Home recording by Michael Hugh Dixon playing both parts.

Melancholia for 2 horns in just intonation by Donald Bousted

Wo bleibt die Zeit, mein Cembalo Solowerk (2007) komponierte ich für den Cembalisten und Komponisten Brice Pauset, der es am 15.6.2014 in Genf uraufführte.

Wo Bleibt Die Zeit (15.6.Genf B.Pauset)

Dialoghi

Dialoghi: No. 1, Toccata

Under; elsewhere (2020)
for quarter-tone trumpet in C
The ‘After Times’ –– a new reality. Time passes weirdly here. Distances are strange. Gravity is different. Prepositions no longer make sense. Up is down is left is right, inside is outside, and is under and over. The after times – an Escher-esque existence.
Otiose: producing no result or effect
Outraged: angered at something unjust or wrong Overcritical: inclined to judge too severely Overwrought: deeply agitated especially from emotion Outmoded: old-fashioned
Offcious: intrusive in a meddling or offensive manner Overmodest: shy especially in a playful or provocative way Odious: unequivocally detestable

Emily Koh (b.1986) is a Singaporean composer based in Atlanta, Georgia whose music reimagines everyday experiences by sonically expounding tiny oft-forgotten details, and is characterized by inventive explorations of the intricacies of sound. Her work also explores binary states such as extremes/ boundaries, distinguished/ ignored, and activity/ stagnation, through her unique Teochew and Peranakan Singaporean lens. An amateur multi-disciplinary artist herself, she enjoys collaborating with creatives of other specializations, especially when sound plays a central role in the project. Emily is currently Assistant Professor of Music Composition at the University of Georgia, USA.

Live recording of the premier, at:
'Das Stimmt!! with strings attached' (EUROMicroFest 2024)
8 March, 2024, 8pm
Elisabeth Schneider Stiftung, Weinschlösschen Freiburg.

Under; elsewhere (2020) WP

This improvisation was part of a live performance with accordionist, Karin Fleck, of improvisations, compositions and transcriptions. I play flugelhorn and trumpet.
The concert was in the St. Michaels-Kapelle (Alten Friedhof) in Freiburg im Breisgau, Germany. The concert was one of three concerts I put on under the title, 'due e due e due' in 2022, to raise money for the German Cancer Relief organisation, 'Deutsche Krebshilfe'.

https://www.karinfleck.de

Improvisation II: Duo Altoft Fleck

5 Pieces for String Quartet was first Performed at the British Music Information Centre, London in 1986 by the Goldsmith's String Quartet. In 1994-5 they were toured in the UK by the Almira String Quartet.  It is written using quarter-tones, although unlike some of my other music I would not describe it as a quarter-tone structured work. The movements are Inflow; Flux; Fall; Chords; Elegy. This is a realisation using Kontakt: there are obviously limitations to this but, in particular, the high melody in Elegy is played on 'cello harmonics and the equivalence is very approximate.

5 Pieces For String Quartet (Realisation)

The UK premiere of Calvin's Flux II given by Stephen Altoft (solo trumpet) at UK MicroFest 2 (2006) at riverhomes barn, Walton on Thames.

Flux II by Jean Philippe Calvin (Stephen Altoft, trumpet)

Never Liked Water was commissioned by the Host Artists Group for their project Sounds Recorded For An Empty Night Club and was premiered - guess where, in an empty night club, in Sheffield UK in 2003 and released as part of the double CD of the same name.

Further Details:
https://www.discogs.com/Various-Sounds-Recorded-For-An-Empty-Night-Club/release/1409875

Never Liked Water (2003)

Trumpeter specialising in contemporary music, and especially microtonal music.

Improvisation II: Duo Altoft Fleck

Stephen C. Altoft

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