SpukSchreibMaschine

Re-Ex findings January-25

RepostExchange9

Matt Hancock

Haven't Seen The Sun

Look at The Sun [Nancy Pie]

Days in the Sun

Pissing in the Sink - Single by Turbo-Laser

Pissing In The Sink

Gallows

Oh, it was alright at the start.
But then you drank too much, and things just start to slowly fall apart.
And it'll be alright in the end.
And all the other bullshit coming from your friends.

Don't talk that fucking shit to me.
You know exactly how this goes.
You can't do nothing and expect things just to change.
Been down the road.
Cigarettes and Alcohol.

You got yourself some little tart.
Kidding yourself that you're so much better than you are.
They all think you're a fucking dick.
Be better if it didn't take you years to realise it.

Don't talk that fucking shit to me.
You know exactly how this goes.
You best do something if you're wanting shit to change.
Been down the road.
Cigarettes and Alcohol.

So you pour yourself another drink,
And you're gipping in your kitchen sink.
There's empty cans hidden in every hole.

And you're kidding no one but yourself.
There's no escaping mental health.
Reflection staring back all pale and gaunt.

The fun has gone it passed you by.
Old Red eyes they don't even cry.
They only get more angry at the world.

The only solution's another drink.
Another drink and, another drink.
That familiar feeling, all safe and warm.

Don't talk that fucking shit to me.
You know exactly how this goes.
Give it three days and you'll be rid of the fucking shakes.
Been down the road.
Cigarettes and Alcohol.

Cigarettes and Alcohol [2023]

Bad Start To The Year

Somewhere out there you can hear them, the velvety echoes.

Velvet Echoes

Chayne's 3rd single, released 15 November 2024
Video here https://youtu.be/ElVhFN_vLhI?si=yaqSyDj6Und1rUry

Quicksilver

Words and Music by Roger Whittlesey. Bass by Noel Barrett. All other sounds by Whittlesey.  2024.

The Minutes of Night

Original acapella Sergi Yaro :
https://www.looperman.com/acapellas/detail/22445/im-with-you-now-118bpm-pop-acapella

Im With You Now Ft Sergi Yaro

First recorded in December 2022.
From the album Salt.

It's a song where I asked myself "what would it be like to live in a lighthouse?".

This new version was mixed and mastered by
Woods Studio Norway Mixing and Mastering 
www.soundcloud.com/woods_studio 

LYRICS

Avoidance, takes its toll.
Never minding, any goals.
Always hiding, in your hole.
Never binding, to the whole.

A table, spread to eat,
A window, to the sea,
A white wall, not complete.
Nor flower, nor a tree.

A sunset, or a wave.
A shipwreck, for a grave.
A whale's song, in your head.
A lonely, tourniquet.

An old hat, on the peg.
A corner, for your bed.
A lamp light, shining free.
A collector of memories.

The freedom, you can't see.
Imposing, you can't be.
Not needed, obsolete.
Automaton, left replete.

A lighthouse, all alone.
The raging sea, down below.
Piercing, through your heart.
A lamp light, through the dark.


Lighthouses [2024 Remaster]

God, give me style and give me grace.
Give me something I can grow.
Give me something I can taste.
Now, give me somewhere just to be.
Give me rock and give me roll.
Give me heart and give me soul.

I'm falling.
Deep is the valley which no light can penetrate.
I'm falling.
Deep is the chasm when you sink into the waste.
I'm falling.
Out. Out.

You, give me the freedom to use.
Give me fire for the fuse.
Give me someone as a muse.
Now, tell me what you wanna be?
Give me pockets full of sight.
Give me strength to win the fight.

I'm falling.
Deep is the valley that no light can enter in.
I'm falling.
Deep is the chasm in which I can sink within.
I'm falling.
Out. Out.

I'm falling.
Deep is the valley which no light can penetrate.
I'm falling.
Deep is the chasm when you sink into the waste.
I'm falling.
Out. Out.

I'm Falling

"Shifting Sands" - A psychedelic journey through time and consciousness, where Pink Floyd meets modern indie folk-rock. This introspective piece weaves together shimmering guitars, ethereal piano melodies, and dynamic percussion to create a dreamlike atmosphere where reality and imagination intertwine. A meditation on memory, transformation, and eternal love, brought to life through layered instrumentation and haunting harmonies.

