A gentle waltz for strings and piano with a swing improvised heart

Liaisons Dangereuses

I particularly liked the string section from the Spitfire BBC Symphony Orchestra plugin and I wanted to see how it would hold on its own. I also used percussions to add a bit more orchestral colour to the mix. #oneorchestra

https://www.mattiachiappa.com

The Master - BBC Strings

Music by Pete Hatch, tasty guitar & mando solos by Eli West.

Dead Meat

I Got a Swedish Horse

Cicada No.62

Music For Quiet Moments 28 - Time Stands Still

Music For Quiet Moments 28 -Time Stands Still (Udine 24 Jun 2006)

Best with headphones!

Close your eyes, open your ears and take a journey from the frozen middle of winter, through the warming of spring and into the bright sunlight of summer in this relaxing, ambient piece.

I was trying to convey the sense of time moving slowly but also rapidly, like how it feels living the same week on repeat while in lockdown for 112 days.

Featuring ambient recordings sourced from many providers including foley captured many years ago by me and my trusty MiniDisc recorder. This is likely the only track I've produced with me whistling.

An interesting, but totally unrelated note, this track goes for 420 seconds.

Temporal Flow

This is the first track I've ever produced. Thank you LABS Community for the inspiration.

Somnolence (LABS Only)

Vocals: Lauren Vega
Electric Guitar: Tyler Klus
Produced by Jackson Ledbetter

Lauren Vega’s Instagram: https://instagram.com/vega_l_p?igshid=tw0c9c8jdv7f

Tyler Klus’ Instagram: https://instagram.com/tyler.k.__?igshid=i0g1hml9hi9a

Jackson Ledbetter’s Links: https://linktr.ee/jacksonledbetter

Denouement (feat. Lauren Vega)

Earth

Psithurism

What a strange, odd, mixed-up year it has been.  The yellow spanner of Covid-19 really wrecked a lot of plans. I was all booked to travel to Estonia to record, but it had to be cancelled.   Very noticeable was the sunlight, perhaps it was because there was few jet trails, but when the day was cloudless the sunlight could be absolutely dazzling, it had the strange effect of making it feel like we were living in paradise.     Because of the restrictions I am so glad the woods is only within a moderate cycle distance from my home.  I am very fortunate that I have two fairly good places to record relatively close by.  I even found a wild sand dune area not even five kilometers away,  I hope to record more there in the future.   Disc 1 track 2 is from a much longer recording, it is probably one of the best recordings made during the 2020 season, I had made a few recordings, near the stream, then a bit less close, then a bit further away and another even further away, as I wanted a sound where the stream was a suggestion rather than really dominating the sound picture.  The Blue Tits nested in a cavity block in the wall of my home, there is an vent on the inside of the block, so I only needed to place the microphone up to that to get a fantastic close perspective recording.  
I include two recordings of the Blue tits as they sounded so different when I recorded them a week later.  Sometimes I would get great results by leaving the old Marantz recorder hidden in a bushy place while I go not too far away to record with the new recorder, I love how I had no idea of what it has captured for me, only later when the track loaded on the computer did I get to see if it captured anything worthwhile.  This was the case with Blackbird - alarm calls (Track 3 on disc 2).  I think the peaks came in at about minus six db.  This year was my first time to use Contact microphones and a Hydrophone.    
At the beginning of April my dad Desmond died, he was 89, a great age.  Apart from Covid, we could see he wasn’t going to live much longer, he had been deteriorating noticeably for months up to that.  Why then are the covers for the two discs so strange ?  
A birdsong production should have birds on it !   My dad was big into sun power and indeed wind power even long before it became popular.  Over by my workshop he had placed a few sun power panels on the wall, these were wired into a small room to a panel on the wall with six switches.  I thought it a good way to remember him by including a picture of part of his panel for disc one front cover.  I was going to include the six switches in the picture, but my heart of hearts said no, it didn’t look good, too much scruffy brown, but I include it in the zipped folder (If you are buying it on Bandcamp)so you can see what I am talking about.  I had almost chosen it, as it occurred to me one morning that the six switches are like the levels of lockdown (I hate that term, but I have to use it here) thankfully we didn’t have a level six, maybe that is like in a movie I saw where the authorities came and boarded up a house with the people still inside.  In the end I used the part of the photo with the meter.   
The butterflies . . . Dessie we call him, was always interested in butterflies, that is where I got my interest in nature, as a child he used to bring us for walks up along the canal to see the wild flowers and butterflies.  The picture comes from one drawer of his small collection of Irish butterflies he put together maybe around the late 1940’s or 1950’s ??  Very few of them are even in one piece now, this drawer just looked the part, it was all mixed up and spoiled like the year had been, the summer we never really had, at least not the way we wanted or had planned it.

Temporal Flow

Michael Soutar