Kaoru

https://www.spitfireaudio.com/shop/a-z/steel-drums/

All We Do - Homay Schmitz

Week 4  is taken from Sounds of a New Father, the new album by Olan Mill.

After the recent album on Unknown Tone Records, Olan Mill returns to Shimmering Moods Records. There is no doubt that the birth of a child is the most incredible, wonderous, and, frankly, miraculous event to be a part of. It’s the climax of the most complex and awe-inspiring biological processes, the most radical change the human body can go through and the most utterly emotionally over-whelming event possible. No wonder everyone involved is knocked for six....“The music was recorded in the moments after baby Alma had gone to sleep. All tracks were recorded using electric guitar and effect pedals. There was no post production or revisions to the original recordings. I was very tired while thumbing out these drones.....” Alex Smalley aka Olan Mill. 

Music written and mastered by Alex Smalley 
Original paintings by Alma Kemya Smalley 

Release date: 16.11.2018
Format: CD/Cassette/Digital
Order: https://shimmeringmoodsrecords.bandcamp.com/album/sounds-of-a-new-father

Olan Mill - Week 4

https://www.spitfireaudio.com/shop/a-z/symphonic-organ/

In Stride — Homay Schmitz

Irruotordil

Simple experiments geared towards performance, these pieces were recorded using Monome mlr & Grid, Organelle/Orac, Montreal Assembly CT5, Chase Bliss Audio Mood, and Mutable Instruments' Rings & Clouds.

I hope you'll enjoy!!

Performed/Recorded by D.Harper 6/2020

Mastered by Porya Hatami
http://poryahatami.com/

Poppy botanical by Walter Müller, 1910

Leaf

#labscommunity every instruments are from Labs #labssoftpiano #labsstrings2 #labsOPIA 

hope you enjoy!

when the winter's gone #labscommunity

Best with headphones!

Close your eyes, open your ears and take a journey from the frozen middle of winter, through the warming of spring and into the bright sunlight of summer in this relaxing, ambient piece.

I was trying to convey the sense of time moving slowly but also rapidly, like how it feels living the same week on repeat while in lockdown for 112 days.

Featuring ambient recordings sourced from many providers including foley captured many years ago by me and my trusty MiniDisc recorder. This is likely the only track I've produced with me whistling.

An interesting, but totally unrelated note, this track goes for 420 seconds.

Temporal Flow

Composed and performed by DD (Friday 30th October 2020) and Luis Rigou (circa 2015)

for this junto challenge "Record a piece of music that moves back and forth between two inhospitable zones before finding one, à la Goldilocks and the Three Bears, that is just right."


I made a parallel accompaniment for a discarded quena (south-american indian flute) performed years ago by my friend the great Luis Rigou.
Completely removed the old acoustic  tracks/accompaniment and made a "comfort" one ( a tame groove of pizz strings samples and upright bass C minor pentatonic) and an uncomfortably one (C diminished performed on dystopian orchestral samples and a different flute performed on a different key)

The final mix goes back and forth from the comfort and the disturbing track.
Love

dd



https://llllllll.co/t/disquiet-junto-project-0461-goldilocks-zone/3

Looking For The Comfort Zone (disquiet0461)

Sunday night guitar loops. Unlike other recent guitar loop experiments I've tried out, this one has a live component. After the first minute or so (which I'd already layered in advance of hitting record), new material is added and then later deleted. This setup consists of electric guitar, reverb pedal, overdrive, and looper, plus an eBow on occasion for those extended notes. After recording (amp to phone, live in the room), I used Adobe Audition to implement a fade in and a fade out, and for a little additional reverb.

Temporal Flow

Michael Soutar