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Matt Hancock

Haven't Seen The Sun

Look at The Sun [Nancy Pie]

Days in the Sun

Grammys 2024 voting. The song builds layer upon layer, and becomes powerful and passionate. It might even bring tears to your eyes. From the movie project "Waldo Beyond the Walls -- Adventures in the Galaxy". The reluctant hero, Waldo, discovers that he is not alone and that he has an amazing and out-of-this-world quest ahead of him. The song starts softly while the hero of the movie begins to realize what he has to do and discovers a deeper purpose to his life. Some people say it reminds them of John Legend.
See more at: https://waldometaverse.com

I am not alone

Une chanson inspirée par la maladie qui frappe les gens et qui sont resté positifs dans ce combat. Et aussi un hommage pour toute les personnes qui ont des passages difficiles dans leur vie.

A song inspired by the illness that struck a lot of people and that remained positive in this fight. And also a tribute to all people who have difficult passages in their lives.

5 VOIX

La vie

La Vie

Oh, it was alright at the start.
But then you drank too much, and things just start to slowly fall apart.
And it'll be alright in the end.
And all the other bullshit coming from your friends.

Don't talk that fucking shit to me.
You know exactly how this goes.
You can't do nothing and expect things just to change.
Been down the road.
Cigarettes and Alcohol.

You got yourself some little tart.
Kidding yourself that you're so much better than you are.
They all think you're a fucking dick.
Be better if it didn't take you years to realise it.

Don't talk that fucking shit to me.
You know exactly how this goes.
You best do something if you're wanting shit to change.
Been down the road.
Cigarettes and Alcohol.

So you pour yourself another drink,
And you're gipping in your kitchen sink.
There's empty cans hidden in every hole.

And you're kidding no one but yourself.
There's no escaping mental health.
Reflection staring back all pale and gaunt.

The fun has gone it passed you by.
Old Red eyes they don't even cry.
They only get more angry at the world.

The only solution's another drink.
Another drink and, another drink.
That familiar feeling, all safe and warm.

Don't talk that fucking shit to me.
You know exactly how this goes.
Give it three days and you'll be rid of the fucking shakes.
Been down the road.
Cigarettes and Alcohol.

Cigarettes and Alcohol [2023]

Nebraska - Earl Sweatshirt, Vince Staples, Mac Miller

Miles On End

Lyrics:
I think this is what I need
I think you're the one of my dreams
Displace your guts in waves
So please don't leave

I've waited my whole life for you
I see you walk my way, then right through
Oh, what I would do
To get out of the mud and find you

I just want you to love me.
Why am I pushing you further from me?

There's nothing I can say,
Nothing I can do,
To get me closer to you.
Everything I try,
Everything I do,
Seems to distance me from you.
And I don't know if I'll make it through,
If you choose to go.
And I know that this is what I'll never get through.
Am I on my own?

Real Actual Love?

Lyrics:
Open prairie fields wither with autumn's grasp
But unlike the change of seasons, this feeling is yet to pass
And the drive home is filled with restless thoughts
Anxiety takes its hold on me, I've already lost

And I just wanna be here, right in the now,
But I'm still plagued by a past I'm still figuring out.
And this thirty minute commute, seems like it never ends,
Guilt takes its grasp on me, I fall back down again.

And I wanna be happy where I am.
I wanna feel alive again.
But these thoughts never leave me alone,
Succumbing to them on my way home.

And anytime I go anywhere, part of me hopes I'll crash,
Visions of a calamity of metal and glass.
But I can't die young, I still have to fall in love,
With someone who accepts me despite all my flaws.

And I'm still scared I'll never break free, of this weight that I guess is crushing me.
And I'm so tired of the same, because I don't know if feeling nothing is better than the pain.

And I wanna be happy where I am.
I wanna feel alive again.
But these thoughts never leave me alone,
Succumbing to them on my way home.

Rumination

Falling Up 
song by Frank Zozky 
music by Allchemicalbeatz
koram wat
Label Prod : acbeatz.com

Falling Up

Falling Up ( feat Frank Zozky )

Super Bitchin' Tattoo

ddoT

To the memory of the wonderful Roos.

