SOunds so great man ... the energy here is mind blowing ..

Rust Prime is the ultimate metallic sound design instrument, spanning the infinite sonic possibilities of resonant metal in every form and variety. It's built for the free Kontakt Player by Native Instruments and compatible with all NKS hardware.

Rust Prime

Craig Peters demo is a track using the sounds from Hyperion Strings Ensemble blended with other libraries.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Craig Peters - Unleash The Necromorphs - Hyperion Strings Ensemble

Chris Cutting's demo is a track using the sounds from Hyperion Strings Ensemble blended with other libraries.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Chris Cutting - 1 And 2 - Soundiron Hyperion Strings Ensemble

This examples are using only the sounds of Hyperion Strings Ensemble.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Close Mics Trem And Shorts (Library Only) - Soundiron Hyperion Strings Ensemble

This example is using only the sounds of Hyperion Strings Ensemble.  

This orchestral string library brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Stage Mic Legato (Library Only) - Soundiron Hyperion Strings Ensemble

This example is using only the sounds of Hyperion Strings Ensemble.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Far Mic Swells (Library Only) - Soundiron Hyperion Strings Ensemble

Brandon Kootnekoff's demo uses a combination of sounds from Sick Ultimate blended with other libraries.

Sick Ultimate includes 8 libraries covering a huge range of disturbing SFX, atmospheres, instruments and special effects. It features over 17,000 samples, 20+ GB of sample content and 169 nki presets with advanced GUI features and sound design tools.



Dark Summoning

Andreas Holmebukt - Earthmovers (Library Only) - Soundiron Rust Prime

Gregory Para - Where Did They All Go  (Library Only) - Soundiron Rust Prime

Chris Cutting - Painting With Colors (Library Only) - Soundiron Rust Prime

Craig Peters - A World Left Behind - Soundiron Rust Prime

Ras Munch - Blood & Chrome (Library Only) - Soundiron Rust Prime

Thawing into motion, ever rising to the breaking point

Spanner

The ever pressure of time, not running out, just running. Momentum forces expression. Time is all that lets us speak. 

This is a song made with the Korg Module version of Soundiron Voice Of Rapture - The Soprano, using only the chromatic articulations and effects. The drums are from Soundiron's Knockout Drum. The bass line is Fab Filter Twin. No other sounds or instruments used.

Speaks

Brad Halverson's official demo for Rust 2, featuring just elements from the library itself.

Originally released in 2009 by Tonehammer, this 2nd volume in the 3-part Rust series is dedicated to prepared metal percussion elements, focusing on darker elements and the most remote locales, often involving quite a bit of urban exploration. Some elements are tonal, while others are percussive or long chaotic cinematic-style effects. With over 3000 samples, Rust II covers over 80 different "instrument" types, including bunker blast door slams and creaks, massive col war era tactical ballistic missile loading rack percussion, mechanical prison cell doors, iron bathtubs, massive metal stairways, giant steel I-Beams, long aluminum rods, a 25-acre metal sculpture park and more. The instruments and surfaces have been struck with drumsticks, mallets, hammers, hands and feet.

The newly updated version 2.0 features updated key and zone-mapping and playability refinements. It also now features a completely redesigned modern user interface offering full real-time control over every aspect of the sound. CC and GUI based smooth automation controls allow shaping for Attack, Release, Offset, Tuning and more to shape sounds into gentle, ghostly pads or harsh, tight impacts. The Uberpeggiator system allows complex, adaptive arpeggiations. It also includes a tempo-syncing resonant filter and volume LFO system build into nearly every preset, along with parametric EQ and convolution reverb with over 50 room and FX impulse that can be loaded instantly.

3,015 Samples (standard PCM wav).
26 .nki files (unlocked format).
3.09 GB.
24 bit / 44.1kHz stereo.
Format(s): Kontakt 4.2.4 (and later) and PCM .wav.
Available by Continuata Direct Download and DVD.
Version 1 of this library was originally published through Tonehammer.
Note: Native Instruments Kontakt version 3.5 or 4 full retail version of Kontakt required to use all .nki instrument program presets included in this library. The free Kontakt "Player" does not support this library.

http://www.soundiron.com/instruments/percussion/rust_2 

Brad Halverson - A Not So Far Off Battle

I'm always looking to shrink the size and weight of my rig. I just love carrying the minimum amount of equipment!  I did this test to see how small I could go with microphone separation without sacrificing quality. All configurations were Clippy EM172 stereo pair to Sony PCM-A10.

My conclusion is that AB40cm rig with simple Rycote lav wind protection gives me a great sound with a very small and light footprint but not great wind protection. The quasi-binaural rig gives perhaps a more accurate stereo field with the advantage of excellent wind protection (it is housed in the equivalent of a blimp with proper windjammer). To get better wind protection for the AB40cm rig would require a massive and heavy (by my standards) blimp.

1. AB20cm - narrow, too narrow...
2. AB30cm - getting wider, pretty nice...
3. AB40cm - wider still but nice balance of width and centre-image?
4. AB60cm - very wide but hole in the middle?
5. Quasi-binaural (20cm spacing with foam cylinder baffles) - improved placement of sounds in the stereo field?

Would be very interested to hear what other folks think. Please comment if you care to.

Omni Spacing Test

Soundiron LLC is co-owned and operated by Mix Foundation TEC Award (2007) winning and BAFTA nominated Sound Designer/Audio Engineers Mike Peaslee and Gregg Stephens, and technology, scripting and systems wizard Christopher Marshall. 

We're a premium instrument sample library and virtual instrument software design, production and publishing company, specializing in choral and epic scoring instruments and percussion, pianos, drums, ethnic instruments, professional sound effect libraries and inventive experimental sample collections. 

We specifically gear our libraries toward seasoned pros and working musicians in the film, television, advertising, video game, and music recording arts but we commit ourselves to bringing all users, from veteran to beginner, the same deep quality, outstanding customer service and low prices. 

With over 40 unique products and new releases every month, you'll always find something awesome at Soundiron.

If you’d like to check out current user demo submissions, look for their name to the right in the track title in the Soundcloud Player. 

You can see credits for the non-user submitted demos on our Soundcloud page, by clicking the Song Title to go to the track page, where you can see track info. 

For demo submission guidelines and information, visit here: http://www.soundiron.com/demo-submissions/



Brad Halverson - A Not So Far Off Battle

SOUNDIRON

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