Lyrics:
In empty rooms of yesterday
The mirrors still reflect our ways
Each fragment tells of different changes
All we knew to rearrange
And in the silence of the dawn
When shadows paint what's gone
We trace the lines that led us here
Beyond the wall of fear
On the other side of forever
Where the old dreams sleep
We found each other in the ether
In waters running deep
Running deep...
The world outside is growing old
Its stories left untold
But in your eyes I recognize
The light that never dies
Like distant stars that guide us home
Through fields we've never known
While time dissolves the walls between
What's real and what we dream
And as the old world slips away
Into shades of grey
We build our castle in the sky
Where love refuses to die
Can you hear the sound?
Of circles closing round
While somewhere in the distance
Time is breaking down
Breaking down...
Breaking down...
So here we stand on shifting sand
Two souls who understand
That in this space between the lines
Where reason intertwines
With fragments of forgotten days
We'll find our own escape
Through doors that only dreamers see
When love sets madness free
On the other side of forever
Where lost souls find their way
We'll dance between the never
And the light of dying day
Till time itself surrenders
To the games that lovers play


Featuring rich layers of acoustic and electric guitars, atmospheric piano, dynamic percussion, with touches of brass and banjo weaving through the sonic landscape. Perfect for fans of classic psychedelic rock who appreciate modern indie sensibilities.

Shifting Sands

To the memory of the wonderful Roos.

Ian Collins @ian-211 helped a lot with the strings, piano, drums and production.
________________________

Rose, the story is being told that you won’t get old
I know it’s hard to see but there’s a light behind the trees, Rose
Your daddy was a friend of mine, though it’s been a long long time
Before the seasons changed and plans were rearranged

Like a seagull in the storm, you’ll take your lonely course
Ahead of the swarm, struggling with proud force
Despite your tattered coat your soul will stay unharmed and reach the sky

Solo

Little Seagull in the storm, with confidence and love
You will live on, down here below and up above
Despite your tattered coat your soul will stay unharmed and reach the sky

You don’t need to believe, but while the others grieve
Their love will guide you through and there’s one who’s waiting for you, Rose

Cellar Aged Wines

Rose (Seagull In The Storm) - with Ian Collins

Ooh
Waiting on your call
JNO let's try it again

I've been waiting all night
Waiting on your phone call
Cause I know your insight
And I know you want it all

And we're up
Late text messages
Waiting on your call
Waiting cause I know
I know you want it all again
Nah
So imma try again

So imma try again (imma try again)
And I know what when (know what when)
Your up out all night (up out all night)
Baby just take a line (you know I'll take it)
You clean it with your face (I clean it up)
Baby just take a taste (you know I like the taste)
Cause I know what's right (know whats right)
And I know your mine (know you're all mine)

Late night messages
Waiting on your call
Baby don't pretend
I'm just giving you my all
My all
So imma try again
From enemies to friends
I would do it all again
Do it all again
Do it all again
Imma try again

So imma try again (imma try again)
And I know what when (know what when)
Your up out all night (up out all night)
Baby just take a line (you know I'll take it)
You clean it with your face (I clean it up)
Baby just take a taste (you know I like the taste)
Cause I know what's right (know whats right)
And I know your mine (know you're all mine)

JNO let's try it again

For more information, visit jno.one
© 2025 JNO Records

Try Again

Echo

Recorded at One on One Recording Studio in North Hollywood, by the Instrumental Casting Orchestra, with Ruslan Biryukov (cello soloist) and Dustin McKinney (trumpet soloist).

Certain musical patterns are shared among all of humanity, transcending geographical and temporal boundaries. This selection of early spiritual songs originating from the North American continent exemplifies this remarkable unity. Whether it be the music of indigenous peoples displaced by European colonists, the religious songs adapted from folk songs of European origins, the poignant spirituals of the enslaved forcibly brought to America’s shores, or the hymns sung by impoverished rural Southerners, humanity expresses hope through their shared language of music.
This orchestral suite opens with a rendition of a Lakota lullaby titled, “Čhaŋté Wašté Hokšíla (My Kind-Hearted Boy)”. This then transitions into a New England colonial rendition of the traditional song “Wayfaring Stranger”. The song’s sentiment of constant journeying, being a stranger in a strange land yet lifting the eyes in hope toward the promise of a better home, links the stories of all who reside on this continent: European immigrants fleeing oppression, indigenous communities forced upon trails of tears, and African people enslaved against their will.
From this wayfaring song that links them all, a lone trumpet introduces the melody, “I Wade the Water to My Knees”, a traditional ring shout song that recalls the historic 1803 rebellion and subsequent mass suicide at Dunbar Creek on St. Simons Island, Georgia. The lyrics of this call-and-response shout song bring this powerful imagery to life:

I wade the water to my knees.
I’m gonna pray, gonna pray.
I wade the water to my knees.
I’m gonna pray til I die.

