Oliwia Radomska is a London-based composer and producer from Warsaw, Poland, focused on film, theatre and experimental music. Currently Oliwia pursues her Master’s degree in Electronic Music at the Guildhall School of Music & Drama in London, studying with prof. Nye Parry. Her works include numerous short films, trailers, commercial and theatre pieces, as well as contemporary experimental works. 

After life-long training in piano and music theory at the Frederic Chopin State School of Music in Warsaw among other schools, studying with prof. Marta Jarczewska and Szabolcs Esztényi -  she completed her undergraduate Composition & Creative Technology degree at the Royal Welsh College of Music & Drama with an audiovisual piece MAGELLAN C.L.O.U.D. inspired by The Magellanic Cloud by S. Lem (1955) and a song Nie Pytaj o Polskę (Don’t ask about Poland) by Obywatel GC. 
In Wales Oliwia studied with Tic Ashfield, John Hardy, Joseph Davies, Owen LLoyd, Ceri Tippets, Mark Boden & Michael McCartney. She performed and had her works featured at multiple  installations and events such as Museum LATES at National Museum Cardiff.

During this time she also presented and workshopped her contemporary works at SHE Lives spectralist composition masterclasses in Budapest, Hungary with Sidney Corbett and Alessio Elia at the Telekom Music House. Thanks to her broad, blended education and experiences - Oliwia is equally active in the notated and electronic side of music, often combined in her works. 
Most significant theatre productions include Anna Karenina directed by Daniel Raggett at the Bute Theatre in Cardiff and Arcadia for Hannah Noone, Richard Burton Theatre. Most recent short films include a tender documentary Pole by Tomasz Grzymała, as well as horror movies and dramas such as The Stag by Evan Preston or Clamped by Amy Barnes. 

Following the great reception of MAGELLAN C.L.O.U.D. , the audio-visual work Orfeo has been commissioned by Eastern Incantations festival - Centrala Gallery, Birmingham, where she performed alongside Ewa Justka and BEER (a collective of lecturers and alumnis of Birmingham Conservatoire). Later she joined Nina Anto’s European Tour with her new audio-visual set I was too busy keeping my head under the water at Peckham Audio in London next to Nysza and Nina Anto. 
Following the great response i London Oliwia joined Nina Anto and Dobrawa Czocher in Warsaw, Poland in Hydrozagadka with the same set. 
I was too busy keeping my head under the water was performed in 
in Milton Court Concert Hall in July 2022. 
 
Recently she wrote music for the Japanese animation event at Barbican Centre in London, featuring early Japanese Animation, live sextett (wind and percussion sextett), electronics and Benshi narration. 
She also produced music for an electronic interpretation for Bach’s St. Matthew’s Passion at Omnibus Theatre for Collective 31 and an installation I confused your voice with one of my own in collaboration with artists and designers from University of Arts London at St Gille’s Church. In autumn of 2022 she produced industrial music for Worcestershire Projections, celebrating the porcelain and metal factory and scored a fire circle installation for Derry Halloween in Ireland. Between summer and autumn of 2023 she will present her new immersive work on the theme of Salome.

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