Very nice soundtrack.  Could picture this in a fantasy/medieval setting. Has that feel to it with the strings

I never thought... we’d see each other
Just where we met, so long ago
Shy soft glances we shared back then
Repeated over with sad regrets

I can’t believe... It’s you beside me
You look just like..., so long ago
When you smiled and you talked too much
When you were nervous... it made me laugh

We both have moved on, I've got a family
There’s nothing left for us to share today
It's the way we used to be
Shadows in the past

That little spark....That made me love you
I see it's back again tonight
There not room left for me and you
and closing doors won't make it right 

So how are you? I guess you’re married
Are you still working for the company?
Never knew you at all that well 
I had a chance, but... that boat has sailed 

We used to be... so good together
It seems so many years ago
Many summers have passed us by
They Fade to brown then into grey 

We both have moved on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

Still in the past... My heart is racing
I want it back... But I just can't.....
Everything that we used to share
It's broken now.... can't be repaired...

We both must move on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

I have to go
I need to go
It was so nice ..But oh
It's the way that we used to be
Shadows in the past


Album - Hopes and Dreams (C) 2019
Song - Shadows in the Past
Music - Russell Lucas and  Tania Knight
Lyrics - Tania Knight
Vocals - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas 
Mixing - Romano Erafficci

Shadows In The Past (EP - Hopes and Dreams)

Try it on is a short psych garage rock track. This track is influenced by the likes Primal Scream And 60's American Psychedelia bands.

Try it On

Try it on

Jam with XAW on guitar and SA on percussion focused on cymbal and small gongs.

Sooth

Night Adventure

All music stuff by me.

Special Thanks to Dani Ford and Kahlan Davis.

Cover by Oberholster Venita (Pixabay)

The Death of Me (Beloved Mix)

The Death Of Me (Beloved Mix)

Days in the Sun

https://www.universaledition.com/miguel-angel-rivera-benard-8292/works/from-one-hand-to-the-stars-33892

Prepared String Trio (violin, viola and violoncello) recorded by mdi Ensemble.

This piece was created as part of the FONCA Jóvenes Creadores with my project FIGURACIONES SONORAS.

From One Hand to the Stars

'In My Room' is song from my new album 'Felt My Piano'. Enjoy

Felt My Piano

In My Room

Nashwille - In My Room

ANOTHERRRRR EXPERIMENT FOR ME! STILL IN WORKS AND IT'S DEF DIFF AND I LOVE IT! I HOPE Y'ALL DO TOO! I WISH MUCH HAPPINESS TO Y'ALL XOXOXO!

KRAE-   'TENSE'                    _INSTRUMENTAL FOR NOW_

https://soundcloud.com/temple-of-the-haunted-man/sets/keep-the-streets-empty-for-me

Silent Tide

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - IV. Effects Pedal

Experimental music that ranges feral beyond human constraints. 

The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker. Dystopian Inspirational for noble outlaws.

Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...

Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.

My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.

Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.

Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.

Night Adventure

Sound Animal

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