Ian Collins @ian-211 helped a lot with the strings, piano, drums and production.
________________________

Rose, the story is being told that you won’t get old
I know it’s hard to see but there’s a light behind the trees, Rose
Your daddy was a friend of mine, though it’s been a long long time
Before the seasons changed and plans were rearranged

Like a seagull in the storm, you’ll take your lonely course
Ahead of the swarm, struggling with proud force
Despite your tattered coat your soul will stay unharmed and reach the sky

Solo

Little Seagull in the storm, with confidence and love
You will live on, down here below and up above
Despite your tattered coat your soul will stay unharmed and reach the sky

You don’t need to believe, but while the others grieve
Their love will guide you through and there’s one who’s waiting for you, Rose

Cellar Aged Wines

Rose (Seagull In The Storm) - with Ian Collins

You send me the hope of a warm summer breeze.
Start up the war, so I sail out to sea.
Why are we fighting now?
Haven't we learnt there's nowt to be won.

I have no hope for your democracy.
It's mirrors and smoke, and we're fools to believe.
Why they let us run free.
But leave us no scope to move on.

Revolution died on the vine.
And your rat race will never be mine.
All the scales in your favour.
We fought.
Who's it for?
Who's it for? 

Ah bless you, all proud of your democracy.
You hold it above you for us all to see.
Will its gold trickle down?
To our bellies.
You're all back to front.

You raise up the prices, you double the bills.
Worship the money, go in for the kill.
Who are we fighting for?
It certainly isn't ourselves 

Revolution died on the vine.
And your system refuses to shine.
All the cards marked against us.
We fought.
Who's it for?
Who's it for?

Revolution is done.
Haven't we earnt the right to move on?  

The generation that was all ecstasy.
Be off with your Nigel's, and idiocy.
Your white van policies.
You're just bitter old men. 
You are gone.

Oh, haven't you realised that you're getting old?
Haven't you earnt from the prizes they sold?
Didn't you learn to share?
Didn't you learn to care for your soul?

Revolution died on the vine.
What is yours now can never be mine.
All the traps that we fell through are caught.
Who's it for?
Who's it for? 

Democracy

Lyrics

I'd walk the fields in dusty boots
With calloused hands and deeper roots
The stories carved in cedar bark
Still echo when the mornings start
I’ve walked the same path to the hill
Where time stands still, but I never will
Cause there’s a pull I can’t ignore
To wander out and seek some more

But I carry the dirt beneath my feet
And the voices in the winds I meet
The map may change, but the truth I hold
Is we all need roots, and we all need roads

I’ve seen the skyline kiss the plains
And danced beneath September rains
I’ve learned to bend, but never break
Like river stones in mountain lakes
Each mile writes a verse I keep
Tucked in my coat for when it’s steep
I don’t fear the long unknown
When I know just where I’m from and grown

Yeah, I carry the dirt beneath my feet
And the voices in the winds I meet
The map may change, but the truth I hold
Is we all need roots, and we all need roads

Let the seasons shape my name
Let the sunburn write my claim
Home’s not lost, it just expands
In footprints laid across the land

Still I carry the dirt beneath my feet
And the laughter in the friends I greet
The road runs wide, but my heart knows
The strength of roots, and the call of roads

So here I go, no need to choose
I’ve got sturdy roads and growing roots


We All Need Roads

https://linktr.ee/losatara

Animals

You make me feel like an animal
Starving alone in an alleyway
Hoping that someone would show me love
Someone like you
But
You're not the type to go pet dirty dogs
You're not the type to show love to something unless if you're
Getting paid
Getting laid
Or
Trappin sad birds in your cage
Huh

You make my head rot
You make my heart hurt

You make me feel like a flea bitten mutt
Howling at the moon for a hug
Running from the people
Cause
The people kept hitting me

Tell me what's the right kind of love
If the right kind of love
Is when you love your abuser
More than you love yourself

Chivalry died with a cry not a yell
Tail between the legs
Running
Tail between the legs
How I know you're the worst kind of animal

