House of Disco is a record label run by Magnier which is dedicated to unearthing joy for your earlobes

For bookings email: 
david@thebuildingsociety.agency

DJ // Remixer // Vinyl Junkie



Heroes:

Larry Levan, Stevie Wonder, F.G.T.H., Francis Grasso, Ron Hardy, Norman Whitfield, Earth Wind &amp; Fire, Joaquin "Joe" Claussell, Prince, Brian Eno, Michael Jackson, Norman Harris, Josh Milan, Kraftwerk, Kenny Dope, Walter Gibbons, Nile Rodgers, Bernard Edwards, Kevin Hedge, Randy Muller, Patrick Adams, Peter Brown, Tears For Fears, Nicky Siano, Giorgio Moroder, Kevin Saunderson, The Police, James Brown, Arthur Russell, Chaka Khan, Jephté Guillaume, Trevor Horn, The Clash, Danny Krivit, Louie Vega, Dan Hartman, Frankie Knuckles, Tom Moulton, David Morales, Tee Scott, Francois Kevorkian, David Mancuso, Wally Badarou... too many to mention...

Maria Callas was born Maria Anna Sophia Cecilia Kalogeropoulou in New York on 2 December 1923 to Greek immigrant parents Evangelia and George Kalogeropoulos. In 1937 Evangelia separated from her husband and returned with her two daughters Maria and Jackie to Greece, where she intended to give them the musical education she could not afford in America. Maria began her vocal studies with the soprano Maria Trivella and the following year she became a pupil of Elvira de Hidalgo, who concentrated on coloratura training. The young Mary Kalogeropoulou, as she was then known, made her stage debut at the age of 15 as Santuzza in a student production of Cavalleria rusticana, and in June 1940 she joined the National Theatre company in Athens, and her first engagement was to sing songs in Shakespeare's Merchant of Venice at the Royal Theatre.

On 21 January 1941 she made her professional operatic debut as Beatrice in Boccaccio, and on 27 August 1942 she sang her first Tosca (in Greek) at the open-air Park Summer Theatre. There was a further run of performances of Tosca in September at which the opera was sung in Italian, and these afforded Maria her first real taste of stardom. During the following three years with the company she also sang in Tiefland, Ho Protomastoraas, Cavalleria rusticana, Fidelio and Der Bettelstudent.

As soon as the Second World War had finished, Maria decided to return to the USA to further her career, and in September 1945 she sailed for New York to be reunited with her father. Now calling herself Maria Callas (adopting the surname that her father had devised back in 1929) she failed to achieve anything until Giovanni Zenatello, who was in the USA to find singers for the 1947 Verona Opera Festival, engaged her to sing in La Gioconda.

Callas arrived in Verona on 28 June, and on that same evening she met Giovanni Battista Meneghini, a middle-aged wealthy Italian industrialist and opera lover, who immediately began to take an interest in the gauche and inexperienced girl. On 2 August she made her Italian debut in the Arena at Verona in La Gioconda, conducted by Tullio Serafin. The performances were successful enough but Callas made no special impression and the expected offers of further work did not materialise. But Serafin knew that she had potential and he engaged her to sing Isolde in Italian at La Fenice in Venice in December, and this led to further engagements in Italy, mainly in heavy dramatic roles like Turandot and Aida.

On 19 January 1949, having just sung her first Brünnhilde in Die Walküre eleven days earlier, Callas, at the insistance of Serafin, replaced the indisposed Margherita Carosio as Elvira in I puritani at La Fenice, and her performance stunned the operatic world. This was the turning point in Callas's career and the start of her involvement in the rehabilitation of the Italian bel canto repertoire. On 21 April 1949 Callas married Meneghini in Verona and sailed that night for Argentina to sing at the Teatro Colon in Buenos Aires. Helped by Meneghini as both husband and manager, Callas developed her career in Italy and abroad during the next two years. On 7 December 1951 she opened the season at La Scala, Milan, in I vespri siciliani to enormous acclaim, and for the next seven years La Scala was the scene of her greatest triumphs in a wide range of roles.

