#new #release 'Colors' 7" single on Móatún 7 https://moatun7.bandcamp.com/album/sunday-coma-colours

Rayspark Industries has been producing music for over 25 years. The hardware years 1994-2002 and the software years 2010-now. Currently his studio consists of Ableton Live Suite with sounds and sequences sourced from various iOS apps, software synths and utilising Native Instruments' Reaktor 6 ensembles and instruments. It is this approach that has opened up a whole new era in sound design and compostional approaches and gives the freedom to experiment like never before. As organised sound, he uses music as a platform for his explorations of new sounds he has found or created, many unheard and many certainly unused in the context of composition. It is this thirst for auditory discovery that keeps his sound fresh and ever-changing and is the well-spring of his creativity. For his latest work (and archive) listen here https://rayspark-industries.bandcamp.com/ 

Also out on TreeTrunk records
Rayspark Industries - Klonk Klang EP
http://www.archive.org/details/Klonk_Klang_EP 

Other releases:
Various - Mekandroids (EURK 2001) [CD]
http://www.discogs.com/release/204120 

Rayspark Industries  - Structured Chaos (1999) [limited release cdr]
http://www.discogs.com/Rayspark-Industries-Structured-Chaos/release/549646 

Rayspark Industries - Funkmission One (1998) [limited release cdr]
http://www.discogs.com/Rayspark-Industries-Funkmission-One/release/549638 

Extended bio:
Rayspark Industries started his adventures in sound, learning various instruments in a music workshop in early 1980's. 

After pushing various CasioTone keyboards to their limits in the late 80's he started to compose his first sample-based tracks using the Amiga software, Octamed. His limited yet highly effective arsenal of these early forays were a Roland Alpha Juno 2 and an 8bit sampler. 

As technological advances during the 90s opened up whole new areas of creativity and experimentation future tracks were composed using the Korg MS20, 05R/W, Poly800, Yamaha CS5, TX81z, various analogs, effects and an Amiga A1200 running MicroIllusion's Music X. The track "Shuffle" (under the name "RSI"), featured on the accompanying CD of"Future Music" magazine, Issue 58, July 1997 displaying his heavy bias towards analogue and analogue-esque sound sources. By this time he was now composing on the PC using Cubase VST, early indications of the future evolution of his approach to composition. 

Rayspark Industries have now completely updated (and downsized) his studio which consists of Native Instruments' Reaktor and various other plugins run through Ableton Live Suite. Rayspark Industries believes this approach has opened up a whole new era in his sound designing and compostional approaches and gives him the freedom to experiment like never before. As organised sound, he uses music as a platform for his explorations of new sounds he has found or created, many unheard and many certainly unused in the context of composition. It is this thirst for auditory discovery that keeps his sound fresh and ever-changing and is the well-spring of his creativity.

Main influences:
The early sounds of Jean Michele Jarre, OMD and the Human League and also the more current sounds of Plaid, Autechre, Orbital and LFO to just name a few...

Limitation = Imagination!

Comments appreciated - am i heading in the right direction?

Admit it, when you were a child, you used to beat spoons against pots. At the time, you'd think to yourself, now I'm really making music. Since then you've grown up and now you want music with meaning, depth, sexiness, and above all else, a base line inspired by that primordial desire to slam a wooden spoon against a metal pan. Welcome to the music of Bullets in a Burning Box, a shamanistic post-industrial band focused on aligning the chaotic viscera of nature with the pristine hyper-reality of the digital age.

Bullets has been releasing new songs to the web every couple months, bringing new sounds like the haunting disjointed melodies of "Eye Love" and the passionate tug of war played across "Disentangle."

Nathanael Mathias Weiss is Bullets in a Burning Box. He backpacked around the world with a guitar, making money on street corners and writing observations on the beauty and wonder of life. With adventure calling, he bought a boat and turned it into a floating recording studio. When you close your eyes and listen to Bullets, you can almost feel the immortal rhythm of the ocean powering the beats.

Bullets boasts a deep catalog of music, including the epic 2007 debut album, Afear. Afear covers a wide breadth of material, from childhood to adolescence to adulthood, on to the cusp of transcendence. With strong driving beats, this "Genius in schizophrenia" (NINa, Fabryka Industrial Rock) slides easily between lyrical poetry and heavy metal rock melody. In 2008, Bullets followed up with An Exit, an EP loaded with experimental challenging remixes.