All that I know
Is
I got used to looking at the ground
Because everytime I look up and look around
All I see is
Bodies
On bodies
On bodies

I got my head hunched over
All that I know
Is that the ground keeps growing
All that I know
Is that I'm throwing it up
Is that I'm throwing it up
Is that I'm throwing it up
Throwing up bird seed

See the dogs on a leash
Feel jealous

See the park
Through the chain link

They're smiling engaging
In a life that I have
Only in my sleep

I walk down the street getting yelled at
Occasionally there's some bread thrown

I see other dogs
They're not like me

They kill all the birds
I just retrieve

It doesn't make me feel good when I break their wings off
Does it make you feel good when you break their wings off
Huh

Does it make you feel good when you go from relationship
To relationship
To relationship
Where's your owner at
Well
She left her dog at the vet

All that I know
Is that this cage keeps getting smaller

All that I know
Is that I don't trust any of these bodies

They get mad at me for growling
Then they hit me when I throw up

But they're the ones that kept trying to feed me fucking bird seed
Not knowing
I was only ever just a bird dog

I guess it was my mistake for feeling sorry for the birds

Bella's Dog

🎭💔 “Not For Anything”  
Jinx sings not as a villain, but as a daughter grieving the only one who ever saw beauty in her chaos  and her imperfections

A thunderstorm of raw emotion and manic melody, “Not For Anything” dives deep into Jinx’s fractured psyche as she finally realizes Silco’s love was unconditional. With vocals that start in a haunted whisper and erupt into grunge-fueled catharsis, this track bleeds cinematic emotion—built for anyone who’s ever felt like a broken masterpiece.

Layered with haunting melodies, distorted lullabies, and tear-soaked memories, this is a tribute to the man who saw Jinx’s jagged edges as sacred art. “You’re perfect,” he said—and in this song, she believes it.

🎧 For fans of Arcane, cinematic soundscapes, and story-driven sonic art.

#Arcane #Jinx #Silco #NotForAnything #ArcaneKanuck #CinematicPop #GrungePop #EmotionalSoundtrack #FatherDaughter #AMVReady #SoundtrackToMyRuin



Not For Anything

Written/Produced by Nico Zaca.
Mixed by mTwenty
Art by @sabyanez

Grease Lightning

Prod. by me and Chizian. First part drums by Chizian. Second part features Harlot and the Tramp with Bohdangerous on drums and Josh Cross on guitar.

Lyrics:
Just like the good old days.

Ch-ch-ch-ch-chyeah!

I hate to say it but I didn't think it would come to this
The only thing more rash than my mind are the scars on your bloody wrist
And I know!
You're trying to make this out to be something about yourself
I'm all that you ever wanted but you're too deaf, blind, and dumb to tell!

You don't even know exactly what you even want,
So keep on searching for your perfect miracle drug.

Your Loss Babe (Ft. Chizian and Harlot and the Tramp)

"Carry On" - From the "Hinter uns das Land" / "Behind Us The Land" Project

This is "Carry On," an epic metal rock ballad (5:57 min) by Beyond & Before Music, inspired by the novel "Hinter uns das Land" ("Behind Us The Land") by Frank Talmon l'Armée.

Imagine a conceptual band, "Adelheid's Wisdom," performing this track: A powerful, emotional male lead vocal tells a story of overcoming adversity, of stumbling and rising again. He's supported by haunting, mystical female and male vocals and an epic soundscape blending the intimacy of piano and cello with the power of distorted guitars, driving drums, and orchestral elements.

The song features dynamic shifts, a spoken word interlude with thunderous undertones, a soaring guitar solo (melodic building to a shred), and a massive final chorus. It's a song about the scars that make us stronger, the battles within, and the unbreakable spirit that carries us on, together.

This track is a deep dive into themes of resilience, inner strength, and the hope that endures even in the darkest of times.

Music & Concept: Beyond & Before Music (Frank Talmon l'Armée)
Inspired by the novel: "Hinter uns das Land" / "Behind Us The Land"

Follow Beyond & Before Music for more!

