Absolutely magic, melancholic but also really beautiful!

Sublime harmonies with superb execution and production. Has whispers of spaghetti western / mariachi band about it to me. Very nice, giddy up! 🐎🤠

Gorgeous song, really love the music and the vocals. Brilliant

Great sounds - this would work well in a movie.

Excellent music - G minor sounding so chill and happy in its melancholy dark

Breath

We collected €5151,73 to help Ukrainian refugees!
https://www.facebook.com/events/3130759347241686/

Benefietconcert Top Musici voor de Vrede in
Noorderkerk Amsterdam 1 April 2022
This is a live recording of my solo "Cold Wind" played during this concert.

Trumpet: Igor Iofe 
Organ: Cinzia Nistico
Sound recording: Amir Bar
Mastering: Igor Iofe
Photo: © Hans Thé

This is a an Armenian folk tune called 'Hovern Elan'. Traditionally it is played on duduk. In this arrangement I play it on a four valves quartertone trumpet with accompaniment of organ.

Cold Wind (LIVE in Noorderkerk)

Duration: ca. 9'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation:  soprano, baritone, and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Marnie Breckenridge, Soprano, and Jorell Williams, Baritone

Purchase Sheet Music (available with In Real Life II and In Real Life II): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778
Extraordinary may be performed as a stand-along work, or with In Real Life I and/or In Real Life II.

For more information:
Version for Soprano,  Baritone, and Chamber Ensemble: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-chamber-ensemble
Version for Soprano, Baritone, and Piano: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-piano

PROGRAM NOTE
As a follow-up to our song cycle for soprano and chamber ensemble (or piano), Robert and I  agreed the concept of five characters looking for love online should have a male counterpart. Written for baritone and chamber ensemble, In Real Life II looks at five contemporary men clicking their way to second chances and romance. In “No Frog” we meet a prototypical player, a guy who fluffs his profile, but the truth keeps slipping out. The tone shifts with “Sola Fide,” in which a U.S. veteran of the war in Afghanistan explains the tattoo on his chest and the wounds inside. An older gentleman envisions one last fling in the irreverent “Die with Me.” In “Still Vamping,” a gay man muses on his start-and-stop romantic history. Finally, in “Nice-Plus,” an everyday guy reveals a hidden passion. In Real Life II was commissioned by American Modern Ensemble with funding from the Doctorow Family Foundation.

American Modern Ensemble: In Real Life

In Real Life

Extraordinary (Version for Soprano, Baritone, and Chamber Ensemble)

When Three Or More Are Gathered. . .

By Voicelight

A Life

Where Buffalo Roam [Part 1]

Something Special

Days Of Wrath

69twoZERO - Demons

Vid of me playing it: https://youtu.be/hZsDNwTvBA4

Just The Reckoning

Here is my acoustic cover for "The End of Heartache" by Killswitch Engage! I've been waiting to post this for a while now, and I'm glad to finally share my first fully acoustic cover of this classic! It was for sure a test of patience recording for this one haha. Hope you enjoy the cover!

Check out the video for it! -> https://youtu.be/0ssch8clMmY
Listen to the original! -> https://youtu.be/h4QGc06KnBE?si=GPOYPCsoSxhgKxyJ

▶Originally composed, written, and performed by Killswitch Engage  
▶Composed, mixed, and mastered by Young Obed  

Find me here: linktr.ee/youngobedmusic

Thanks for listening!

Killswitch Engage - The End of Heartache [Acoustic Cover]

We are the music makers. We are the dreamers of dreams.

Spotify. What a world.
https://open.spotify.com/artist/0XS1P2tk3avKzQUZx6j45Z?si=h7Zz_lgKSm2WZZyjEblxXg

You can also add me on Instagram if you like. I hardly post anything... 
www.instagram.com/spukschreibmaschine



Where Buffalo Roam [Part 1]

SpukSchreibMaschine

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