More: http://www.movement.radio/artist/modal-analysis

Guest Mix By Anton Beatbox & Simon Crab w/ Modal Analysis - 25 September 2021

https://soundcloud.com/user-697110609
Boston by way of Chicago by way of Boston, Penitence clamours and digs for all things dark and weird.  As founder of Boston's only weekly ebm and industrial night "LEATHER-ETTE" and doer and maker of other dark and experimental sound nights around the city, Charlie AKA Penitence has set a goal of helping to revive queer focused and inclusive dark sound culture within the Boston hellscape. This mix in particular is a shallow dig into the slower and more grind-ey side of his collection with everything from broken lo-fi electro to modern new beat to minimal industrial. It's a slow churning trip for sure.

RND 040 - Penitence

Halloween shouldn't be on Monday, nor should it be on Thursday. It should be celebrated on Saturday or Friday. This is the opinion of Grey People and his guest this month, J.S. Alvarez. (Purveyor of Chicago party that sometimes doesn't take place on the weekend, Research & Development) Both sets are dedicated to Halloween being on the weekend and not any other day.

Beyond Repair w. Grey People Guest Imir Gency [28.10.2021]

Ritualistic, warped and celestial, Shackleton makes a cameo on John Gürtler and Jan Miserre's 'A Pure Place' OST.

'A Pure Place O​.​S​.​T' is out November 24th on Counterchange Recordings.

Pre-order: bit.ly/3HBxdvA

@counterchange-inland

A Pure Place 

Premiere: Shackleton - Fust's Song [Counterchange Recordings]

NERVE - MIRRORWISE

Jonathan Krohn (Stave / Talker) and Benjamin Mjolsness present their first recorded output since the 2020 appearance on the ‘Out of Practice Vol. 1’ compilation from Standards & Practices Records. 

‘Drummer’ expands on the work Krohn/Mjolsness began in 2009 with their now defunct group Male. With minimal overdubbing and studio production ‘Drummer’ reprises the improvised spirit of their first performances and recordings. 




Releases March 25, 2022

Pre Order at stanprac.bandcamp.com

Jonathan Krohn, Electronics
Benjamin Mjolsness, Guitar
Steven Hess, Additional Percussion on track 8
Recorded at 4053 Studio A, Chicago, 2019
Mastered by Simon Shreeve at DNS Essex
Design by Common Name, New York

Drummer

**PRE ORDER NOW**

004b — Krohn/Mjolsness — Drummer  — STANPRAC006 — 2022

Born Jeremy Guindo, Bambounou is the product of a vast internal landscape where he roves freely in search of inspiration. Just as his alloyed French-Malian-Polish background has grown him a strong backbone of musical independence, so too has his love for astrophysics and dystopian sci-fi been distilled into futuristic interpretations UK techno, IDM and tribal sources. 

Catch Bambounou every 2nd Tuesday of the month from 22h to 00h (CET) on rinse.fr/player

Rinse France Podcast

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Bambe avec Bambounou - 08 Mars 2022

bijū arose from the need to explore the intersection of machine and body. The need to blur the boundaries between dehumanized electronic music and the natural environment. Its selection is a constant search between minimalist and dense, dynamic and slow, sharp and blurry sounds. His a journey, inspired by the multidimensionality of sound synthesis and the sounds coming from the abyss ... a journey that makes you feel inevitably fragile.
As part of the Warsaw collective SUMISH wants to strengthen interactions between people through synergies, exchange of vision and knowledge, building bridges between the islands of different disciplines. Author of the program Gnostic Methods, dedicated to industrial and experimental music - every month on Thursdays at 4:00 p.m. on Radio Kapitał.

