Andrew wrote this wonderful song and asked me to do some guitar on it. Very fun stuff. I'm honored!

Check him out: https://soundcloud.com/andrew-smith

Going Home- By Andrew LB Smith with R Grigg on guitar

This is a track i put together with some samples of this style of music. Hope it comes across.

Neon is the new colour

Cast Away

A piano sketch written at night
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Piano sound: Spitfire ORIGINALS - FIREWOOD PIANO
www.spitfireaudio.com/originals/

Sketch Notturno 3 - 20 - 21

cleaning the slate. these are a collection of tracks I made over the last 2 years, some finished, some unfinished, that will serve as a symbolic reference point to a new "era" of my music and whatever it is i've been doing online with this stuff for the last 10 years.

I will be back eventually with what I would hope would be my first "proper" album, whatever that means. when it will be, I don't know. maybe it'll eventually exist or maybe i'll just keep uploading whatever shit i make and calling it an album, end of the day its all music. for now, feel free to enjoy the 500+ tracks I've uploaded over the last 10 years. In the wise words of lil ugly mane, C U SOON! If you're reading this and give even the slightest damn about my music, I LOVE YOU!!

-Derrick

Feeling You Now

This song let you feel light. Almost like birds flying in the sky.

LeichterSinkflug

Sonata No. 1 for Violin and Piano
Duration: 20'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1107
Online Perusal Score: https://issuu.com/robertpaterson/docs/sonata.i-vln.pno.-fs-bound-perusal
For More Information: https://robertpaterson.com/sonata-no-1-for-violin-and-piano

PROGRAM NOTE (SHORT VERSION FOR PROGRAMS)
The first movement, Adagio – allegro con uno trotto – adagio begins and ends in a somewhat Romantic style, but with a twist: the end of the movement sounds like a record scratch, as if what you just heard is a track from an old vinyl LP. I became fascinated with the sound of record scratches when I noticed them in many commercials, although this is somewhat ironic since no one really plays records anymore.

The imaginary title of the second movement, Schizando (derived from ‘schizophrenia’) is a word I came up with to describe a musical style centered on fast, abrupt changes. This movement also reveals an obsession with sequences: sequence-like chord patterns decay by gradually becoming more dissonant as they evolve. These sequential sections alternate with “siesta daydream” sections, akin to channel surfing with a remote control. I was recently on the road for two months with my wife Victoria while she was touring, so on a personal level, traveling on the road to a different hotel every week probably influenced how I wrote this movement. We were never in the same place for very long and many of the hotels looked the same. Our lives were not that dramatic. I started craving drama, particularly in the music I listened to, and this probably spilled over into how I wrote this movement.

The third movement, Largo is slow and broad and inspired by the phrase "the weight of the past." There are time markers that delineate certain sections, reminiscent of the ticking of a clock. There are a number of composers whose works influenced me in this movement, such as the later works of Arvo Pärt and the slow movements of some of Beethoven’s sonatas. I was also pre-occupied with wanting to write a movement that contained mostly “open” notes, i.e. half notes, whole notes and double whole notes.

My main influences for the last movement, Allegro con moto are the early formal ideas of Igor Stravinsky, folk-style fiddle playing and jazz. There are a few false starts when piano chords come crashing down and a few somewhat humorous sections. Many of the themes from the previous three movements reappear in this movement.

As with many of my earlier works, my goal was to create a four-movement work in which all of the movements are quite different from each other. In a sense, I view this multi-stylistic approach as the result of wanting to embrace a variety of tools. As a result, as I wrote this I did not have an allegiance to any one particular style, as each one hopefully elicits a certain, distinctive emotional response.

Joy: Music for Violin and Piano

Sonata No. 1 for Violin and Piano - I. Adagio, Allegro Con Uno Trotto, Adagio

Sonata No. 1 for Violin and Piano - I. Adagio – allegro con uno trotto – adagio

G.R.S.

Melodic Ambient Psytrance, Trippy Atmosphere, and Slight Industrial.

Beware the Skies by Cosmic Holocaust (Dark Electronic, PsyTrance, Experimental)

kenshinnn

Bowed instruments release vibes through the solar system. 
The musical theme will repeat in a loop within a shorter version of the previous one and adding every time a shorten musical measure at the end.
This is the mystic concept of the new single of Dom Capuano.
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Streaming and Downloads here: stream.andronicmusic.com/aurus
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For deal, license inquires write at info(at)andronicrecords.com
For sync, licenses go here: catalog.andronicmusic.com
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Written by Dom Capuano
Produced by Dom Capuano
Publishing by DMCMUSIC and Downtown Music NYC
Copyright © 2021 AND records (Andronic Music). All Rights Reserved.

LICENSE

Aurus (Ambient Mix)

SDM is an experimental producer making music using analogue and digital instruments. Keyboard, synths and guitar are his main instruments used to create his unique sound and his exploration into sound design and his favourite DAWS help him explore different genres! Based in Scotland he's always happy to help promote up and coming producers to get their music heard! 


- Maschine Mikro Mk3 🎛
- Traktor pro 3
- AKAI Mini MK2 🎹 
- Maschine 2 
- Reason 10
- Variety of music, sounds & genres
- Making music from home
- Feel free to follow me on Instagram/Spotify/YouTube tiktok.com/@sdmmusicbystephen

G.R.S.

SDM - MusicByStephen