Summer 2025

2025, July

Daily Drops

Jamaican Reggae DanceHall Mixtape Playlist (EXPLICIT-RAW-LANGUAGE ONLY)

Hip Hop, Dancehall Jamaican Sex Explicit Raw Reggae Mixtape Playlist

August 2025 - Part 1

08-02-25 // 01:59 pm // Originals - Originals - Originals
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BEAT the DRUMS -
UnBroken SpiritS & ❤️ : STOP the TERROR
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BEAT the DRUMS -
UnBroken SpiritS & ❤️ : STOP the TERROR
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BEAT the DRUMS -
UnBroken SpiritS & ❤️ : STOP the TERROR
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BEAT the DRUMS -
UnBroken SpiritS & ❤️ : STOP the TERROR
*
/
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08-02-25 // 01:59 pm //  Originals * BEAT the DRUMS - UnBroken SpiritS & ❤️ : STOP the TERROR * /

PLAY THESE RHYTHMIC SPARKS OF LOVE

Related tracks: IknowIknow

TASCAM DR-07MK2

FEVER FRIDAY SUPA SOUND ALONGSIDE STYLISH FROM AFRIKAN VYBZ CITY PIMP DJ NATE.mp3

As we all know, the Magick that was Ozzy has now signed with a new lable beyound our reach. I've loved Black Sabbath since I firest heard there sound. While Sabbath Bloody Sabbath was my 1st Sabbath Album... After Forever was the 1st Sabbath track I heard and my 1st amazement of Ozzy's voice.  Here the Mand'rols cover that track.

How Black is my Sabbath

After Forever

FLASHBACK JUGGLING PT1 - MIXED BY DOCTOR C
FEATURING RIDDIM - GANGSTER CITY – REMEDY – ONE DAY – SPLIT PERSONALITY – GOOD LIFE – MONEY BOX – SNAP BACK - DANCEHALL EFX – V6 – LOST ANGEL - SPRITE – RIOT SQUAD – CONTRA PLUS MANY MORE
ALSO ARTISTS LIKE - VYBZ KARTEL - POPCAAN - I OCTANE - AIDONIA - SQUASH - MAVADO - TEEJAY - SKILLIBENG PLUD MANY MORE

FLASHBACK JUGGLING PT1 MIXED BY DOCTOR C

A Leviathan sired by contamination, Godzillio the Destroyer, do your worst. Thanks to Negative Headphones for the bass and drums!

Under This Rock

Godzillio The Destroyer

Words and music written by Bartley Charles Mastin
Performance by Bartley Charles Mastin
Copyright 2025 All Rights Reserved

Lyrics:
It's just a dream
Don't worry about a thing
Don't worry about a thing
It's just a dream

They're turning green
The leaves are turning green
And it will soon be spring
Don't worry about a thing

Round and round we go

Stay a while 
Let me see you smile
Let me see you smile
Stay a while

Round and round we go
Round and round we go
Round and round we go

Stay A While

Strictly Business Live @ Baller Lifestyle March 2025

BLOSSOM "TUDOR ROSE'" 2025 PART2

100% VYBZ KARTEL GYAL SONGS ROMPING SHOP EDITION PART 1

100% VYBZ KARTEL GYAL SONGS ONLY PT1 - ROMPING SHOP EDITION

EDDY G BOMBA Preview Mix PREZ INTL

Latex fruit #Voyuitwaaien|Extra Slowed 4x

HIGHER LIFE - Dancehall Raw Mix Tape

Brought to you by yours truly, Sugen. Yet another Mixtape, this time around for the ladies to enjoy. Like , Listen and share.

Drinkaz Galtape (2025 Dancehall)

Guitar (Nylon electro-acoustic guitar Cordoba GK studio) and final mix by Neno J. https://on.soundcloud.com/mYPR0YxGjsZ2bWmRCH
Original music, arrangement, piano, organ, bass guitar, drums, J.J. Terrell

Tango passionato (Collab with Neno J.)

Au café      (Translated after the French text )

Vidéo :   https://youtu.be/w2khMpQoAHc


Texte     :  Yves Marilier
Chant     :  Muette
Musique :  Alain Illos

Nous avions rendez-vous
à "La Petite Madeleine"
où nous étions chez nous.
Un café comme on l'aime.
C'est jour anniversaire
de la première fois,
mais tu es à la guerre
et tu ne viendras pas.

J'ai commandé un verre
comm' si tu étais là ;
peut être, je l'espère,
le vin te remplacera.
Tu veux m’écrire une lettre,
je suis venue pour ça,
s'il l’vin tourne la tête,
je crois qu'il m'aidera.

Pour essuyer le fard
qui coule de mes yeux,
je me sers du buvard,
mais je n'y vois pas mieux.
Tu n’as pas écrit une
seule ligne, tu vois,
vu que le porte-plume
se refuse à mes doigts.

