Forth - Cassette

Chapter: OCD011 

A scientific study has taken place exploring the experiential difference between 'Black Body music' and 'other music'. The noticeable difference music lovers and musicians have noticed with 'Black Body music' is that it is not only more beautiful and harmonious to the ears, but it also induces a more inward experience that is felt inside the body and along the spine. 'Other music' was felt as a more outward and mental experience, and felt at the side of the head, which projected outwards. Audiophiles have also stated 'Black Body music' seems to be more spiritual and mathematically consistent with the universe, whereas 'other music' can be perceived as unnatural and can ultimately lead to emotional distress, destruction and war.

“The overall sound difference was noticeable, 'Black Body music' sounds warmer, clearer and instantly sounded more listenable but 'other music' felt tighter, with more aggressive energy.” – Anonymous guitarist 

Scientific studies also reveal that Black Body are able to unify the properties of light, time, space, matter, gravity and consciousness. When listening to their music our atoms and DNA start to resonate in harmony and our sense of connection to nature is said to be magnified. ‘Black Body’s music’ is also reflected in ratios of the Sun, Earth, and the Moon as well as the precession of the equinoxes, the Great Pyramid of Egypt, the Sri Yantra, Stonehenge and many other sacred sites.

"If you want to find the secrets of the universe, think in terms of energy, frequency, vibration and Black Body" – Nikola Tesla (Inventor)

“What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter. Only Black Body” – Albert Einstein (Physicist)

Black Body - Tomorrow Never Comes (Vocal Mix)

A poetic story track building to riotous toasts of times gone by.

Ruf Dug - Joanna

free ONLY for NON PROFIT use. For profit use you have to purchase a lease. To post on youtube or soundcloud without lease - CREDIT ME (prod. PetRan)

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🎹 144 bpm /G minor

📸 Instagram: m4avros

📩 Email: petranfill06@gmail.com

Prod. PetRan 

If you want to buy beats exlusive contact with me on ig : https://instagram.com/m4avros?utm_sou...


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Carrot Green & Selvagem - Vandre

Steve Reich - Come Out (Nicolas Jaar Remix)

Who's Who - Hypnodance (Optiroq's Long Coq Edit)

Side A features Andy, music made by Superpitcher in memory and admiration of a pioneer artist and his works. Andy Warhol looks a scream, Hang him on my wall, Andy Warhol, Silver Screen, Can't tell them apart at all, Andy walking, Andy tired, Andy take a little snooze, Tie him up when he's fast asleep, Send him on a pleasant cruise, When he wakes up on the sea, Be sure to think of me and you, He'll think, about paint and he'll think about glue, What a jolly boring thing to do. David Bowie’s lyrics about Andy Warhol mirror the groovy yet deeply moving emotion of this track. The music Superpitcher imagined here is a pleasant cruise in itself and once you wake up from it, you will for sure think of Andy.

Side B features Yves. The track starts with a long introduction of harp music and then gently evolves into one of the more fragile and poetic pieces Superpitcher has created thus far for The Golden Ravedays record. Similar to Andy this track is dedicated to an artist, Yves Saint Laurent. What is clear in this music is that there is an intense understanding of the suffering Yves Saint Laurent lived throughout his life as an artist and fashion designer. As only Superpitcher can, he translated that emotion into this beautiful and touching piece of music.

The Golden Ravedays

Superpitcher - Yves

Brainchild of Multi Culti A&R, Sascha Funke and Niklas Wandt were introduced by Dreems, who charted a course for the seasoned Berlin-based producer and funky multi-percussionist and singer. 

Wandt was just about to enter the scene forcefully with his collaborative 2LP with Wolf Müller and the debut single of his band Neuzeitliche Bodenbeläge. In the icey cold of his warehouse rehearsal space, Funke had him record a variety of slapped, bowed and scratched percussions (congas, talking drum, prepared cymbals played with a bass bow) over his tracks. These first efforts were later expanded into joint sessions at Sascha's home studio and, within a few weeks, the journey reached it’s destination: Wibe strasse, Deutschland.

At first glance, they seem an odd couple: a techno veteran of almost thirty years meets a side-burned upstart socialized in Free Jazz and Krautrock. but the shared sonic influences come through in the hypnotic, dubbed-out sound, perhaps rooted in the close connection the two share to the Rheinland region in West Germany, Funke as part of the Kompakt family and Wandt by origin and socialization in the Cologne and Düsseldorf music scene centered around the Salon des Amateurs. Regional flavours, global appeal. Multi Culti, promoting local collaboration, one freaky record at a time.

Steve Reich - Come Out (Nicolas Jaar Remix)

Mɾ.Ɲïze