Went with 337is Left, https://soundcloud.com/337is/left-1-of-3-disquiet0636?si=3a5cc8a664ec480bb174f374a8933cab&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
took my SOMA "Terra" and added the right take

Spring24(disquiet0637)

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

---

Track notes: "Lucky Link Village" from Creatures_Once/@miraclemiles (via @SinnySounds) jumped out at me straight away and got me thinking about a guitar accompaniment along the lines of Ry Cooder, Haruomi Hosono and Makoto Kubota. I recorded a simple fingerpicked acoustic guitar pattern which found its way around G tonic of the tuned percussion. I then added some slide guitar around this and affected both guitars with some phasing and flanging to give it a dreamy feeling. Then a field recording of the ocean lapping at the shore seemed entirely fitting.

[Disquiet_Junto_0638] Lucky Link Village Connect (feat. Sinny Sounds & August_Miles) (Centre 3 of 3)

For this one I downloaded: https://soundcloud.com/randomshuffle/disquiet0637gemastered (with thanks to the original artists). I added a textured drone sequence.

Spring Trio - with Marc Eisenschink and 337is (disquiet0638)

23Mar24

My naviarhaiku533 track;
https://naviarlab.tumblr.com/post/745484718526611456/naviarhaiku533-flowing-along
:D

Flowing along [naviarhaiku533]

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Disquiet0638 - Fakeg3nius+Glitcher Ftrg Samplair - EGsquared

This is an asynchronous duet with https://soundcloud.com/dandante and https://soundcloud.com/blaaroed. 

I really enjoyed the Suborbital Hang Glider piece from @tt16tt and @dandante. I hope they forgive me for making the abstract approach of the drone a bit more tangible. I added a bassline with Generate, some strings with with Blisko Viola, metallic noises from Kinetic Metal, and a simple ping with AAS Chromaphone. The additions sit right in the middle of the mix. 

* * *
Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0637). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began, filling the space between them. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. 

(...)

When choosing a track, consider checking out the two previous projects’ discussion threads, as there may be additional information in them that could be of use, such as BPM or key signature:

https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and it should be placed dead center between the left and right stereo channels. When composing and recording your part, do not alter the original piece of music at all. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it may be used by someone else in a subsequent Junto project.

Step 5:  In normal circumstances, Junto projects have a one-track-per-participant limit. However, as with the preceding project that led up to this one, you can contribute more than one track this week. You can do up to three total this time. For your first, you can choose any track from the duets, no matter how many times others may have employed it. If you choose to do a second or third, you should do a track no on else has used yet (it’s understood that between when you select a duet track and finish your trio, someone else may have popped up and used it, which is perfectly fine). Throughout the project I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Tasks Upon Completion:

Label: Include “disquiet0638” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). 

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

Discuss: Listen to and comment on the other tracks.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 25, 2024, 11:59pm (that is: just before midnight) wherever you are.


More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Midways (with dandante and blaaroed) [disquiet0638]

Riff of a riff, remixing: https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636

Which had already been remixed: https://soundcloud.com/user-970962304/semantic-field-daniel-diaz-euclidean-disquiet0637?in=disquiet/sets/disquiet-junto-project-0637#t=0:00

The Third Helping [THE FULL THIRD] disquiet0638

sound art for disquiet0636

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

For more about this weeks junto challenge:
llllllll.co/t/disquiet-junto-pr…0638-center-3-of-3/

third epoch (disquiet0638) w/ Tristan Louth-Robins & ECHINACEA PURPUREA

Holland Daze

feel a lot is a diary of moments, written on a journey and translated into sound. The shape lives from memories, new realities, movements, places, the present and the space which connects them all. An ode to a life in hyper sensitivity and a big ocean. The analog source for all tracks comes from an Irmler piano.

Blue sailing

“Paraná Pyhare” means “Great River at Night” . This ambient piece is inspired by the mysterious and vast atmosphere of the Amazon after dark — flowing water, nocturnal voices, and the deep pulse of the rainforest. Recorded dawless, later mastered in Ableton.

Paraná Pyhare

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

Flowing along [naviarhaiku533]

Stan Magendanz

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