J'ai bien peur que la page
ne reste toute blanche
autant que ton visage
qui pleure sur tes manches.
Mais il faut qu'elle s'en aille
te dire tout là-bas
que j'ai le cœur en bataille,
prêt à mourir pour toi. 

Ici, dans notre café
où j'ai vidé mon verre,

l'alcool fait son effet,
elle est finie la guerre
et ma lettre s'envole
pleine de mots d'amour
te dire ma joie folle.
Je rêve à ton retour.
 
Nous avions rendez-vous
à "La Petite Madeleine"
où je suis un peu soûle ;
Dépêche-toi, je t'aime !
Et fais-moi oublier
mes frissons et ma peine,
car je n'ai pas pensé
à mettre une petite laine.
Il faut que tu reviennes.

At Café 

Our appointment was
at "La Petite Madeleine"
where we felt right at home.
A café just the way we like it.
It's the anniversary
of the first time,
but you're at war
and won't be coming.

I've ordered a glass
as if you were here;
maybe, I hope,
the wine will replace you.
You want to write me a letter,
that's why I came,
if l'vin turns his head,
I think he'll help me.

To wipe the blush
from my eyes,
I use the blotting paper,
but I can't see any better.
You haven't written a single
line, you see,
since the
penholder refuses to accept my fingers.

I'm afraid the page
will remain as blank
as your face
weeping on your sleeves.
But it's got to go
tell you all the way over there
that my heart's in knots,
ready to die for you.

Here, in our café
where I've emptied my glass,

the alcohol takes its toll,
the war's over
and my letter flies off
full of words of love
telling you of my mad joy.
I dream of your return.
 
We had an appointment
at "La Petite Madeleine"
where I'm a little drunk;
Hurry up, I love you!
And make me forget
my shivers and my pain,
because I didn't think
of putting on a little wool.
You've got to come back.

Au café avec Muette

The only bomb that should be acceptable to mankind.

"Sex Bomb" is a song by Welsh singer Tom Jones (you probably waited for this ;)). Performed in collaboration with German DJ and producer Mousse T., it was released in November 1999 on Jones' 34th album "Reload".

Guitar by my son Gideon.
We hope you'll enjoy the show.



Sex Bomb (Tom Jones / Mousse T. - Giddy & Rob Jam)

Yecidera Ondiver

Basic track by Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
https://soundcloud.com/paploviante-and-friends/turn-of-time-open-collab-offer
joerxworx: alto saxophone, final mix & mastering

Turn of Time by Paploviante // sax remix

Brand new track after a long time ago! Check out this one guys and gals and let me know if you miss my synthwave tracks with my own vocs on it! Share , Support and comment!

Let me know if u really dig it. Cheers and have a great summer y'all!

IknowIknow

Hi there Listeners,

Tim Elliot ( on Telecaster) and I ( on ES7 Stage PIano) are at it again in a Full On Improv. One Mic, One Take.   
        
As we're literally free-falling into another passionate Improvisation, i dare say we feel as though we're Entertaining Angels.  :-D  
And we'll let you work out what that means!  

But as always, we hope you'll enJoy our humble efforts.

© Gary Courtland-Miles & Tim Elliot 2025
℗  Gary Courtland-Miles & Tim Elliot 2025

Entertaining Angels * Anomon & Elliot

Rushing water

I released The Knight Errant a few years ago, and have thought about doing a remix of the tune ever since. I guess this is more like a rearrangement.  The original was in 6/8 The return is 4/4 and has a more electronic, and dare I say it, dance vibe!

Return of the Knight Errant

The flux of life keeps flowing and how we adapt and accept the joys and hurdles is the lesson on our   great journey through this human experience , 

Be Well with Yourself ,Be Kind  and Shine O n XXX

Cuir in Iúl Dom Nuair a Shroicheann Tú an Áit ar Mhaith Leat a Bheith( Let Me Know When You Arrive At Where You Want To Be )

Created very fast with VSTs & altosaxophone.
The cover picture is extremely sweet :-) ... Essences of all kinds are often to be questioned - sometimes music helps ;-)

Antidote

The Last Transmission

An electronic/industrial piece, with some fusion elements. Out of my comfort zone here! Maybe it reflects the tempest of the times.

Cosmic Call

Memories est né d’une belle collaboration avec Eric Georgesco, initiée en décembre 2024. Eric avait composé, quelques années plus tôt, une mélodie très personnelle intitulée Memories. Dès la première écoute, j’ai perçu le potentiel de ce morceau. Il restait à trouver la bonne direction pour lui donner une nouvelle dimension.