© 2025 Beyond and Before

"Carry On" (Complete Epic Rock Ballad Lyrics)

[MYSTIC INTRO – André] 
There’s a road where shadows whisper...
Where the lost and lonely gather...
Every scar a buried secret...
Every step... a choice to matter...

[VERSE 1 -André] 
The road of life, a winding, rugged track,
Sometimes a gentle slope, sometimes no turning back.
You see the storm clouds gather, feel the chilling breeze,
And stumble over stones that bring you to your knees.
A heart can shatter... 
(Echo - Elfriede) shatter...
Like fragile, fallen glass...
(Echo - Elfriede) glass… 
Hopes can dim and falter...
Watch the moments... pass... 

[PRE-CHORUS 1 - Adelheide] 
But in that silence, when you’re standing all alone...
You hear a whisper... 
a voice you’ve always known...
A spark to light the darkness...
To re-ignite... the flame... 

[CHORUS 1 – André] 
WE CARRY ON! WE CARRY ON! Together! Side by side!
Through the deepest valleys! Across the raging tide!
Every scar... a lesson! 
Every tear... a sign!
This unbreakable spirit...
(Adelheide) Yours... and... mine!

[VERSE 2 - Adelheide] 
You might have built your fortress... upon the shifting sand...
Watched it wash away... 
(Echo) away...
By forces... you can’t command...
(André) The echoes of a promise... 
A dream you held... so tight...
Fades into the shadows...
Of an endless... lonely night...

[MYSTIC INTERLUDE 2 - André] 
The storm you fear... is already inside...
(Adelheide and André) It carved your courage... from the mountain of pride...

(Adelheide) 
The chains that bind you... are forged by your hand...
Now strike the anvil... and reshape... the land...

[INTRO – REPRISE – André and Adelheide in the back]

There’s a road where shadows whisper...
Where the lost and lonely gather...
Every scar a buried secret...
Every step... a choice to matter...

[BRIDGE] (Full Band But Adelheide Lead)
Oh, the world will test you...
(Echo:) test you...
Try to break your will...
(Echo) break...
Push you to the limits...
Stand you on that hill!

[[FINAL CHORUS - André]
WE CARRY ON! WE CARRY ON! WE CARRY ON! TOGETHER! WE ARE STRONG!
This is where we rise!
(André and Adelheide) THIS IS WHERE... WE BELOOOOONG! (Hold note)

[OUTRO – Adelheide and André] 
The road still winds... (Breathy)
But now we walk it...
Together...

Carry On

Echo

Recorded at One on One Recording Studio in North Hollywood, by the Instrumental Casting Orchestra, with Ruslan Biryukov (cello soloist) and Dustin McKinney (trumpet soloist).

Certain musical patterns are shared among all of humanity, transcending geographical and temporal boundaries. This selection of early spiritual songs originating from the North American continent exemplifies this remarkable unity. Whether it be the music of indigenous peoples displaced by European colonists, the religious songs adapted from folk songs of European origins, the poignant spirituals of the enslaved forcibly brought to America’s shores, or the hymns sung by impoverished rural Southerners, humanity expresses hope through their shared language of music.
This orchestral suite opens with a rendition of a Lakota lullaby titled, “Čhaŋté Wašté Hokšíla (My Kind-Hearted Boy)”. This then transitions into a New England colonial rendition of the traditional song “Wayfaring Stranger”. The song’s sentiment of constant journeying, being a stranger in a strange land yet lifting the eyes in hope toward the promise of a better home, links the stories of all who reside on this continent: European immigrants fleeing oppression, indigenous communities forced upon trails of tears, and African people enslaved against their will.
From this wayfaring song that links them all, a lone trumpet introduces the melody, “I Wade the Water to My Knees”, a traditional ring shout song that recalls the historic 1803 rebellion and subsequent mass suicide at Dunbar Creek on St. Simons Island, Georgia. The lyrics of this call-and-response shout song bring this powerful imagery to life:

I wade the water to my knees.
I’m gonna pray, gonna pray.
I wade the water to my knees.
I’m gonna pray til I die.

