Name: from the fields where we feel secure (Duarte: keyboard, Matthies: mosesa, mixing) by pedro duarte
Duration: 6 min 24 s
Description: Pedro Duarte improvised a piano part, Wilhelm Matthies added a mosesa part and mixed.

maravilloso trabajo Pedro!. los arreglos son fantásticos 

excellent textures creating a tense atmosphere !!! great Jazz-style piano I love the piece !! ☼

lovely to find this one!! great original work man

Unique and potent work - thanks to you both

Truly unique composition, all the textures and effects are so impressive!

Stark Rambient - Ark Dambient Asensory Beat version

Collab Track with my friend Jeneen Terrana.

Music: BBright

Lyrics, Vocals: Jeneen Terrana
https://soundcloud.com/jeneenterrana

Mix and master: Mr. Cobra (Christoph Seipel)
https://soundcloud.com/christoph-seipel

Jeneen Terrana and Black Bright - By Your Side

Daughter and Father great collaboration
Inspired by "Creep", from "Pablo Honey", 1992 - Written by Radiohead
On YouTube : www.youtube.com/watch?v=2-SA1e7Gei8

Vocals: Maëlle
Rythm Guitars: Joël
Lead Guitar: Joël
Drums, bass and piano programming: Joël
May 2021

Creep - Radiohead Cover (rock version)

Salvatore Groove

From a vinyl record called "Background Music For Home Movies - Vol. 2" https://archive.org/details/lp_background-music-for-home-movies-vol-2_various

Wide Open Spaces

Point Bars and Cut Banks

Abandoned Cities VII

Von Ferne

Ambiguity

Beyond Color There is Light ACE - for pierrot sextet (2025)

Beyond Color There Is Light draws on my experience at the massive Rothko Retrospective at the Foundation Louis Vuitton in Paris in January 2024.  It was truly surreal to see 115 Rothkos in a single space and there was a beautiful, enigmatic, and luminous aura among the entire space. Seeing so many of these paintings, and seeing them so closely, one starts to realize how one-sided it is to characterize these paintings as still or suspended; these are incredibly active paintings filled with magnitude of tiny details in color, brushstrokes, and shapes that add so much to the vibrancy of the work. These micro-activities also helped create the sense of inner illumination that Rothko sought to create from within the paintings themselves. In Beyond Color There is Light, I try to capture this duality of stillness and create a sense of luminosity through the orchestrational and harmonic worlds. Through passages of driving melodic lines and rich harmonic webs, a passage of dreamy, floating, and rustling chords with a lyrical cello solo, and an animated, mixed-meter passage, the experience of this piece is as if we notice all of the tiny details flash before our eyes, but we still maintain this shimmering and suspended world in our presence. Beyond Color There Is Light was written with appreciation and admiration for the Aspen Contemporary Ensemble and Tim Weiss. 

Tim Weiss, conductor
Antonina Styczen, flute
Ian McEdwards, clarinet
Laura Gamboa, violin
Miles Reed, cello
Seth Schultheis, piano
Xin Yi Chong, percussion

Beyond Color There Is Light - for pierrot sextet

Pedro Duarte improvised a piano part, Wilhelm Matthies added a mosesa part and mixed.

from the fields where we feel secure (Duarte: keyboard, Matthies: mosesa, mixing)

Last Minute

*Thank you all for your kind support*

Happy 2025

from the fields where we feel secure (Duarte: keyboard, Matthies: mosesa, mixing)

pedro duarte

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