C'mon....grab your walker and shake your booty  😄

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Old Folks Techno

PLEASE NO PROMOTERS or VIDEO PLEASE. I DO MY OWN ! 
🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶🎸🎻🎸🎻🎶🎻
Mairidh Gaol is Ceòl: A well-known Scottish Gaelic proverb that translates to "The world will end, but love and music will endure”

Scottish born and bred. Just exploring some ideas spinning round in my head and putting them up here. Various styles of music and trying to find my niche !  All the songs are written solely by me. 
Im open to all sorts of music and appreciate the work folk have done. If you don’t like my music ! Move on. Don’t belittle yourself by leaving nasty comments. Im not influenced by idiotic behaviour or narcissistic twats 🥸

I am KAT. Poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause. It asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury. It is breath.

It began with words. Spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others.
Turning poems into sound.
Shaping collaborations that were fearless and alive.

Some of these “others” are human.
Some are digital.
AI tools like Suno have become instruments in my hands,
responding to tone, language and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation. It is extension.
It allows art to reach beyond skill and structure
into pure intention and consciousness.
It is not a replacement for the human,
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself.
The breath between words.
The shimmer beneath the audible.

And from that stillness grew Play Life.
Life as instrument.
Movement and breath as rhythm.
Sunlight and wind as collaborators.

Recently, this path opened into a new field:
Art Electronica and Urban EDM.
A place where spoken word meets pulse.
Where concrete, neon and poetry blend.
What began as experiments became something else.
Unexpectedly danceable, rhythm-driven,
yet still intimate and human.

This is where a new voice emerged:
DJ KAT - not as a performer on a stage,
but as an artist exploring what the city sounds like
when feeling becomes beat.
A space for future collaborations,
for remixes,
for DJs who sense poetry inside the pulse.

With The Pulse & The Breath,
I step into this electronic language.
Urban, atmospheric, alive.

Not algorithmic. Just alive.

I make what feels true.
I listen to silence.
And now also to the city.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
katpoetryvoices.gumroad.com/

#KATseries #ArtElectronica #UrbanEDM #SpokenEDM #ElectronicPoetry
#SoundArt #PoeticBeats #Cityskin #PulseAndBreath #EDMArt
#ArtPop #FuturePoem #AtmosphericEDM #NeonBeats #PoetryProducer
#DJKat #AIxArt #PlayLifeSeries #QuietExperiments #PresenceArt

When i'm not playing video games....
...i listen to and create Music.
I get into everything: Abba to Zappa...Grindcore to Gershwin...Nine Inch Nails to Nina Simone...Mike Oldfield to My Bloody Valentine to Miles Davis
  I LIKE MUSIC....composing and listening   😎
For the record: I am a keyboardist and sometimes drummer. About 90% of  the keyboard work is me actually playing a Yamaha Midi keyboard. Now you know...

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

YOSHIMAYO, électro cinématique née entre Bretagne, Maroc et Asie.
Écouté dans 55+ pays.
Une musique qui traverse la nuit et l’esprit.

EN · YOSHIMAYO, cinematic electronic born between Brittany, Morocco and Asia.
Heard in 55+ countries.
Music for the night—and the inner world.

Yoshimayo’s music is characterized by a dreamy, experimental, and introspective fusion, blending soft electronic sounds with acoustic and organic elements. Although he remains relatively under the radar in mainstream circuits, what makes his music unique can be described through several dimensions:

🎼 Musical Characteristics of Yoshimayo:
Delicate and deep sound textures:
He creates highly immersive atmospheres, sometimes bordering on ambient music or electronic post-rock. The sound layers evolve slowly, producing an almost cinematic effect.

Emotional minimalism:
Few elements are enough to express a great deal. His music plays with the unsaid, with space and silence, often evoking an inner poetry.

Fragile and nostalgic melodies:
Melodic lines are often simple, almost childlike, yet always tinged with subtle melancholy. They evoke memories, daydreams, or meditative states.

Organic-electronic fusion:
Yoshimayo manages to blend synthetic elements (pads, drones, glitches) with classical instruments (piano, strings, soft percussion) without sounding artificial.

DIY / artisanal aesthetic:
The production sometimes intentionally sounds "handmade," yet with great care. This brings an authenticity that contrasts with the industrial standards of electronic music.

✨ What Makes Yoshimayo Unique:
A sonic identity that is recognizable within the first few seconds, without being showy.

An ability to evoke gentle, intimate, and contemplative emotions, far from mainstream conventions.

A rejection of the spectacular, which gives his music a quiet strength.

A coherent artistic direction, often accompanied by minimalist and poetic visuals.

https://www.instagram.com/yoshimayo317/

Template Legato, also known as Hirotaka Kato, is a songwriter & composer based in Sendai, Japan.

Hello
srp which lives in Japan. I write freely.
Please hear.

Dark comedy, fusion expérimentale, chanson à texte²... Humour absurde holistique, métaphysique sorbique, géliturbation poétique, horreur et bonhomie.

Je m'appelle r° Vortex (ça se prononce ro vortex) suis auteur compositeur et mon dernier bébé s'appelle Cromlech Vortex. 
Cromlech Vortex est un projet sérieux malgré des dehors fantasques et tout feu tout flamme. Mes textes traitent de sujets variés mais souvent, derrière la farce, s'il y a farce, métaphysiques. Je ne cherche pas spécialement à séduire de public car les gens... On sait pas trop ce que c'est... à part une masse protéiforme blobesque...  parfois inquiétante...


Concernant mon processus créatif :
Je me fous complètement de savoir quel est le style de ma musique tant que les morceaux que je fais sont bons. Quand un morceau est bon, je le garde. Un morceau bon est un morceau qui : 
_ est original
_ déconcerte au début, et puis ensuite, provoque quelque chose qui fait qu'on ne peut plus s'en passer.
- n'est jamais démonstratif ou académique. (on se fait chier avec des morceaux comme ça.)

Dark comedy, experimental fusion, song lyrics²... Holistic absurd humor, Sorbic metaphysics, poetic geliturbation, horror, and bonhomie.

I couldn't care less about the style of my music as long as the songs I make are good. When a song is good, I keep it. A good song is one that:
_ is original
_ disconcerts at first, and then provokes something that makes you can't live without it.
_ is never demonstrative or academic. (We get bored with songs like that.)

This is the Blagovrecords record company page. We do the recording, digital processing (mastering and mixing), assist in the preparation and composition of the material and publish our musicians.

Old Folks Techno

𝙎𝙥𝙖𝙧𝙠𝙮 𝘽𝙤𝙣𝙚𝙝𝙚𝙖𝙙