Hey everyone! "How to Love" is a song that speaks to the journey of learning to love yourself and others deeply, despite life's challenges and imperfections.I wanted to create a track that celebrates the beauty of vulnerability and authenticity in relationships. It's about opening your heart, letting go of fear, and embracing the transformative power of love.Through "How to Love," I hope to inspire you to cultivate compassion, empathy, and understanding in your interactions with others. Remember, love is a journey, and it's okay to stumble along the way. What matters is that we keep learning, growing, and showing up for ourselves and each other.So, if you're ready to dive deep into the depths of love, let "How to Love" be your guide. Together, we'll navigate the highs and lows, and emerge stronger, wiser, and more connected than ever before.

Tasha - How To Love

Here we go again.
There are dark days in England.
The lady at the bus stops off her head.
Least that's what she said.
No rest for the wicked.

Ah! here we go.
With the painted flags of England.
The devil that is screaming in her brain.
She was never the same.
Needed a merger.

One for the live.
One for the sanity.
Into the crowd.
Into the slaughter house.
One for the road.
One more to take away.
In the fun house. 
Where you are blown away.

Dark days, they're stealing them from you.
Dark days, you'll never make it through.
Dark days, you can not get away.
Dark days, we're falling in the rain...

Let's have a drink.
There's nothing to look up to.
You can not save enough for rainy days.
No route of escape.
A fog of returning...

The lips are calming down.
Whilst the tattoos multiplying.
There's money to be spent here in the hay.
What for I can't say.
A sense of belonging?

The crowd are going wild.
The crowd are consuming.
The crowd are all so normal and so safe.
I feel out of place.
I do not belong here.

Regardless of love,
Regardless of empathy.
Godless and lithe.
Godly with vanity.
Regardless of time.
Regardless of anything.
Godless with pain.
God, will you let us be.

Dark days, they're stealing them from you.
Dark days, you'll never make it through.
Dark days, you can not get away.
Dark days, we're falling in the rain...
 

Dark Days

So this track we thought we would take the classic jazz pop route “Danie Hollobaugh” on the vocals & vocal melody composed by Scott 

So the story is about a friendship about to turn into relationship, but the man doesn’t know if he should commit yet, although she does, she keeps telling him take chance “roll the dice”


Enjoy!!

Roll The Dice

Already lived story

I think this is the one where I used a classic soul progression. The packaging at the start that imitates a DJ scratch rhythm came when I accidentally touched a mi goreng pack of noodles around the mic and it fit so I used that. The stop start is influenced by ‘I Try’ by Macy Grey. Then a trademark 4 layers of cello for the chorus. It’s 4 layers cos that’s how I get the cellos to have enough power that I want. First time doing a vocal ’staccato’ sort of chorus like ‘Work Song’ by Hozier which is my fave Hozier song cos’ maybe I’ve overplayed ‘Take Me to Church.’ At the end a brief bit of funk. I remember trying something more complex but the classic James Brown sort of funky riff worked better so I used that.  The second verse is influenced by the production of ‘Hold On’ by Bishop Briggs with the claps. Then, a neopolitan chord for the bridge.  The last chorus has the 2nd chord flattened like ‘Imperfect For you’.  Also a harmonic minor scale being played by the synth lead which reminded me a bit of Just Like You Imagined by NIN. So we’re not lyrically referencing 300 anymore but musically referencing it. The horns are a new addition which I did just based on … what I thought might sound good. The verses/bridge are new but the chorus is from last year. Oh yeah I did reference FNM's Ricochet for the bridge. King for a Day is Spiderman's fave FNM record. Should just hired as a consultant when their biographies are due. Correcting people like, "nah it was a sunny day when that event happened." Yes, the weather is important. Details are important.

Speaking of mi goreng which I discovered in my 1 year of boarding school in Australia. “I do hope my overpriced education doesn’t offend you.” I remember looking at it and thinking it was strange that it had no broth. Then, tasting it and going “ this is amazing.” It’s wonderful how an Indonesian noodle brand has gained popularity in Australia. Other than that, I do miss the meat pies and Shapes (they are a good snack). It was also at boarding school that I discovered Meri lewa which was played once a week by the PNG boys.

Give Me Release

Make You Feel My Love (Cover)

SPEEDING/RUSH

LoNe WolF - "Demigod"

Album: "Avant-Garde"


Mixed & Mastered By: LoNe WolF



#trending #toptracks #album

Avant-Garde

Demigod

DON’T GIVE A F*CK! (ft TYX)

Captivity is not about heartbreak — it’s a chilling descent into real psychological imprisonment. Identity is stripped away, reality rewritten, and freedom itself begins to feel dangerous.

Drawing on captivity trauma theory, Stockholm Syndrome, and behavioral conditioning, Exzenya transforms her voice and production into a cinematic portrait of control and isolation. The track opens with a haunting reinterpretation of the folk refrain “Down in the valley…” delivered in a rare, resonant low vocal, paired with hollow wind that feels like a broken transmission through an old radio. From there, the song builds into a dark, minor-key arrangement where vocals climb into plaintive highs, mirroring the push and pull of despair and yearning.

Captivity isn’t just a song — it’s a haunting story set to music. Opening with the ghostly echo of “Down in the valley” and a chilling wind, Exzenya pulls listeners into a dark world of isolation and control. Her deep, resonant lows and emotional highs make every line feel like a cry from the inside of a locked room. Cinematic, eerie, and unforgettable — this is storytelling that feels like a film score trapped inside a pop song.

FFO: Billie Eilish, Halsey, Aurora, Lorde
Tone: Dark, haunting, emotional, surrendering

Captivity

A Home For Me

We are the music makers. We are the dreamers of dreams.





Dark Days

SpukSchreibMaschine