Grateful for the time and content you share

Will you release some of these samples? (spearate .wavs)

Will try to do somthing every day... seems challenging

Impressive hear this ta recorded 4 years ago :) all the best! keep with the good energy!

VERY TRUE, best to save even the worst of projects. Thanks for this inspiring interview.

Abstract animal, bird and insect vocalizations entirely made with a custom modular synthesizer called Kyma made by https://kyma.symbolicsound.com/

Animal vocal synth

Original version made completely via ImageLine3xOSC

Ненастье / Bad Weather (edit2)

Deep vibes by https://soundcloud.com/auto-dream

Free DL

Autodream - Waiting For You

Frogs crossing bridge into the pond. 
Date: 2015.04.12, 07:17
Location: Unetice, Czech Republic

Morning frogs - Unetice, Czech Republic

Magical Journey

Call It Art (Live on radio.computer)

Animal Hyperrealism Vol II is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 2000 individual sounds in 283 files. The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image. A special section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was actually used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space. All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.

Purchase link:

www.asoundeffect.com/sound-library/…realism-vol-ii/

Video Demo:

https://www.youtube.com/watch?v=0eR2d0a-YqE

Animal Hyperrealism Vol II

Metamorphosis is a huge collection of recorded source, synthesized material and hybrid sounds. The library was created to cover a wide range of themes, with rich textures, aggressive impacts and a large selection of pass bys, bass drops, pyrotechnics and many more types of material.
All of the Recorded Section was captured at 384KHz with microphones capable of recording up to 200KHz among with more conventional mics. The resulting assets are sounds that can be stretched to new extremes for greater sound design opportunities. In many cases I took the liberty to slow down the assets while editing the sounds to deliver what I thought was the most useful version of a given recording though in most cases I have also included other takes at the original 384KHz sample rate to get the best of both worlds.
All of the Synthesized Content was created in Serum while the Hybrid Section was created by manipulating the Recorded and Synthesized sounds. Techniques such as  morphing were used to blur the lines in between the nature of the two sources, making for ambiguous yet extremely versatile material that can be employed on both realistic and abstract designs.

Purchase Link:
asoundeffect.com/sound-library/metamorphosis

Video Preview:
https://www.youtube.com/watch?v=C1Nm5WsXBy8

Metamorphosis

Two nested steel tomato cages played with two bows simultaneously, placed on a steel bin as a resonator. -2 octave varispeed with light EQ, otherwise no additional processing. Blend of a small condenser microphone and a hydrophone used as a contact mic.

Bowed Tomato Cage

This is an interview I did for the awesome folks at soundcloud regarding my ongoing sound design a day project 

Questions are:

1. Why did you choose to create in this disciplined way and has it changed your approach in creating in general?

2. Explain the process of how you combine a recording of an everyday object with music you make yourself?

3. How have you enjoyed sharing on SoundCloud with the community?

4. What has been the most challenging thing about this project so far?

5. What was the most enjoyable thing and your biggest takeaway from this experience as a creator?

6. Do you have any advice for others looking to do the same thing?

Soundcloud Interview with standingwave

A New Audio Design.  Everyday


standingwave is kyle vande slunt - sound and game audio designer. 

Almost everything on my soundcloud page is 100% creative commons, royalty free sfx/music for use in your creative and commercial projects alike,

I started my everyday project on May 1st 2013.  

--other recent projects:

Sound Design for beeple's Transparent Machine RMX  https://vimeo.com/79293746

Sound Design for beeple's film Transparent Machines https://vimeo.com/78716671

--Currently: Audio Director at Jibo - designing sounds and setting vision for  social robotics

--Previous: Senior Audio Designer and Audio Tech Lead at Riot Games doing audio design for the Champion Team for League of Legends. Champions designed include Rek'Sai, Bard, Tahm Kench, Kindred, and Jhin.

--Happy 5 YEAR Anniversary to Soundcloud! Did an interview to help them celebrate: https://soundcloud.com/soundcloud/5-years

Soundcloud Interview with standingwave

standingwave

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