Man, love how each of these most recent tracks have a departure in style ~ inspired by your versatility. This might be my favorite, complimenting this cup of coffee perfectly :)

You obvisiously had great fun doing this track! Love the bass too!

wow..thank you...very nice visiting your Jazz club!

Great track…..🌍☮︎👍🐞🍀2024

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

Lorcán ~ an Irish given name meaning " little fierce one "
Arranged and produced by Mike Hllton © 05/02/2023
Thanks for listening.

Instruments

PRS Custom 24
Takamine Acoustic Guitar
Double Bass
Bodhrán
Vocal Pads
Chimes

The Lorcan

Lorcán

Call My Name

on that squid oil

Hello… so have you ever noticed certain things about yourself that never change? This song, ‘Just Like I Always Do’ is about that very thing. I found myself  outside the other day, playing with rivulets of snow melt. Making channels with a rake, for the water to run down and I laughed… my feet were soaking wet and I was having a grand old time. Reminded me of a time in kindergarten, when I arrived late to school, soaked to the bone, as I was playing in the rain along the way. So that playful side of me has not changed at all. I also noticed, like flowing water, how vital it is for me to keep moving. A fluidity when it comes to living and learning about life. Recently, singing has been like that for me. Bear with me on this. A little backstory: As a kid, I had a brief stint in my middle school choir. I did not want to join the choir, that’s for sure. The music teacher had picked us out, after brief singing auditions. After our first performance, my mother, God rest her soul, told me I did not have to go back to choir anymore, if I did not want to. Out of the 50 kids on stage, I was the only one not singing. I just looked down so no one could see my mouth… except my eagle-eyed mom. Simple as that, I was done with it. There were other things I wanted to do as a precociously rebellious kid, running around the neighborhood, as it were. Now, half a century later, I have been learning to sing on my own. It has not been easy uncovering that latent voice of mine. Looking back, sometimes I wish I had stuck with it as a kid. So about a decade or so ago, this dude I worked with asked me if I’d show him some stuff on guitar. His mom was a musician and music teacher and he grew up with music in his life. He was always singing and playing guitar. As we hung out, he noticed I never sang and asked me why. After basically dodging his question, he told me the only thing stopping me from singing was me. Talk about a hard lesson to swallow. So now, bringing us up to speed, I had some fun exploring my nascent singing voice on this song. The image is of me and Garnet running the hills in early Spring. Hope you like it and thanks for listening. Take care, Mark

Lammbone's Album

Just Like I Always Do

https://audio.com/grzegorz-kawka/audio/beware-of-everywhere
https://youtu.be/aOd0cV8ormM
Some fast stuff done with: 
Live Lite + free VST + M-Audio Keystation MINI 32
Art by:
https://www.deviantart.com/grzegorz-kawka/gallery

Beware Of Everywhere (accidentally detuned gtx ver.) //+audio.com final edit+ // +VIDEO+

Up Up High

Image: pixabay.com (CC0 Creative Commons)

White Raven (Follow the white raven and go through the enchanted door)

Was happy to participate in another Josh Clary jam!  
This one has an awesome vocal from Steve's Planet and the usual line up brings it here as well with...
Josh on the monster bass
Tez ripping the guitar rhythm and leads
Ken pounding out the beatz and 
JJ making it pretty with those keys. 
I was able to work in the solo in the second half and, with the help of K2 Ken get out a solid production with a nice mix and master.   I believe Tez may have added a bit as well to the post production. 

Basically it was really a true group effort.   Josh is really good with keeping things group focused and having the whole band work within his idea and vision for a song and yet still having the ability to contribute your own unique sounds.

Another fun time with a great group!

Home's Album

Second Floor  - (Eclectic Collective)

Nothing much to say here, as the title says it all. Hope you'll enjoy this sonic portrait of a spaceship crew saying goodbye to a few dozens Plutonian birds.
I made this out of a few recordings and experiments I had in my HD. More numbers will follow, sooner or later. I'm currently working on several tracks, aiming at putting an album together someday. 
I'd like to thank all you SC people who are still listening to my stuff even though I've spent a couple of years mostly on Pluto... I guess I'm finally taking off now, in a way or another. Hope you're all doing good, my friends.

Teth Sin : electric guitars, vocals, synthesizers, field recordings, sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Crew KMST3579 Bidding A Flock Of Plutonian Birds Farewell

OPEN COLLAB no one invited personally this time.
please download and use it for your own stuff if you might...
would be glad if you contact me for a playlist...
130BPM

2023

noxpox - Patt ☻ (OPEN COLLAB)

solo project going since 2001. i test ideas here. rough drafts i may remove and refine. the best ones stay. i appreciate your good feedback on the drafts, even if they get cut : )

on that squid oil

the stellar lifetimes

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