Lord, the water’s so cold…
Til my body but not my soul…
I’m gonna sink and never rise…
Won’t rise now but don’t know when…
With my faith I’ll rise again…

Following a brief harmonic transition, a faithful orchestration of “Wondrous Love” is presented. The harmonies are accurately reproduced from those found in the Sacred Harp tunebook of 1844. This distinctly American tradition of harmony and singing-style originated in New England during the late 18th century and was subsequently codified in the aforementioned tunebook, published in the American South.
After this rugged rendition of “Wondrous Love” comes “Idumea”. The melody was initially composed by Ananias Davisson in 1816. Subsequently, it was paired with Methodist lyrics (authored by Charles Wesley in 1753) and included in the shape-note hymnal Southern Harmony in 1835. The hymn was further incorporated into the Sacred Harp collection in 1844.
At long last, our journey culminates in a seamless fusion of the melodies from “Idumea” and the Lakota Lullaby that began this musical narrative — once more, illustrating the striking commonalities shared in the music of our diverse heritages.

See the music video at https://youtu.be/ULHZyvr3c4c?si=Xr0_W5ZFKoQ2nkg9

Buy/Stream

Spiritual Songs of the New World (Studio Recording)

A timeless rocker cleverly written intertwining the hazards of driving with the ups and downs of love. Hank uses all 4 lanes of the interstate and them some with his steady classic rock n roll rhythm, chiming chorus guitar, and an out of nowhere guitar lead solo using open scales and his stock tremolo bar. Almost two songs in one, the climactic second half finale brings Hank's heartfelt pledge of love sung over a beautiful chord progression filled with lush string arrangement which seems to be echoing that steady clicking, humming sound of the lonesome interstate, Warning, this song stirs up emotions just below the surface of those who know love all too well.

The Long Haul

Well, He's got the highway to your heart
I got to come up the rocky way
He jumped ahead from the start
I'm right in second baby that's OK
Because, I'm in it for the long haul
I'm in it for the long haul now baby

He's layin' rubber in the top end
but it ain't all about RPMs
My eighteen are gonna keep on chuggin'
I'll get to you baby no matter what I'm luggin'
cause, I'm in it for the long haul
I'm in it for the long haul now baby, 

When you're in love you better not speed
You might pass by somethin' that you really need
You need somethin' baby built to last
to carry love's heavy load
Because a lot of things can happen baby
when you're out on that open road

You get your hopes up high but love comes down crashin'
You try it again but the same thing happens
Sooner or later you're gonna' get tired of bein' bumped around
That's when I'm gonna' be ready baby, just pullin' into your town
 
I know you're lookin' for Mr. Right
not those one-night romeos
Someday you'll see me in a different light
and that's the day I'll pull this rig off the road
Because, I'm in it for the long haul
I'm in it for the long haul now baby
Long haul, baby
Ohhh yeah, I'm in it for the long haul now baby

I'm in it for the long haul
I'm in it for the long haul 
I'm in it for the long haul now baby Ow

When the bridge is out, 
ohhh! there ain't no doubt
I'll find a different route
I'll be there by the mornin' yeah

Through the pourin' rain
No matter how steep the grade
I'm gonna' keep makin' my way to you baby

I'm in it for the long haul
I'm in it for the long haul
I'm in it for the long haul now baby
Baby, baby baby baby
Baby, baby baby baby
Long haul
Baby, baby, baby baby
Baby, baby, baby, baby
Hold on, It won't be long
Ohhh! I'm in it for the long long haul

The Long Haul

Télak a song by Lágy Szellő.Enjoy!  😎
✨ Mr Woodhand:  🎸sologuitar and mastering and  the hammond track🎵👍

Télak

This work was composed specifically for The Viola Commissioning Circle (VCC) Composer Prize based in London.