Pendant plusieurs mois, le titre est resté en suspens, car je n’arrivais pas à lui insuffler l’énergie que je cherchais. C’est finalement en mars, après que l’un de mes proches m’ait encouragé à écouter Clara Luciani (que je connaissais vaguement jusque-là) que tout a changé. En découvrant La Grenade, avec sa ligne de basse percutante et son esprit French Disco, j’ai eu une révélation : c’était exactement ce qu’il fallait à Memories pour prendre son envol.

La voix de Delphine s’est ensuite imposée naturellement. Sa lumière, sa sincérité et sa douceur donnent vie au morceau et en incarnent toute la sensibilité.

Merci à Eric pour sa confiance, et à Delphine pour sa voix qui sublime la chanson.


Memories is the result of a beautiful collaboration with Eric Georgesco, which began in December 2024. A few years back, Eric had composed a melody he called Memories, a piece that meant a lot to him. The first time I heard it, I instantly felt its potential. The challenge was figuring out how to rearrange it to take it somewhere new.

For several months, the track was put on hold. I just couldn’t find the right energy to bring it to life. Everything shifted in March, when a close friend insisted I take a deeper listen to Clara Luciani. I knew of her, but hadn’t really explored her work. Then I heard La Grenade and its bold bass line and French disco flair hit me like a lightning bolt. That’s the kind of groove Memories needed to finally lift off.

Delphine’s voice quickly became the obvious choice. Her bright, honest tone full of candor and warmth, truly brings the song to life.

Huge thanks to Eric for trusting me with this project, and to Delphine for her voice, which elevates the song in the most beautiful way.

Credits: 
Sur une musique originale de Eric Georgesco https://soundcloud.com/eric-georgesco/memories
Chant : Delphine
Paroles et arrangements : Richard Gonfrier
Production et mastering : Richard Gonfrier


Lyrics : 

En ces jours étranges
Plus rien ne me dérange
Je vais partir
Sans te le dire
Les yeux perdus

Dans ce ciel immense
Où tout n’est que silence
Je vais courir
Sans revenir
Le coeur déchu

Mon coeur sillonne 
Nos plus belles memories
Et moi je fredonne
Nos plus belles mélodies

Quand tu me dis « Mon Ange »
Mes pensées se mélangent
Ca m’fait souffrir
De te mentir
L’amour déçu

Je m’entoure de distance
Pour que j’me recommence
Je vais grandir
Me reconstruire
Me mettre à nu

Mon coeur sillonne 
Nos plus belles memories
Et moi je fredonne
Nos plus belles mélodies

I had tu run to heal myself
But your love still echoes in my soul


All rights reserved, SACEM registered.

Memories (Feat.Delphine & Eric Georgesco)

La communauté LZMP ( https://on.soundcloud.com/fflHyLU2gtC3HESqPS ) lance des défis une fois par mois, en ce mois de juillet 2025, il s'agit de réaliser aussi (si l'on souhaite) un titre Bpm 120 de 3mn 40. Pour ce travail de réorchestration, 🎧🎶je vous emmène dans une ambiance plus chill/lounge sur le plan musical avec la douce voix d'Olivia Panacci ၊၊||၊ dans son titre original de 2019 : https://soundcloud.com/olivia-panacci/first-time-again - avec au passage quelques libertés...💥Je pense que ça se laisse écouter, ❤️‍🩹allonger dans un transat à l'ombre en sirotant votre boisson🍹 du moment... Bonne écoute🎶
The LZMP community hosts monthly challenges, and for July 2025, the theme (for those who feel like it) is to create a 3min40 track at 120 BPM. 🎧🎶 For this reorchestration, I’m taking you into a more chill/lounge vibe, featuring the gentle voice of Olivia Panacci in her original 2019 track: 👉 https://soundcloud.com/olivia-panacci/first-time-again  💥 I took a few creative liberties along the way… I think it makes for an easy listen — perfect for relaxing in a deckchair, in the shade, sipping your drink of the moment 🍹 🎶 Enjoy the ride!

First Time Again (Re-Worked) Defi LZMP

A subtle journey through thought, motion and memory.
A window seat in sound — where time expands, emotions blur, and every tone carries weight.

This is not a track that rushes.
It listens. It breathes.
And somewhere between the soft adlibs, the distant rhythm, and the glimmers of melody — you find yourself traveling without moving.

🎧 Best experienced with headphones.
🌫️ Let it carry you.

Traverse

Music by GRENZLICHT | Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe] | GOTH ROCK | YT VID

A fire burning dark-goth-rock song about how love is now dead & gone but the memory still remains! The forever longing continues to haunt but we can only re-visit the grave, re-visit the once cherished love of all loves...sadly, it's now, all-only-dust!

