Boom. Drums are all over this track, so good!!! All other elements rock too.

Amazing energie - you shout at the top of your lungs - great guitars - AND drumming. But most of all: great songwriting, beautiful composition!

ilove uso much baby love and❤❤☝ 💋💏😊 you later talk to you later I guess you can't talk when are we supposed to talk I feel crazy is talking through phone okay later baby I love you so much💏💋😞😢

I feel great admiration when listening to this track!

I feel so lucky that Dave Orestes 1 allowed me to record a rendition of his wonderful song " What Is Rich" ! 

Written by Dave Orestes 1 
https://on.soundcloud.com/JG7gH

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini
Tam Jennifer: Interpretation, Vocals, Guitar, Mix & Master

Lyrics (Dave Orestes):

What is rich? You're asking me
Rich is so simple, don't you see
It's not what you own but what you do and say
.
What is rich? You're asking me
It's not hard to explain
It's all about what you feel
And not what you touch
Every day
.
Rich is how well you sleep at night and
your thoughts on your own death bed
when you have few regrets
few regrets
.
Rich is passing on
the prospect of hope
so that all have a chance
to prosper and grow
Rich is not how tall 
Your sky scrapers grow
no no no no
.
Or the number of seats
in your stadium row 
It's not how many toys
in the attic you've stowed 
oh no no
that's not it
.
What is rich? You're asking me
Oh it's not hard to explain
It's all about what you feel
Not what you touch every day 
.
Rich is when
All the children are fed
And each of them has 
A warm safe bed
Rich is how 
You care for people 
That, you've never met
.
It's not hard to explain 
It's all about what you feel 
And not what you touch
Every day
.
Doo da doo da doo
Laa la laa la laa
Laa la laa la laa
Laa la laa
La laa la la
.
© Dave Orestes 1, Tam Jennifer Hastings, 2024. All rights reserved.

What Is Rich (with Dave Orestes, 2024)

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

Happy Friday to my SC friends. Today’s musical offering is very special to me because it signifies a breaking away from my old patterns. Long story short… old Justin was pretty set in his music making/production routines (solo work belongs on solo albums. Collab work belongs on collab albums. And never the two shall meet). 

But new Justin is proving to be surprisingly more flexible in his thinking; an interesting (I might even go as far as to say… shocking) result of my new paradigm. And while it might seem like a ‘nothing burger’ to most people… the way my brain is wired, this is a huge change… and one I am grateful for.

So today I happily offer my first collab song, also intended for my first hybrid album. The song is called ‘Life In Twilight’… and my guest artist is our dear friend, Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com), offering up the lovely Alto Sax and Guitar you hear in this piece

If you haven’t already crossed paths with Carlos, you are missing out. He is one of the most prolific people I have encountered in my travels. He plays about 30+ instruments, each with impressive skill. And if the instrument doesn’t exist... he creates it himself. And 'musician' is just one aspect of his inspiring and adventurous life. He is a great example of a person who discovered his passions early, and is now living a beautiful life pursuing those passions. We need more people like him in this world, reminding us of what is truly important.

On a personal level, the stuff Carlos has taught me over the years has helped me ease into this new sober life with tremendous grace. The music theory and instrumental lessons have helped make my sonic worlds more sophisticated (and therefore more rewarding to craft). And the moving and breathing meditations (Chi energy exercises) have proven fundamental to my mental/spiritual well being too. Needless to say, he has been a major influence in my evolving life; and I will be forever grateful. 

Carlos, I am honored beyond words that you are the guest artist on my first hybrid album. It signifies a great new direction for me. I’m excited to be on this path, and I’m glad you agreed to join me. 

To everyone else, we hope you enjoy “Life In Twilight”, the first of two new songs with Carlos that will ultimately wrap up my upcoming album “What Color Is Your Paradox?” 

(And yes... this is the last song I still had in the archives from my little break; originally finished on 1/20/2024. It's all going to be new content from here on out). :)

Paradox?

Life In Twilight | Carlos Vivanco & GrevusAnjl

2024/2/26

Website

koyomi


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

EverGreen / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

EverGreen - Open Collaboration Offer

Cast of Characters:
The Mysterious Decibel-- @themysteriousdecibel –MD-- vocals and lyrics in the choruses

TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix

J.J. Terrell–@j-j-terrell –piano, synth sax 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, acoustic guitar intro, and vocalized tones at the end, verse lyrics and melody, composition

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, vocals on the verses



This is a song that originated with Ken several months ago. He wrote the whole thing on piano, guitar, and drums and presented it to the rest of the band. Of course, everyone was very excited to add their spin to it. I added my bass part first, as the foundation. Ken also left his catchy original guitar intro as it was. Then JJ added his dynamic piano part, which ended up being both foundational and stylistic, along with the sax that you hear in there, too. Stephen added his solid foundational guitar to it, too, soon after. Then it sat, stalled out for need of some vocals. Of course, we asked TMD to add some, which he did in grand fashion for the choruses. All that was left were the verses. Ken wrote lyrics, and gave me an idea for the melody, so I sang the verses to wrap it up. Of course, we asked Stephen to produce and mix it for us, which he did so well, as always.

  We hope you enjoy listening to this song as much as we enjoyed making it.

Homeboy (The Eclectic Collective)

This time, I return to the realm of fantasy, where my characters, upon arriving in the North, found themselves in the dwarven mines. There, they are to meet with the Dwarf King's son, who will task them with aiding in uncovering the mystery surrounding his father's death, slain in a goblin ambush. However, before this occurs, they take part in a funeral ceremony.

To craft this piece, I utilized only the free VSTi's by ProjectSAM @projectsam: Free Orchestra 1 and 2. I've begun working on it 2 months ago... It's one of my over 30 projects in development ;)

Thanks goes to my friends and test drivers: kavvka @grzegorzkawka and Alexander Stratonov @ephtrackx

Picture generated by me in Leonardo.ai

Funeral of the Dwarven King

Eyes That Talk

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Take You Down

ダウニング【Dawning】   31/12 Dec

Japanese Grunge , Alternative Rock Singer Song Writer 　
from CULT BUR RIOT・太陽の王国　Vocal Ota Miura

OtherSide  https://soundcloud.com/13rip

ダウニング【Dawning】 31/12 Dec

spade13 (13R.I.P)from太陽の王国

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