Name: Spring Trio - with Marc Eisenschink and 337is (disquiet0638) by ray_cobley
Duration: 3 min 2 s
Description: For this one I downloaded: https://soundcloud.com/randomshuffle/disquiet0637gemastered (with thanks to the original artists). I added a textured drone sequence.

Wow, your contribution really pulled this all together by somehow adding even more room for the overall structure to pulse and bloom. Lovely. Thank you.

In Part 2 of 3, I started with an amazing organ drone created by Leon Clowes (https://soundcloud.com/leonclowes/left-1of3-disquiet0636) in the left channel. 

I added slide steel guitar, live vocal samples, and sound effects to create a tense dramatic backdrop for whatever happens in the third round of this Disquiet Junto!

More about Disquiet Junto: https://disquiet.com/0637

Recorded at NOSIGNAL Multimedia Labs, The Shambles, Chicago USA.

Disquiet Junto

It's Just Ringing (with Leon Clowes) (disquiet0637)

I spent the morning adding my third element to a few tracks and finally decided that my contribution to encym and Jimmy Lem's combo was the most coherent. I was struck by the contrasting tones of encym's off kilter Tele with the controlled chaos of Jimmy's cuatro. Sandwiched in between are some sparse tones from my Terra, fed through the "Vangelis Verb" on the Zoia.

disquiet0638

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

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Track notes: "Lucky Link Village" from Creatures_Once/@miraclemiles (via @SinnySounds) jumped out at me straight away and got me thinking about a guitar accompaniment along the lines of Ry Cooder, Haruomi Hosono and Makoto Kubota. I recorded a simple fingerpicked acoustic guitar pattern which found its way around G tonic of the tuned percussion. I then added some slide guitar around this and affected both guitars with some phasing and flanging to give it a dreamy feeling. Then a field recording of the ocean lapping at the shore seemed entirely fitting.

[Disquiet_Junto_0638] Lucky Link Village Connect (feat. Sinny Sounds & August_Miles) (Centre 3 of 3)

For this one I downloaded: https://soundcloud.com/randomshuffle/disquiet0637gemastered (with thanks to the original artists). I added a textured drone sequence.

Spring Trio - with Marc Eisenschink and 337is (disquiet0638)

This is an asynchronous duet with https://soundcloud.com/dandante and https://soundcloud.com/blaaroed. 

I really enjoyed the Suborbital Hang Glider piece from @tt16tt and @dandante. I hope they forgive me for making the abstract approach of the drone a bit more tangible. I added a bassline with Generate, some strings with with Blisko Viola, metallic noises from Kinetic Metal, and a simple ping with AAS Chromaphone. The additions sit right in the middle of the mix. 

* * *
Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0637). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began, filling the space between them. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. 

(...)

When choosing a track, consider checking out the two previous projects’ discussion threads, as there may be additional information in them that could be of use, such as BPM or key signature:

https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and it should be placed dead center between the left and right stereo channels. When composing and recording your part, do not alter the original piece of music at all. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it may be used by someone else in a subsequent Junto project.

Step 5:  In normal circumstances, Junto projects have a one-track-per-participant limit. However, as with the preceding project that led up to this one, you can contribute more than one track this week. You can do up to three total this time. For your first, you can choose any track from the duets, no matter how many times others may have employed it. If you choose to do a second or third, you should do a track no on else has used yet (it’s understood that between when you select a duet track and finish your trio, someone else may have popped up and used it, which is perfectly fine). Throughout the project I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Tasks Upon Completion:

Label: Include “disquiet0638” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). 

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

Discuss: Listen to and comment on the other tracks.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 25, 2024, 11:59pm (that is: just before midnight) wherever you are.


More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Midways (with dandante and blaaroed) [disquiet0638]

Original posted for #disquiet0637 by John Wright 
https://soundcloud.com/thgirwnhoj 
https://soundcloud.com/thgirwnhoj/dissolve-left-no-right-feat-torpid-scorpion-disquiet0637

This in turn used an original posted for #disquiet0636 by Torpid Scorpion 
https://soundcloud.com/torpidscorpion 
https://soundcloud.com/torpidscorpion/dissolve-left-disquiet0636

Dubbed & mixed 23 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

For my (center) part here, I used my voice, Ableton Live 12, iZotope Nectar 3, Ableton effects - Delay, Filter Delay, Color Limiter, Pedal, Corpus, Redux, Echo & Limiter

Music distributed under CC BY-NC-SA 3.0 DEED

Artwork: Edit and additions to disquiet’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

------

This original version of "The Dissolved Embrace" was submitted as part of Disquiet Junto Project 0638: Center (3 of 3). The Assignment: Complete a trio begun by two other musicians.

