From da hood / Electronica / 07-2024

All instruments of the track were played by me. Tongue drums  a 10 inch tongue drum and a six inch tongue drum creating rhythms on them both to create like a call and response effect. With rhythm from hi and low egg shakers. A Wooden whistle blown into and controlled by a stick pulled back and forth to vary the sound. Audio recorded on my mobile of traffic passing by. Footsteps on the beach as i was walking across. With sea waves coming in and out moving shingle on the beach.

Tongue Drums Call And Response By The Sea

acorcetis wequan_03

method: layering
narration: adaptions transform
image: copyright jo richter

poem / copyright jo richter
( imagine a layout along 
the central vertical axis as 
published in auslegpapier):

the deeper you 
dive
the bolder this ocean
owns

you - subconscious
intrusions, particles
of worldly self settle
within you and thrive -

patches of sweat
melt into the green-
even stone is a liquid
no gravity can tame

in the long run - you
are bound to believe
in the pervasiveness
of this ülace to become

what once was
you
in a harlekin coat

patches

TL Premiere #1571 (2024.03.28) : BOOTY-BUSTER - Crime Pays [Crazed Behaviour]

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For this 101st Premiere of 2024, we have the title track by "BOOTY-BUSTER" of his EP "Crime Pays" on the label based in Wrexham (North Wales, UK) : Crazed Behaviour.

▶︎ The EP is available in digital only on Bandcamp here : https://crazedbehaviour.bandcamp.com/album/booty-buster-crime-pays

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Release Info :

BOOTY​-​BUSTER - Crime Pays

BOOTY-BUSTER captures the essence of Berlin's electronic scene with tracks expertly crafted via Elektron gear and Eurorack modules, creating an atmosphere that will bring listeners back to 2018. As BOOTY-BUSTER's final purely digital release, 'Crime Pays' is deeply infused with electro and ghettotech influences. This EP offers a hypnotic journey through immersive rhythms and emotive narratives, marking the culmination of an era in electronic music. Keep an eye out for his final vinyl release coming soon, sealing BOOTY-BUSTER's sonic legacy with one last definitive album.

Tracklist :
1. BOOTY-BUSTER - Crime Pays
2. BOOTY-BUSTER - Purple Void
3. BOOTY-BUSTER - Shake Me
4. BOOTY-BUSTER - All This
5. BOOTY-BUSTER - The Amount
6. BOOTY-BUSTER - Ride Shit Down

released March 22, 2024

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Follow BOOTY-BUSTER : www.soundcloud.com/bootybuster88299

Follow Crazed Behaviour : 
Bandcamp : www.crazedbehaviour.bandcamp.com
Facebook : www.facebook.com/crazedbehaviour
Instagram : www.instagram.com/crazed_behaviour
SoundCloud : www.soundcloud.com/crazed-behaviour

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Crime Pays

TL PREMIERE : BOOTY-BUSTER - Crime Pays [Crazed Behaviour]

TOOTHPASTE

Listen, download, share, enjoy and support
Freiheit für Sigrid Karzer campaign:

www.amazon.de/dp/B088NG5M23
music.apple.com/album/1513599988
beatport.com/release/freiheit-f…rid-karzer/2971168
qobuz.com/album/freiheit-fur-s…rtists/qhioa3mwfxava
open.spotify.com/album/4lMMxgUFHvNKY1KSA1CGa4
tidal.com/album/141587297
traxsource.com/title/1353386

'Mensch Sein' is also contained in
ULTRATECH by Various Artists:

music.apple.com/album/1588801057
beatport.com/release/ultratech/3536558
www.junodownload.com/products/5292553-02
open.spotify.com/album/3XZVfGf5JHBwX3RSZDgN3l
traxsource.com/title/1685735
wynk.in/music/album/bl_4059473370062

Supported by I Hate Models:

youtu.be/Kz9uoNiQJiI
Cyphercut – Reality-check-i-hate-models-x-femur-grand-palais-paris
open.spotify.com/playlist/2nklygqjy5ZuI85kreEKEs

More Noise Art @noiseartmusic

IC - †es†pilo†

started with track picture and abstracted from there-various sound sources as instruments mapped to picture with various non traditional scales

Hard Insect listening

An intense late afternoon (Getting lost on a smile)

They do what they want simply because they can.   
I do what I can, because I am here.

They no longer feel the hypocritical need to justify their actions.   
I do not justify. I bear witness.

They speak loudly. They reverse the facts.   
I speak softly. But I do not lie.

Totalitarian culture does not force. It erases.   
I do not shout. But I trace. Even if it’s fragile.

The algorithm holds captive, but does not elevate thought.   
I watch over the moment. And I breathe in the present.

Meta thrives on noise. Amazon on speed.   
I watch over the link. And I breathe in the slow.

Exxon and Lockheed thrive on destruction.   
I do not thrive. I breathe. And I watch.

Violence is a drug. It excites, it justifies.   
I am not excited. I am here. Sober. Present.

