passion for music had manifested as a talent for music curation.

The years since have been kind to KSTEELE. His résumé now includes gigs at Club Vinyl, Larimer Lounge, Knew Concious, Temple Denver, Your Mom's House, Milk Bar, Global Dance Festival, X BAR, Meow Wolf Denver, Disco Pussy Las Vegas and both the Denver and Las Vegas iterations of Techno Taco Tuesday. 
He has played support for such well-known artists as Tinlicker, Jody Wisternoff, Simon Doty, Cristoph, Matt Lange, Charles D, John Monkman, Hannes Bieger, Grum, Moon Boots, Shay DeCastro, Qrion, CRi, Estiva and Matt Fax. KSTEELE also boasts strong ties with Denver promoter TheHundred Presents, Knew Conscious, and techno/progressive label JourneyDeep Records.

KSTEELE has covered this much ground in such a short period of time because he’s building something bigger than himself. It’s not lost on him that he’s among a small handful of Black artists active in the trance-progressive range of the electronic music spectrum. He wants his success to lead the way for others in his shoes who might not otherwise see a place for themselves in this community.

At the same time, KSTEELE attests that proper progressive is not a creative range at all. He believes that every piece of music is unique in itself, and whatever meanings we give to the words that become genres will never measure up to the sounds themselves. His drive to unearth a diverse array of forward-thinking gems is what makes his music progressive. His seamless mixing, stage presence, and immediate connection with the audience is what makes it unquestionably proper.

Listen closely enough to the moments that make up a KSTEELE set and you can hear the omen of a not-so-distant future. One thing is for sure: There’s no telling where the #properPROG movement will take him next.

Soulfinder is following