— Well, is it working?
— Shh, I almost got it.
— If we don't open the damn safe in three tries, we're screwed. The mutagens will be released immediately, turning us into useless, drooling brats.
— Ew, I can't stand zombies!

Carefully moving the stethoscope along the cold thickness of metal, Cat was listening attentively in an attempt to analyse the clicks. The multiple amplification effect helped to ease the haste that hung in the air and hid between the lines even when one wanted to calm down. The dangerous scam with the intergalactic monetary fund had long matured and was finally executed. There, in the heart of the vault stuffed to the brim with bills and gold, the only feasible option was to guess the code.

— It seems that the lock connects to the opening mechanism, which can be anywhere on the door, via a system of gears.
— Yeah, that leaves us with either the plasma cutting or C-4.

Spacelunch was awkwardly pulling an inverter out of his suitcase, anticipating a big boom in the same breath. It is hard to know which solution would have come first if the sensor on the smartwatch had not gone off. A squad of stormtroopers was already heading towards them…

Archive E

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A2. Ludowick – Poverty Point [snippet]

Spacelunch (short. spclnch) is a Dutch electronic music label with an emphasis on the dub sound founded in Minsk in 2019 by Thomas Carmody (@thomascarmody). The key ethical principles are an individual approach and a careful selection which allows you to get the best possible from the communication with artists.

The concept of releases is dedicated to a fantastic multimedia universe. The space adventures of Spacelunch and Cat unfold in episodes of an interactive musical comic. Each of them has an original script, and they are connected by a consistent storyline.

* We are always open to promoting high-quality music from third-party sources! To get an author's review/premiere — write to the email: spclnch@gmail.com

Pianist singer-songwriter / composer. Modern classic piano.
Influenced by Tori Amos, Bjork and Nils Frahm.
Violeta Reynal started performing as a singer and pianist at the age of 5. She became part of the classic piano scene and when she turned 30 began composing her first piano album Hipnosis. Electronic music became her passion as a teenager, thanks to her brother who introduced her to Chemical brothers, Moderat and Pink Floyd. She pursued a career as a dj in 2016, while living in Villa La Angostura, Patagonia Argentina. Later that year she started throwing parties in town and created a duo called Biotech Patagonia, where she improvised the vocals live, right on stage. In 2017 they had their first european tour and started producing their own tracks in 2018, where she would compose the synth arrangements and vocals. In 2017 she began producing vocals and piano arrangements for electronic artists like Mariano Mellino (Sudbeat) and Oostil (Afterlife). 
As a composer she´s working on her second album Reyna where she adds her voice to the piano. She is currently living in Barcelona, Spain with her cat Puma.