On 29 July 1952 Callas signed a recording contract with EMI, the first fruit of which was Lucia di Lammermoor, recorded in Florence in February 1953. Later in the year Callas began a series of complete opera recordings with the forces of La Scala, starting with I puritani and Cavalleria rusticana conducted by Serafin. These were followed by the now legendary Tosca conducted by Victor de Sabata. In 1954 Callas reduced her weight by 30 kilos and her appearance changed dramatically.

During the summer she recorded a further four complete operas at La Scala and made her first two recital discs in London. Over the following three years she consolidated her position as one of the leading divas of the operatic world, and continued to record prolifically for EMI.

In September 1957 Elsa Maxwell, the American society hostess, introduced the Meneghinis to the Greek shipping magnate Aristotle Onassis at a party in Venice. In January 1958 Callas was harshly criticised in the media for withdrawing after the first act of a gala performance of Norma in Rome. Later that year she decided not to appear again at La Scala after quarrelling with the director, and she was fired from the Metropolitan in New York after failing to agree on performances for the following season. In July 1959 Onassis invited Callas and her husband for a cruise on his yacht, the Christina; by the end of the cruise Callas and Onassis were lovers and the Meneghini marriage was over. During the next few years Callas curtailed her stage appearances and devoted herself to the international high life with Onassis, until by 1962 she was performing only at a few concerts.

In January 1964 Franco Zeffirelli persuaded Callas to return to opera at Covent Garden in a memorable new production of Tosca. In May she appeared in Paris in Norma, directed by Zeffirelli, in a spectacular staging that was to be her last new production. During the early part of 1965 she sang further performances of Tosca in Paris and New York, and then five performances of Norma in Paris, but she was unable to finish the last one due to ill health. She was advised on medical grounds to withdraw from her next performances of Tosca at Covent Garden but she decided to sing just once; she chose the Royal Gala on 5 July, which turned out to be her final appearance on the operatic stage.

In 1966 Callas relinquished her American citizenship and took Greek nationality, thereby technically annulling her marriage to Meneghini; she expected Onassis to marry her but instead, two years later, he married Jacqueline Kennedy. Callas was devastated. In the summer of 1969 she played Medea in a non-operatic film of the play by Euripides, directed by Pier Paolo Pasolini, and in 1971-2 she gave a series of Master Classes at the Juilliard School of Music in New York. There she met up again with her old colleague, the tenor Giuseppe di Stefano, who persuaded her to undertake an extensive international recital tour with him. The tour, a personal triumph but an artistic failure, began in Hamburg in October 1973 and continued into 1974. The final concert with di Stefano took place in Sapporo, Japan, on 11 November 1974; this was Callas' last public performance.

Onassis tried to rekindle his relationship with Callas, but she refused to have him back while he remained married to Jacqueline. On 15 March 1975 Onassis died after an operation; Callas was by then a virtual recluse. Alone in her Paris apartment, she died from natural causes on 16 September 1977.

DJ Bookings: bookings@redrackem.com

Monthly Masterclasses from the best artists on the scene and Music Producer Mentoring: patreon.com/redrackem

Join My Music Producer/DJ Mentoring Community: https://linktr.ee/howiprogram

DJ, Producer, Label Owner, Broadcaster, Teacher, Writer, Husband, Father

Remixes/Licensing: danny@redrackem.com


Danny Berman aka Red Rack'em is described by Juno Records as 'one of the most respected figures in UK underground house circles'. Creator of classics 'Wonky Bassline Disco Banger' (hammered by DJ Harvey, Moodymann and even Elton John), 'In Love Again', 'How I Program', 'Kalimba', 'Tomato Pope', he's also a much loved broadcaster working with SWU.FM, Rinse FM, WWFM and NTS and guest spots on BBC Radio 1 for Pete Tong, Mistajam and Gilles Peterson. He's been even more busy during the pandemic supporting other artists with his 'How I Program' music producer community.

Since returning to the UK (after 8 years in Berlin), he's been releasing killer records like 'Wonky Techno Banger', 'Overthinking' and his Red Baron collab with Ron Basejam from Crazy P (huge support from Gerd Janson, Avalon Emerson and more), as well as undertaking huge tours of USA, India and Asia playing at clubs like Tag in Chengdu (Chinas Berghain), Rhonda in LA (one of the hottest pan sexual parties in the US) and Smart Bar in Chicago.

He's a super adaptable DJ, just as comfortable playing blazing disco boogie at Pickle Factory in London, deep house at TV Lounge in Detroit or raw swingy techno at Mothers Finest in Berlin.

