Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

Beats In Space Radio 

BIS Hotline: 646-481-8189

For Tim Sweeney DJ Bookings: bookings@beatsinspace.net

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SHOWCASES & ODE NIGHTS/BOOKINGS: roraprodltd@gmail.com

Bookings/contact: do.funkk@gmail.com
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Addicted digger for the most hidden, forgotten and rare gems and passionate in sharing all his finds, Do-Funkk is a music lover, record collector, disc jockey and producer with big love for music without any barriers of genre or age.

Do-Funkk is a DJ/producer based out of Dublin, Ireland. Best known for his self-titled YouTube channel (the likes of which he has cleverly used to showcase his wide-ranging tastes to audiences around the world), he is also heavily involved in Minisoul, a Dublin-based clubnight and label that regularly brings some of the scene’s most vital names to the Irish capital. An intimate event that focuses on the musical journey rather than the DJ playing the record, MiniSoul has quickly earned a reputation as one of the city’s best-loved sessions, attracting the likes of Cassy and Secretsundaze to irish shores, while Do-Funkk himself has also played alongside the likes of Margaret Dygas, Tama Sumo and Ian Pooley to name but a few.

As his MiniSoul project drew inspiration from the likes of Secretsundaze and Get Perlonized, Do-Funk’s obsession for electronic music initially came about via a collaboration with Desyn Masiello’s much-respected Faciendo, a project which served as a sort of mentorship for his never-ending quest for the perfect groove. Alongside his parties, YouTube channel and DJ sets, Do-Funkk has also recently stepped into the production domain, with his promising early cuts released via his MiniSoul label — as well as the promise of much more to come in the future.

More recently, Do-Funkk has become affiliated with Dana Ruh’s Brouqade label, becoming a regular guest at parties hosted at the likes of Hoppetosse and Club Der Visonaere. Added to this, Dana’s KMA60 has become another keen supporter, with the fast-climbing label and record store one which shares a similar ethos to Do-Funkk himself.

Disco was, for far too long, maligned and misunderstood. It was the original underdog, enjoyed by the outcasts of society until, by some miracle, this minority driven milieu emerged in the mainstream, lodged in the minds of the middle-class through the likes of Ethel Merman, a Disco Duck and countless rock stars crossing over to cash in. Overnight, it was everywhere, albeit in a banal, watered down form, being forced down the throats to such a degree that it was bound to trigger a gag reflex. And it did. Lead by the "Disco Sucks" movement, Disco was retched to the depths from which it came; the underground night clubs, lofts and warehouses that were also to produce house music. The fall of disco, from such dizzying heights, was a blessing in disguise, as only the faithful remained - the dancers, deejays, musicians and producers who got funkier and freakier with the music than ever before.

Beam Me Up’s understanding of Disco is far-removed from the AM radio polyester-set, focusing instead on the soul, funk and jazz which is at the core of this genre-bending movement. It’s expressive, eloquent message is the furthest thing from formulaic, with a four on the floor beat that is tailored for the dance floor and an egalitarian nature that is inclusive, loving and full of positivity. These sentiments have been echoed in the spirt of the guests that Beam Me Up have been able to bring in: Kon, the Boston Disco Don. Al Kent, the Glaswegian Giant. Psychemagik, the Cosmic Couple. Tom Noble, the Regent of Rare. These parties in loft, warehouse and back-room bar alike are the evidence that embody the Beam Me up belief; Disco is not dead.

Returning this NYD
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Let Them Eat Cake acknowledges the traditional owners of the land where we live, learn and work — the Wurundjeri Woiwurrung, Boon Wurrung, Wathaurong, Taungurong and the Dja Dja Wurrung peoples of the Kulin Nation. We honour and pay respects to Elders past and present. Australia was, and always will be Aboriginal Land.

DIY Excellence. From London To The World.

Undersound is a music community born from music lovers for music lovers. No industry politics, no gimmicks, only true passion for music and club culture.

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