***
🎵 Title: Tango in the Rain
🎼 Composer: Michael Herter

🕒 Duration: 03:34
🐢 Tempo: Medium
🎻 Genre: Tango / Classical / Neoclassical
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video: 

📝 Description

"Tango in the Rain" sweeps you into a world where every drop of water becomes a heartbeat and every note a whispered promise. Picture a cobblestone street drenched under a silver glow, footsteps echoing as violin and piano entwine in a passionate embrace. The sultry melody of the violin weeps with longing, while the cello’s warm timbre pulses like a lover’s steady breath. The piano’s chords glisten — each keystroke a raindrop dancing on your skin.

As the storm intensifies, the quartet’s rhythm tightens: viola strokes snap like lightning, and the cello’s low-register whispers anchor you in a moment of shared vulnerability. The interplay of solo lines and lush harmonies evokes a stolen midnight rendezvous, drenched in longing and defiance. You can almost feel the dancers’ wet shoes sliding across the pavement, their bodies in perfect tension, surrendering to the music’s electric current.

Here, sorrow and joy swirl together, creating a tapestry of desire that is at once urgent and tender. "Tango in the Rain" isn’t just a piece — it’s an invitation to lose yourself in a torrential romance that refuses to let go.

🎼 Key: d-moll | Time Signature: 4/4 | Tempo: Varies bpm

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

CLASSICAL and NEOCLASSICAL

Tango in the Rain

Depression

Verse 1: F#/A > E/A > D/A > C#/A
Numb, how I feel?  So lost within this fog.  Withdrawn, too hard to cope
And time, eats away, at my brain, till I’m just a hollow shell

Pre-Chorus: B > A > G
This weight, this burden I protect
All the voices in my mind, driving me toward suicide

Chorus: B > A > G
Depression – this pressure
Depression – Depression

Verse 2
Alone, my fatigue?  When the color in my eyes, gives way to my disguise
These lies, I tell myself, are losing their effect, consumed by my regrets
                                                                                                                                                                                       
Pre-Chorus
This pain, thickens in my veins
This monster in my mind, I’ve nowhere left to hide

Chorus
Depression – this pressure
Depression – Depression

Bridge:  em > BM > CM > GM > F#M (4)
A black cloud is following me, it swallows me whole, invades my sleep, only one way it lets me go
Isolate myself from everything, the only pleasure in my life, comes from getting high, the only way I know to get by
< SOLO: B > A > G >

Verse 3
Goodbye.  All the fear, these whispers telling me, only one way to be free
To see, to escape, quick and painless sounds so nice, hand full of pills to say goodbye

Pre-Chorus
This waste, my mother on my mind
Drowning in a river of tears, so ashamed to leave her here

Chorus x2
Depression – this pressure
Depression – Depression

I’ve got to get me out of here 
It’s time to let me go 
Place this noose around my neck
As all these pills go down my throat 
I just take another drink
And I’m drifting off to sleep
It’s time to say goodbye 
Please just let me die
Please let me go

depression

BOUNTY

Country Girls Crew

This is not a traditional song, but a musical scene – a cinematic moment based on the true story at the heart of the epic novel "Hinter uns das Land" (The Land Behind Us).

The text is a direct, unabridged translation of a key passage from the novel, depicting an authentic, handed-down moment from the author's mother's, Inge Feyerabend's, escape from East Prussia in the winter of 1945. It captures the intimate vow of familial solidarity as their homeland disappears into the dark.

This is the most direct link between true history, literature, and music within the "Soundtrack Universe".

---

Dies ist kein klassischer Song, sondern eine vertonte Szene – ein filmischer Moment, der auf der wahren Geschichte im Herzen des Roman-Epos "Hinter uns das Land" basiert.

Der Text ist eine direkte, ungekürzte Übersetzung eines Schlüsselmoments aus dem Roman, der auf den authentischen Erlebnissen der Mutter des Autors, Inge Feyerabend, während der Flucht aus Ostpreußen im Winter 1945 beruht. Er fängt das überlieferte, intime Versprechen des familiären Zusammenhalts ein, während die Heimat im Dunkel verschwindet.

Es ist die direkteste Verbindung zwischen wahrer Geschichte, Literatur und Musik im "Soundtrack Universe".