More on the Disquiet Junto at: http://disquiet.com/junto/

Subscribe to project announcements here: http://tinyletter.com/disquiet-junto

More on the 638th weekly Disquiet Junto project at https://disquiet.com/2024/03/21/disquiet-junto-project-0638-right-3-of-3/

The Dissolved Embrace  (disquiet0638) by Torpid Scorpion, John Wright & Jimmy Lem

Week 3 of a 3 part assignment, adding to disquiet0637 and 0636. 

Incorporating Roughshark by scénický rys (https://soundcloud.com/ackercz/roughshark-with-analoc-disquiet0637) and Left shark by analoc (https://on.soundcloud.com/imRuTwDmAo4eAUiw9)

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

shark tank [disquiet0638] with scénický rys & analoc

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

with 33per and Andreas Kitzmann - Not in Kansas Anymore [Disquiet0638]

Rott - Eai

MYBESTGIRLILOVEYOUSOMUCH<3ILOVEYOUREYES

ilovemygirlmorethanmyselfmygirlisthebestintheworldsheisthemostbeautiful<3
ilovemygirl<3
ilovemygirl<3
ilovemygirl<3

sub tgc: t.me/sileightyuy
sub inst: www.instagram.com/zxcdimka228/
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TAGS

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рукитрясутся

Ambient minimalism is gaining momentum. Some would argue that evoking atmosphere is harder than sequencing beats, and Fragments of Silence is proof. Laden with lush textures and ambient leanings, the album invites deep listening.

This 8-track LP marks the debut collaboration between Synthbiont, Anassimandrus, and Sacred Seeds: three artists with distinct sensibilities, united by a shared affinity for ambient, experimental, and dub techno sounds. Their convergence sets the tone for a singular, immersive experience.

Fragments of Silence is not background music. It’s a serious body of work that commands attention. It’s an hour-long descent into a vacuum chamber. An environment that evolves, coils, shifts, and builds toward dissonance and stillness.

Each track is grounded in a strong atmospheric character, unfolding with deliberate progression. The album leans heavily into experimental minimalism, imagine dark tunnels, ominous energy fields, and brooding landscapes.

Fragments of Silence is one of those albums that explores the intersection of distinct creative temperaments, marked by structure, mood, and experimentation. The result is an album that flows with intention and feeling, creating a space that listeners can fully sink into.

Description by SreeLakshmy 

Sacred Seeds is an ambient electronic music project by Wasim, founded in 2014 in Calicut, Kerala (India). Blending synthesis, field recordings, and experimental sound design, Sacred Seeds’ music explores the interplay between organic and electronic textures.

Sacred Seeds has performed at renowned festivals such as Magnetic Fields, Hilltop Festival, and Bloom in Green, sharing the stage with influential artists like Gaudi, OTT, Suduaya, and Symbolico, and many more.

Synthbiont & Anassimandrus is the ambient/experimental/dub techno project born at the end of 2018 by the collaboration between Nicolò Faggiani and Tommaso Gobbo. Their musical background comes from different musical experiences as DJs, vinyl collectors, and founders of EMC series. Their performances and music are composed through the elaboration of different digital and analog sources, processed field recordings, and sampling to create unique soundscapes.

Produced and mixed by Nicolò Faggiani and Tommaso Gobbo (Synthbiont & Anassimandrus) (1,2,5,6) and Wasim Raja (Sacred Seeds) (3,4,7,8)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Krishnan (Kiss in Silence, Shot on Kodak Tri-X 400, Nikon F100 / 2019, Karnataka)
Cover design by Dionis Afonichev

Fragments of Silence

Attraverso Il Vuoto

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Spring Trio - with Marc Eisenschink and 337is (disquiet0638)

ray_cobley

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337is (three three seven is)

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