Diplomacy is possible, but refused.   
I do not refuse. I extend my hand. Even if it trembles.

The world approaches universal death in a frightening way.   
I am not the universe. But I am alive. And I remember.

Russell and Einstein wanted to remember their humanity, and forget the rest. I am what is forgotten. And I remember.
credits
released October 19, 2025
license
all rights reserved

🙏🏻

The Algorithm of Impudence

A sample, made with the Tascam CD VT1, some experimental voice impro on top, and the Sea...

In Meiner Muschel

Sampling with the Tascam CD VT1 & Voice & Beats...

NaLos!

Feed Me (*(1), *(2) ):
1: Feed Me (NOF Granie, Soma Enner, Soma COSMOS) 05:39
2: Coffee (NOF Granie, Soma Enner, Soma COSMOS) 02:23
3: Scooter (NOF Granie) 07:24
4: Passing Through (NOF Granie, Soma Enner, Soma COSMOS) 05:04
5: Listening (NOF Granie) 02:26
6: Above (NOF Granie, Human Voice, Soma Pipe, Soma COSMOS) 03:40

*(1): NOF Granie, granular synthesiser by Norman Freund
*(2): Soma, Soma Laboratory, hardware synthesisers.

Dates:
12-Oct-2025 (inception), 20-Oct-2025 (finalised), 20-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Photography by Zachary Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/feed-me

(The description provided here is a summary, refer to my BandCamp page for full details).

Description:
Feeding time, my morning ritual, my cat Pixel gets feed before any thing else, no peace otherwise. A meow, saying feed me. Recording Pixel's feeding requests, me getting my breakfast ready (coffee cup rattles, coffee machine) and the after breakfast sounds of my son, Zachary Freund, on his scooter, doing a tail whip on a rather resonant steel bollard, all to be feed into my granular synthesiser, Granie.

A mix of granular synthesis and various other instruments: my voice, Soma Enner, Soma Pipe, Soma COSMOS. Tuning of the synthesisers was largely improvised, no particular system in mind, just choices which I thought suited the mood at the time.

Five field recordings were used for the granular synthesis:
1: Pixel's feed me requests
2: Pixel getting seconds
3: Pixel's human minder getting breakfast ready
4: Coffee machine sounds
5: Scooter and bollard sounds

Track 1, "Feed Me"
Granie granular synthesiser featuring Pixel's meow.
Soma Enner.
Soma COSMOS, Rhythmic #6 mode, dynamic use of blur and drift parameters.
Granie tuning done prior to performance, all five grain buffers had their own tuning.

Track 2, "Coffee
Granie granular synthesised sounds, Soma Enner, Soma COSMOS. As the title suggests, this featured the coffee making sounds.

Track 3, "Scooter"
Granie granular synthesised sounds, featuring the scooter hitting the steel pipe. The clinking of coffee cups provided the percussion. The dual delay+feedback network of the Granie was experimented with here, modulating delay times and gain feedback. The ringing sound of the steel pipe, providing an ostinato, setting the mood.

Track 4, "Passing Through"
Granie synthesiser sounds, Soma Enner, Soma COSMOS.

The underlying theme here was a flickering sound reminiscent of old super 8 movie projector, which was done here through granular synthesis of the coffee cup sounds.

The lead part was played with the Soma Enner and the Soma COSMOS. Various themes were recorded into the COSMOS memory live, layering in, fading out and presenting new ideas and adjusting live the COSMOS Blur and Drift settings (Rhythmic #3 mode). Enner tuning was totally improvised live.

Track 5, "Listening"
Granie synthesiser sounds.
Track five comes back to the original theme, Pixel's meow. At first the meow is definitely not recognisable since the play-back frequency was several orders of magnitude higher than originally recorded, but then towards the end it is gradually slowed down to the original recorded play-back speed to reveal it's source.

Track 6, "Above"
Granie synthesiser sounds.
Human voice -> Soma Pipe -> Soma Cosmos -> Granie synthesiser.
The lead parts were mostly singing into the Soma Pipe using the Resonator mode (dual frequency controls on the Pipe). Naturally I messed with the COSMOS blur and drift settings live during the performance.


The Granie synthesiser is available for purchase from my GumRoad site at:
https://normanfreund.gumroad.com/l/granie

ready for you to make your own audio journey into granular synthesis.

Above

Anel da renúncia

response to Naviar Haiku 615
"reminding me not to forget
a toad goes out
to the verdant world "

Fusae Fubasami (1914–2014)

MEMORY OF A VERDANT WORLD (Naviar Haiku 615)

Berimbau Way (2025)

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players. The clips are from various performances and studio sessions 2018 - 2025 

Intonarumori Trio LIVE @ Ten Days On The Island Festival

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

Header from VA - zwofuffzisch 
via https://analogmusiq.com
Habemus techno: http://wsm.onl

acorcetis wequan_03

Stan Magendanz

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