Look at you sorting through your halos.
Just as I am walking through the door.
You ain't got many words to say to me, though.
It's not getting better than before.
We must abide.
In the Cassiterides.
No, i've never caught a rabbit, and I'll never catch a rabbit with you.
Now, there's no coming back, no matter what I do.
What fools.
We were.

We don't all exist within the same world.
One in which the choices never end.
I'm sure it's lovely in your sunshine.
The grass looks pretty green from down our end.
We struggled by.
In the Cassiterides.
No, i've never caught a rabbit, and I'll never catch a rabbit from you.
The bottom rung of the ladders are simply rotten through.
Boo-hoo.
For who?

Save me.
Out here in the cold.
Your safety.
Is mostly made of gold?
Tame me?
When I'm knowingly mis-sold.
Lately.
Just sat here getting old.
Out of the fold.

You little bastards, always wanting a bit more.
Oh, there's certainly some more of what you've had.
Just poke your head above the parapet.
Quickly, have a look and then just grab.
Want an easy ride?
In the Cassiterides.
Oh, you'll never catch a rabbit, and they'll never catch a rabbit for you.
Rome is built for Romans, not for you.
Not you.
Not you.

Safety?
Out here in the cold.
You'd save me?
But I dont have the gold.
Tame me?
Never in this life.
Hold me back?
What gave you the right.
Oh, the right.

Mixed and Mastered by Woods Studio Norway.


Rabbits [Woods Studio Norway Mix]

Destroyed by society and releasing music as my release

*Creativity is the last bastion of hope for finding meaning in life, and it's being eroded by AI

I've been a bass player most of life. Always loving music. Always having a need to play. Now I’m also on the 6 string guitar and playing a little keys, but I always have my bass by my side. I'm not doing this for money or for fame. I simply love to play, write and record. Always having good time doing it. 

I’m also a graphic designer and illustrator and you can check out my work at patsofra.art or @patsofra on instagram.

Experimental magic 🧙‍♂️

Influenced by rock icons such as John Fogerty and Bruce Springsteen

Our Fast Descent hail from Liverpool, UK.  Concept albums are used to drive our stories, delivered through the realms of Pink Floyd/Bowie like atmospheres, spanning from haunting piano/acoustic compositions to guitar based progressive rock and blues.

m@tro-music is my life I grew up in Yucaipa CA. My musical influences are the rolling

Stones,faces,Ronnie,wood,also men at work, Colin hay and Bruce Springsteen.Colin hay and Bruce Springsteen are my favorite song writers.Another artist I enjoy is j.mascis I grew up in the 80s so i had a lot of music in my life.Im just a working class guy making music from my heart my solo stuff can be found @ https://share.amuse.io/jSUEL2CnWzqz
also my m@tro YouTube link👇
https://www.youtube.com/@matro951


STH (band)-STH-(small town heroes) 2 best friends,matt hanson aka m@tro  (vocals) and Jeff pippin aka p@radigm(guitar)write songs and play music together since 2004 with long hiatuses in between we just started playing together again most of our songs where recorded in 2004 and 2008.STH project acoustic album can be found @ https://share.amuse.io/QIuo-GJgsVnK also on bandcamp@ 
sthmusic3.bandcamp.com
YouTube link------👇
https://www.youtube.com/@sth8453
Donations 
https://www.paypal.com/donate/?hosted_button_id=JB3T2ZU6PLUX8
to buy our CDs here is our store
http://Kunaki.com/MSales.asp?PublisherId=189585&PP=1

All you need to know about Aedos, it's that we live Nowhere... Yes, Nowhere, but behind a Waterfall...

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Alternativ Punkrock Band from Berlin
since 2020 

We are the music makers. We are the dreamers of dreams.





Rabbits [Woods Studio Norway Mix]

SpukSchreibMaschine