Playing With 
KiNK, Nikki Nair, Cinthie, Maurice Fulton, Jennifer Cardini, Objekt, Crazy P, Jamie 3:26, Folamour, Leon Vynnehall, Carl Craig, Move D, Ian Pooley, Charlotte De Witte, Gerd Jansen, Paranoid London, Kerri Chandler, Tama Sumo, Bambounou, Tim Sweeney, Tygapaw, Budino, Jeremy Underground, Mike Huckaby, Hieroglyphic Being, Kyle Hall, CC Disco, Bugz In The Attic, Demi Requisimo, Klose 1, LNS, K Hand, Waze & Odyssey, Andres, Wbeeza, Redlight, Beautiful Swimmers, Nick The Record, O Flynn, Rebecca Vasmant 

Notable DJ Bookings
About Blank Berlin, Tag Chengdu, Smart Bar Chicago, TV Lounge Detroit, Potato Head Bali, XOYO London, Terminal V Festival Edinburgh, Propyard Bristol, Mona Paris, Rare Aberdeen, Fly Edinburgh, A Club Called Rhonda Los Angeles, Le Zoo Geneva, Decks On The Beach Beirut, Mad Racket Sydney, Novel Melbourne, Sugar Adelaide, Mutant Disco Tallinn, Radion Amsterdam, Boiler Room London, Mixmag Lab Amsterdam, Worm Disco Club Bristol, Bambis Toronto

Festivals
Alfresco Festival UK, Love International Croatia, Southern Soul Festival Montenegro, Melt Festival Germany, Bestival, UK, Under Festival Latvia, Tallinn Music Week Estonia, Secret Garden UK, Glastonbury UK, Mothers Finest Germany, Highest Point UK

Live Streams
Hoer, Mixmag Lab, Boiler Room, United We Stream, be.at tv - Wax Hounds, Melt Festival

Radio Appearances
Gilles Peterson ‘Worldwide Awards Live Mix’ BBC Radio 1, Pete Tong ‘After Hours Mix’ BBC Radio 1, Mistajam ‘Old School Disco Mix’ BBC Radio 1, Nemone ‘Resident Mix’, Blessed Madonna ‘Track Of The Summer’ BBC Radio 1, Blessed Madonna ‘One To Watch’ BBC Radio 1
 
Quotes about Red Rack'em

'This guy has been making great records for over a decade' Gilles Peterson live on 6 Music

‘He's making really great left house music which is thoughtful but would still work at the more peak times!’ Midland

'If there's anyone to watch it's this guy' - Blessed Madonna live on BBC Radio 1 

'This track is called Wonky Bassline Disco Banger and you can't beat that!' - Elton John live on Apple Beats 1 Radio

'The UK master of House, Disco and Techno' - Groove Magazin

'Moodymann just bought a copy of Wonky Bassline Disco Banger' - Phonica Records

’He has now firmly established himself as one of the most interesting producers and disc jockeys on the circuit - The Ransom Note

Grammy-nominated producer / DJ.  
Mgmt: funkfarmproduction@gmail.com  
Bookings: james@epikaartists.com

BUY "SYSTEM OF LOVE EP" OUT NOW digital
https://dothetaboo.bandcamp.com/album/mamacita-bryan-kessler-system-of-love
BUY "ANTOLOGÍA DEL DRAMA" CASSETTE
https://mamacitadahousecat.bandcamp.com/album/antolog-a-del-drama-spdbmm002
Please Help Me Buying my music on bandcamp
(link below)
Por favor ayúdame comprando mi música en bandcamp
(link abajo)
"chilean dj, singer and producer Mamacita, one of the most important female voices in house music, not only in Chile, but also in Latin America, becoming one of the few Latin singers who uses the influences of Chicago House and soul music to compose romantic songs which are already dancefloor anthems. The Diva House of the southern hemisphere!"
(Djs pareja, arg @djs_pareja )

Contact: music@kelpe.co.uk
EU bookings: natha@tempestofnoise.com

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label@burekmusic.com

NOTICE: DON'T SEND US DOWNLOAD LINKS, DROPBOX LINKS ETC. ONLY SOUNDCLOUD DEMOS PLEASE!!

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