Lord, the water’s so cold…
Til my body but not my soul…
I’m gonna sink and never rise…
Won’t rise now but don’t know when…
With my faith I’ll rise again…

Following a brief harmonic transition, a faithful orchestration of “Wondrous Love” is presented. The harmonies are accurately reproduced from those found in the Sacred Harp tunebook of 1844. This distinctly American tradition of harmony and singing-style originated in New England during the late 18th century and was subsequently codified in the aforementioned tunebook, published in the American South.
After this rugged rendition of “Wondrous Love” comes “Idumea”. The melody was initially composed by Ananias Davisson in 1816. Subsequently, it was paired with Methodist lyrics (authored by Charles Wesley in 1753) and included in the shape-note hymnal Southern Harmony in 1835. The hymn was further incorporated into the Sacred Harp collection in 1844.
At long last, our journey culminates in a seamless fusion of the melodies from “Idumea” and the Lakota Lullaby that began this musical narrative — once more, illustrating the striking commonalities shared in the music of our diverse heritages.

See the music video at https://youtu.be/ULHZyvr3c4c?si=Xr0_W5ZFKoQ2nkg9

Buy/Stream

Spiritual Songs of the New World (Studio Recording)

A timeless rocker cleverly written intertwining the hazards of driving with the ups and downs of love. Hank uses all 4 lanes of the interstate and them some with his steady classic rock n roll rhythm, chiming chorus guitar, and an out of nowhere guitar lead solo using open scales and his stock tremolo bar. Almost two songs in one, the climactic second half finale brings Hank's heartfelt pledge of love sung over a beautiful chord progression filled with lush string arrangement which seems to be echoing that steady clicking, humming sound of the lonesome interstate, Warning, this song stirs up emotions just below the surface of those who know love all too well.

The Long Haul

Well, He's got the highway to your heart
I got to come up the rocky way
He jumped ahead from the start
I'm right in second baby that's OK
Because, I'm in it for the long haul
I'm in it for the long haul now baby

He's layin' rubber in the top end
but it ain't all about RPMs
My eighteen are gonna keep on chuggin'
I'll get to you baby no matter what I'm luggin'
cause, I'm in it for the long haul
I'm in it for the long haul now baby, 

When you're in love you better not speed
You might pass by somethin' that you really need
You need somethin' baby built to last
to carry love's heavy load
Because a lot of things can happen baby
when you're out on that open road

You get your hopes up high but love comes down crashin'
You try it again but the same thing happens
Sooner or later you're gonna' get tired of bein' bumped around
That's when I'm gonna' be ready baby, just pullin' into your town
 
I know you're lookin' for Mr. Right
not those one-night romeos
Someday you'll see me in a different light
and that's the day I'll pull this rig off the road
Because, I'm in it for the long haul
I'm in it for the long haul now baby
Long haul, baby
Ohhh yeah, I'm in it for the long haul now baby

I'm in it for the long haul
I'm in it for the long haul 
I'm in it for the long haul now baby Ow

When the bridge is out, 
ohhh! there ain't no doubt
I'll find a different route
I'll be there by the mornin' yeah

Through the pourin' rain
No matter how steep the grade
I'm gonna' keep makin' my way to you baby

I'm in it for the long haul
I'm in it for the long haul
I'm in it for the long haul now baby
Baby, baby baby baby
Baby, baby baby baby
Long haul
Baby, baby, baby baby
Baby, baby, baby, baby
Hold on, It won't be long
Ohhh! I'm in it for the long long haul

The Long Haul

🎵 Title: Tango in the Rain
🎼 Composer: Michael Herter

🕒 Duration: 03:34
🐢 Tempo: Medium
🎻 Genre: Tango / Classical / Neoclassical
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video: 

📝 Description

"Tango in the Rain" sweeps you into a world where every drop of water becomes a heartbeat and every note a whispered promise. Picture a cobblestone street drenched under a silver glow, footsteps echoing as violin and piano entwine in a passionate embrace. The sultry melody of the violin weeps with longing, while the cello’s warm timbre pulses like a lover’s steady breath. The piano’s chords glisten — each keystroke a raindrop dancing on your skin.

As the storm intensifies, the quartet’s rhythm tightens: viola strokes snap like lightning, and the cello’s low-register whispers anchor you in a moment of shared vulnerability. The interplay of solo lines and lush harmonies evokes a stolen midnight rendezvous, drenched in longing and defiance. You can almost feel the dancers’ wet shoes sliding across the pavement, their bodies in perfect tension, surrendering to the music’s electric current.

Here, sorrow and joy swirl together, creating a tapestry of desire that is at once urgent and tender. "Tango in the Rain" isn’t just a piece — it’s an invitation to lose yourself in a torrential romance that refuses to let go.

🎼 Key: d-moll | Time Signature: 4/4 | Tempo: Varies bpm

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🙏 Thank you for listening!

Tango in the Rain

We are the music makers. We are the dreamers of dreams.



