flickered across the pond

Spasmodular, a.k.a. Spasmodular Sounds from Steve's Shortwave, composes soundscapes featuring radio frequency sounds captured among the shortwave spectrum. In addition to using analog shortwave radios as a medium, various electronic instruments and field recordings are utilized as well during the compositional process. Spasmodular is also affiliated with the experimental electronic collective VCO (Vincent Carlton Oscillator).

Speedcore, noise, industrial, industrial hardcore, experimental, abstract techno, death industrial, power electronics, powerviolence, digital hardcore, breakcore, hip hop, rap, gangsta rap, drone, dark drone, ambient, dark ambient, ritual ambient, terrorcore, hardcore, acidcore, acid, noisecore, 8bit, chiptune, breakbeat, hnw, harsh noise, harsh noise wall, splitter core and extratone professional musical artist, producer, mix engineer from Darwin, NT, Australia. Currently living in Wodonga, VIC, Australia. Making extreme music and funny skits/sound collages since 2011.

External links: 

https://www.facebook.com/cornholecrucifixion/
 
https://www.youtube.com/channel/UCqk6JGm4fyOFHR_g2gLdOuQ

https://cornholecrucifixion.bandcamp.com/

https://bandcamp.com/cornholecrucifixion0

https://www.discogs.com/artist/4820783-Cornhole-Crucifixion

https://www.mixcloud.com/cornholecrucifixion/

https://www.mixcloud.com/blaze-vansyl/

https://enderecords.bandcamp.com/album/ende85-dj-california-crisis-cornhole-crucifixion-dj-californiacrisis-cornhole-crucifixion

https://speedcoreworldwideaudionetlabel.bandcamp.com/track/armee-der-toten-cornhole-crucifixion-remix

https://cornholecrucifixion.bandcamp.com/album/cornholecrucifixion-album-bitchezzz

https://cornholecrucifixion.bandcamp.com/album/the-crucification-of-cornhole

https://brokentothecorerecords.bandcamp.com/album/bttc-03-cornhole-crucifixion-vs-low-entropy-extreme-speedcore-disorder-ep

https://cornholecrucifixion.bandcamp.com/album/rift-in-anal-prolapse

http://extratonerecords.blogspot.com/2018/08/cornhole-crucifixion-rift-in-anal.html

http://lowlifehighvolume.biz/LLHV-16.html

https://lowlifehighvolume.bandcamp.com/album/enjoyable-cornhole

https://plataformarecs.bandcamp.com/album/hell-machine-series-001-03-cornhole-crucifixion-antoine-trauma

https://plataformarecs.bandcamp.com/album/split-misantropskia-vs-cornhole-crucifixion

„Fakty nie przestają istnieć tylko dlatego, że się je ignoruje.” — Aldous Huxley.

„Trzyokich facetów nic nie martwi. Jo-jo puszczają tam, gdzie im się podoba.” - Tommy Hall.

Adam Majdecki-Janicki (ur. 1985) – poeta, autor tekstów i niezależny muzyk związany z nurtem freak-folku oraz eksperymentalnej piosenki autorskiej. Od końca lat 90. prowadzi intensywną działalność artystyczną, koncentrując się na tworzeniu utworów opartych na żywym instrumentarium, głównie gitarowym, oraz na eksploracji form narracyjnych i lirycznych. Jego twórczość charakteryzuje się połączeniem prostoty folkowej pieśni z elementami psychodelii, ironii i mistycyzmu. W warstwie tekstowej operuje językiem pełnym symboli, odniesień kulturowych i osobistych mitologii, często nawiązując do tradycji kontrkulturowej. Wydał szereg albumów w Polsce i za granicą (m.in. Stoned Gypsy Wanderer, Demoludy, Eimi), które stanowią świadectwo jego konsekwentnego poszukiwania autentycznej, niezależnej formy wypowiedzi artystycznej.

No AI is used in the making of my music or art. Creating something from nothing is one of the true joys of life.

Johannes D’Amico is an ambient composer and field recordist whose work explores the subtle beauty of sound and atmosphere. 
Blending organic field recordings with evolving synthesiser textures, his music captures quiet moments of reflection and transforms them into immersive listening experiences.

Drawn to the delicate details of the world around him—the rustle of leaves, the rhythm of rain, the hum of distant places—Johannes approaches composition as a form of observation. 
His pieces invite stillness and awareness, offering space for emotion, memory, and imagination to unfold naturally.

Guided by curiosity and a quiet sense of wonder, Johannes continues to shape sound into a language of contemplation and presence—crafting music that resonates deeply and connects listeners to the essence of the moment.

Real human. Textural moods & heavy beats.

I'm primarily a guitar player but I'll try to make music with anything you throw at me. When left to my own devices I enjoy recording minimalist ambient pieces and textural soundscapes. My principal sound source for these efforts is manipulated guitar but I often include electronics and organic sources. I enjoy working on collaborations with other musicians. Please contact me if you are interested.
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I am the co-founder of the 80's indie avant-garde mutant pop band Proof of Utah, the Smiley Turtle Records label and the Smiley Turtle Recording Studio. For a taste of the Smiley Turtle sound check out: https://soundcloud.com/user-745187095
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*** Visit the collaborators' websites:

Louie Simon @lsimon33
Stan Magendanz @stan_magendanz
Wodwo @user-364196783-552705040
Lone Arrivals @tiny_wytch and @tinywytch
Marcin Gruszczynski http://www.fairlyconfusing.net/

"No elevators to Eden".

Composer, lyricist, published poet, sound artist, improviser, recording artist. Since 1998.

Also known as @ajkaufmann.

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

Die Rote Erde (Red Earth / Czerwona Ziemia) is A.J. Kaufmann’s psychedelic experiment, solo or with guests. Inspired by Burroughs, Krautrock, MacLise, Free Jazz & early industrial, it blends guitars, synths, samples, tapes & field sounds into noise, drones, punk, ambient & kosmische.