@b1ju

bijū powstał z potrzeby eksploracji punktu przecięcia maszyny i ciała. Potrzeby rozmycia granic między zdehumanizowaną muzyką elektroniczną a naturalnym środowiskiem. Jego selekcja - to stałe poszukiwanie między minimalistycznymi, a gęstymi, dynamicznymi i powolnymi, ostrymi i rozmytymi brzmieniami. To podróż, zainspirowana wielowymiarowością syntezy dźwięku oraz odgłosami dochodzącymi z otchłani...podróż, która sprawia, że czujesz się nieuchronnie kruchy. 
W ramach warszawskiego kolektywu SUMISH pragnie wzmocnić interakcje między ludźmi przez synergie, wymianę wizji oraz wiedzy, budując mosty między wyspami różnych dyscyplin. Autor audycji Gnostic Methods, poświęconej muzyce industrialnej i eksperymentalnej - co miesiąc w czwartki o godzinie 16:00 na Radio Kapitał.

TEOCHAO PODCAST #013 - Bijū

26-02-28 Drone DR012

Born from the unexpected meeting of both producers for an improvised-based gig at 'Soundscape', an even produced by Matt Cianfo, 'Unexpected' showcases perfectly the staples of each individual, while also creating a completely new sonic environment, as if they had been collaborating and creating a language of their own for years. Originally released through Matt's label 'The Journey You Never Had', we're proud to join the team by bringing the re-release of this very special collection of tracks.

Bird of Passage began in January of 2023. The loose idea was to compose a full album of piano pieces with an overarching atmosphere, not a concept, that tied them all together. By April I had composed and recorded one piece per month leaving me with a total of four piano pieces.

At this point in time I felt slightly burned out and uninspired, and so rather than forcing myself to compose more (which I had already unsuccessfully attempted numerous times); instead I approached a number of artists and invited them to contribute to the four tracks that were completed.

Iker Garmendia, who releases music as Sugaar Pan, was the first artist that I reached out to and he generously contributed improvised flute parts to the first three tracks. The flutes are beautifully minimalistic and he overdubbed different flute tracks to create a sort of a woodwind cushion.

Simon McCorry, who releases music under his own name and under many other guises, contributed cello to track one and three. On the first track, Simon made a dry recording with the mic at some distance from the cello (1m to 1.5m) to fit in with the rest of the recording. He kept quite a lot of rosin on the bow to keep it gritty to fit in with the pianos distortion and played closish to the bridge for the same reason. He didn’t use any overdrive or anything, leaving it to the bow, cello & pre amp to do this. I couldn’t be happier with how it turned out!

Jez Thelwell, who operates the Moolakii Club Audio Interface label and performs and releases music under the name Loopatronica, contributed an amazing rhythmic part for track two that complements the opening piano refrain before building into an epic climax.

Around this time I had begun noticing that several artists were releasing entire albums consisting of nothing but remixes. The concept of remixing really started to fascinate me and I started becoming genuinely curious to hear what these tracks I had been working on might sound
like in the hands of another. It would also have the added benefit of (probably) doubling the length of my rather short album.

Simon McCorry, The New Emphatic, hyacinth, and autumna each remixed one of the original four tracks. Their versions are a welcome complement and intriguing contrast to the original four tracks. They all had complete creative freedom to approach the remix in whatever way they desired and I’m so grateful for their generosity and for what they made.

The solo piano versions of the first three tracks are the same as the original tracks, with the exception of track one which, on the solo version, is extended by almost two minutes.

Released January 12, 2024
Flute on Tracks 1, 2, & 3: Iker Garmendia (sugaarpan.bandcamp.com/music)
Cello on Track 1 & 3: Simon McCorry (simonmccorry.bandcamp.com)
Rhythm on Track 2: Jez Thelwell (loopatronica.bandcamp.com)
Keyboard, VST (Track 1 & 4), Artwork, & Mixing: Levi Taschuk
(cabbaggage.bandcamp.com)
Mastering: James Edward Armstrong

Guest Mix By Anton Beatbox & Simon Crab w/ Modal Analysis - 25 September 2021

Stegi.Radio