Times Itself [disquiet0529]
Created as part of Disquiet Junto weekly project 0529:  to make a piece of music that engages with the number 23.
This track has bars of 23 beats, it is 23 bars long.
I doubt the ear can discern the 23beat bar -but the rhythm is 123&12&12&123&12&12&123
The track has 3 drum tracks – done in bitwig. A Spitfire Audio piano, cello and violin plus acoustic drone recording of a metal sheet and a bit crushed megaphone announcement (in Japanese).The metal sheet friction drone is gate sequenced to an Euclidian patter on a 23 beat cycle.
The scale for the piano and strings is E+ F+ A B C+
Think it would make good closing credits music for a psychological thriller where a serial killer feasts on minor celebrities and influencers. The agent assigned to the case of course has his demons and struggles with his own autism -only to discover no one else has empathy for the victims either. It could be called LIKES!
Additional project info:
Major thanks to Eanna Butler for helping come up with this project:
More on this 529th weekly Disquiet Junto project – Squared Off (The Assignment: Explore the number 23) – at: https://disquiet.com/0529/
More on the Disquiet Junto at: https://disquiet.com/junto/ 1
Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0529-squared-off/

Times Itself [disquiet0529]

Synths, sampled drums & sampled strings, electric guitars experiment inspired by this challenge:

https://llllllll.co/t/disquiet-junto-project-0529-squared-off

DD, Paris Friday 18th February 2022.

Twenty Three (disquiet0529)

Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project – Minimally Viable Music (The Assignment: How much less is just shy of too little?) – at: https://disquiet.com/0530/ 2

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0530-minimally-viable-

enormt minimal (Disquiet0530)

Probably the simplest piece of music I've made. 3 tracks of the same static noise, offset slightly in pitch to create a phasing effect. Resonant filters fade in and out over time to create a chord with shifting emphasis.

Disquiet 0530 bare

Minimally Viable Music

The sound in this track is from a sine wave oscillator, sent through a self-oscillating low pass filter and then into a reverb. As the track progresses, the filter and oscillator are modulated by several LFOs, a CV joystick, and a CV sequencer. The minimalistic sine wave tones and rhythms at the beginning evolve toward the edge of chaos before settling back into minimalism.

Performed on a modular synth using Dixie II+, Ripples (og), Ochd, Batumi, Planar 2, SPO, Quadratt, Pamela's New Workout, Mimetic Digitalis, and Desmodus Versio.

More on this 530th weekly Disquiet Junto project — Minimally Viable Music (The Assignment: How much less is just shy of too little? ) — at: https://disquiet.com/0530/

Signs of Sines

Signs Of Sines - Disquiet0530

Created in a single take with the Modular: 2 sound sources - MI Elements,  and Tiptop One triggered by Make Noise Pressure points and modulated by a slow clocked DivKid/SSF RandStep. Fx: Tiptop FSU and Vallhalla supermassive.
Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project — Minimally Viable Music (The Assignment: How much less is just shy of too little? ) — at: https://disquiet.com/0530/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0530-minimally-viable-music/

Minimum Viable System (disquiet0530)

Disquiet Junto Project 0529: Squared Off

Make the thing you think is the minimum viable music.

Major thanks to Saga Söderback for having come up with this project.


I considered what "Minimum viable music" means to me.

For me, musicality has always linked directly to musicianship. A great practitioner of their instrument has great musicianship, and great musicianship opens the path to great musicality. Musicality then breeds music.

So in a quest to go minimal, I took the road of a single C2 note from a Juno synth (TAL Uno LX) -a square wave oscillator, everything open. Nothing easier than hitting a note! 
Then I sent the audio from that single note, looped at 134 BPM, into a load of effect tracks, comprising reverbs, delays, pitch shifters, overdrive distortions, and digital degradation effects units.

I wanted to expose my love for effect units. Nothing but a C2 on a Juno was used here. Musicianship is minimised fully - musicality comes from performance of 'effects', not of 'instruments'. Set up and play the effect units in a digital DAW. Minimum Viable Musicianship....

Tal Uno LX, Wave H-Reverb, Eventide Little Plate, Surreal Machines Diffuse and Modnetic, Eventide Little Alter Boy, Eventide Effect Rack x3, Tritik Moodal x2, Replika XT x3, Glitchmachines Fracture XT x2, Sonic Charge Permut8. A shade of feedback here and there!

Thanks for listening...

A Pluck from a Punk (disquiet0530)

Among the themes Don DeLillo explores in his excellent novel White Noise is the miasma of uncertainty: a deep foreboding that eclipses human existence like a noxious cloud. The genius of the novel, which some argue to be DeLillo’s best work, is represented by moments of dry humor and domestic banality that poke through its chemically worrisome haze. Consider this passage by the story’s narrator:

“I opened the refrigerator door, peered into the freezer compartment. A strange crackling sound came off the plastic food wrap, the snug covering for half eaten things, the Ziploc sacks of livers and ribs, all gleaming with sleety crystals. A cold dry sizzle. A sound like some element breaking down, resolving itself into Freon vapors. An eerie static, insistent but near subliminal, that made me think of wintering souls, some form of dormant life approaching the threshold of perception.”

This is the intention Suss Müsik took with this week’s Junto assignment. The goal was to create a “cold dry sizzle … insistent but near subliminal, approaching the threshold of perception.” A disquieting yet enveloping calm. Various forms of white noise were recorded and altered using VCV Rack modules, with an external Chase Bliss Dark Worlds pedal adding extra tones. 

The piece, titled DeLillo, was recorded live to 8-track and mastered quickly. 

It must be mentioned that, as of this writing, the world is undergoing significant trauma. Suss Müsik is reminded of another passage from White Noise that feels oddly appropriate: “War is the form nostalgia takes when men are hard-pressed to say something good about their country.” 

May peace be with us all.

More on this 531st weekly Disquiet Junto project — Noise Sculpt (The Assignment: Listen for a mirage of your music within white noise) — at: https://disquiet.com/0531/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0531-noise-sculpt/

DeLillo [Disquiet0531]

Jamloop (disquiet0531)

DARK AMBIENT SOUNDSCAPES FOR YOUR PLEASURE

DARK AMBIENT - SUCH HIDEOUS STRENGTH

skating 8 23 bpm take 1 110125

Sternklang from Norway. I make electronic music, often with elements from field recordings.
Listen on Spotify Tidal Apple etc.
www.gate.fm/Quk54BB5g
gate.fm/wzjix5MPN
gate.fm/YWTok1a
gate.fm/v8Hh45rxY
gate.fm/vdHsjK