BulletsBurning.com is the best place to find new Bullets songs, including: "Nine Ninths Jealous", and "Of Life, I Want to Live."

the music here is not representative of my more recent output .. 
please visit the senseaudio.bandcamp.com or spotify etc.. to hear the lastest music ive made .. respect..

Grant is a music producer/composer of Cinematic and TV production music. His music has been featured on TV shows such as Storage Wars, Rust Valley Restorers, Backroad Truckers, Celebrity Big Brother, Sweat in the City, 16x9, Biker TV and for Toyota. He's also had music in the Toronto Independent Film Festival, Bell TIFF Lightbox, Royal Ontario Museum exhibit, numerous short films and for recording artists.

Press:-------------------------

"Awesome! I absolutely love it, it's perfect. The sound flourishes you added to accent the gun, bike and drug addict
are strokes of genius, you really amplified the emotive streak of the images palpably and the cues you put in match the cuts
flawlessly, I also love how you carried the music past the credits it really sounds elegant. Thanks for completing my story."
- Valentino - director for "KILO"

"Thanks for providing me with such fitting music to A/S/L. It really helped in dictating the pace of the short and gave it some energy!"
- Chidi Nwaozomudoh - karmacauseproductions

"Grant is a fantastic composer. If I only I knew him a few years ago! When I contacted Grant I had a very unusual task I wasn't sure anyone could complete. Within 24 hours the job was done and I was blown away. The film would not have been the same without this particular piece of music, and I can't wait for audiences to experience it. I look forward to working with Grant in the future"
- Peter Hatch - Flatline Pictures

"One word excellent, I have been looking for someone like you for a long time. You are a great musician and we are all very impressed. I know now that I have someone who i can depend on in terms of sound and mastering songs. Thanks from the bottom of my heart for your patient and kindness."
- Khaled Karamali - EastWest Pictures

"You create... and envision beautiful music. Aside from this film, I do look forward to working with you in future projects. "
- Ed Limon - Phoenix Gate Pictures

" Really dig your compositions and I think many of our members will feel the same way."
- James Vorstenbosch - founder of FilmArmy

Studio:--------------------------

Grant was assistant engineer to Juno award winning engineer Jeff Wolpert at Kick Audio in Toronto. He's worked with The Tenors, David Clayton Thomas (Blood, Sweat and Tears), Amy Skye as well as big band and orchestral recordings for TV and film.

Specialties:--------------------

Music Production, Composing, Video Editing, Acoustic and Electric Guitar, Pro Tools LE & HD, Kontakt, MIDI, Final Cut Pro and Sound Design.

All Rights Reserved.

Inquire about licensing.

Thanks for listening!

I'm a professional guitar player. I get hired by all kinds of people to record, perform and tour with. I love to play good music and be around great musicians. You can purchase and listen to more sounds here.
https://nigeldate.bandcamp.com/

Deep Dubstep
Half Time
Liquid DnB
bass Music

Booking or release: kineticeon@gmail.com&#13;
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Released With :
 - Unified Audio Recordings
- Rebel Traxx Audio
- Rinse Repeat Records
- Kut Off Records


Owner :
- Liquid Energy Services (Mixdown and Mastering)
- Unified Audio Recordings

Axoplasma is a project dedicated to electronic music. The person behind Axoplasma is Matthias Farian, who lives in the Stuttgart area in south­ern Germany.

His first album was completed in 1997, featuring mainly techno and trance tracks. But it also contained several ambient and downbeat approaches which heralded the style of Matthias’ current Axoplasma tracks.
In December 2010, the new Axoplasma album »Cortex« has been finished. It contains twelve tracks covering mainly atmospheric ambitronica facets.

On Axoplasma’s website (http://www.axoplasma.com) you can find more information on the current progress and the project.

For quite some time, Axoplasma's tracks were a lit­tle bit too diverse to sail under the same flag: Ambi­ent, House, Sound­scapes, Breaks, Chill-out, Pro­gres­sive. In order to sep­a­rate all the dif­fer­ent styles, there is a new project called Mafia Train Hats*.

From now on, Mafia Train Hats (or »MTH«) will con­cen­trate on the more club-like elec­tronic styles (eg. House, Pro­gres­sive, Techno) whereas Ambi­ent, Chill-out, Down­tempo etc. remain Axoplasma’s main focus.

*) Mafia Train Hats is actu­ally an ana­gram of Axo's name, Matthias Far­ian

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