Music: Composed & Produced, Recorded & Performed, Mixed & Mastered by GRENZLICHT in Germany | Vocals: Composed & Produced, Recorded & Performed by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Cover Art Design & Video: Graphics & Light FX by REKHA - IYERN [Fe] | AI Royalty Free Heart/Thorn/Vines Image

Old Energy, YT Vid Here: https://www.youtube.com/watch?v=vja0TOjvfSU

Our other track, Bottle: https://www.youtube.com/watch?v=8vhVGS2PHi8

Listen to the amazing music of GRENZLICHT here: https://soundcloud.com/grenzlicht

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved

Old Energy - Music & Lyrics by REKHA - IYERN [Fe]
 
Wo Oh Oh Oh
Ah Ah Ah Ah Ow
Old times
When we were alive

Old time energy 
It's comin' over me, me
Just wanna feel you 
In my veins

Babe we are long gone
Eh Ee Yeah
Eh Ee Yeah
Eh Ee Yeah
In the grave, grave

Eh Ee Yeah
Ahn Wo Wo Wo
Oh Oh Oh Oh
Wo Oh How

Well, well, well
We are once alive
Heart to heart

Once alive 
In that old time energy
That keeps me movin' on
Even though we are 
Lost and gone, Yeah
Lost and gone Babe, Oo

Yeah Ee Yeah
Can you hear me callin'
Do you hear me call
Call your name, a name

And the fire burns me
In, in the grave
In the ground
It's only dust

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved



Old Energy 24 bit final

Old Energy

Old Energy - Music by GRENZLICHT | Music & Lyrics by REKHA - IYERN [Fe] | DARK GOTH ROCK| YT VID

Hi everyone~

We decided to try our hand at remixing something for noxpox's open collaboration here: https://soundcloud.com/noxpox20/noxpox-padang in honour of noxpox's 20th page. (noxpox is already onto page 21 though! @noxpox21)

The original sounded surreal and haunting, so we went along the same lines.

DAWs used: lmms and Garageband for iOS

lmms sound credits:
Bell for arps by Surreal Music (SurrealMusic)
HOME Arp by Surreal Music (SurrealMusic)
Calcite by Hans Jinneman (maximumharp)
Blue Eyes by Hans Jinneman (maximumharp)
LegendArp by Ṁ€|_ØĐ€Ṁ₪Ň (Bhavs)
Astronaut Pluck4 FreeBoy But free! by Daniel (weatherman06)
Rhodes Space Dreamy by Lamosa (troser12troser28)
Legendary Lead [Monstro] by ektod (Ektod)

Original by noxpox @noxpox20
Remix by Masha Solo @masha-solo and Rob Ulysses @rob-ulysses

Update: It's remixable according to Creative Commons, and noxpox has given me permission for this file to be downloadable, so feel free to grab it to listen to or to remix. Thanks, noxpox!

Collabs and Remixes

noxpox - padang (Archmage Band Remix)

noxpox - Padang (Archmage Band Remix)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Drown

Sparks (For two + guitars)

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering

This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens-Eclectic Collective

"Unajua Unavyopiga" (You Know How You "Hit" [make an impact/impression])

[Chorus]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea (tembea)
Tembea, tembea (tembea)

[Verse 1]
Ninafika kama nyota (oh ndio)
Watu wanashangaa (nani?)
Muziki unaosikia (ucheze)
Moyo wangu unapiga (twende)
Kuingia na mdundo (uh huh)
Nimefika kwa mtindo (ndio)
Muziki unatusogeza (ngoma)
Nionyeshe upendo, jamani!

[Chorus]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea (tembea)
Tembea, tembea (tembea)

[Verse 2]
Karibu hakuna chumba (hapana hapana)
Kila mtu anatetemeka (twende)
Kutazama harakati (hisi mtetemo)
Ni wakati wa kupiga
Mwanamke anapuliza (oh ndio)
Sauti yake ina nguvu (wacha iangaze)
Kikundi chetu kinawaka moto (tuko moto)
Kila wakati wanaipiga, ni moto (hisi moto)

[Chorus]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea (tembea)
Tembea, tembea

[Bridge]
Mashabiki wanasherehekea (wacha tusherehekee)
Hakuna wakati wa kukaa (twende)
Sisi ni nguvu pamoja (pamoja tunainuka)
Kila hatua ni kauli (tamko)

[Repeat Chorus X 3]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea
Tembea, tembea

[Outro]
Unavyotembea
Wooowoooh...
Unavyopiga (tuko moto)

Unavyotembea
Wooowoooh...
Unavyopiga (hisi moto)

Unavyotembea
Wooowoooh...
Unajua unavyopiga (Ni wakati! Twende!)

Unajua unavyotembea
Wooowoooh... 
Unajua unavyopiga (hisi moto)

Produced and curated by Lesedi Dlamini, Petra Joy Fischer & Jah Bozo
Lyrics by Lesedi Dlamini & Jah Bozo
Mastering by Jah Bozo

Bantfu Beliciniso • Geschwätz GmbH - "Unajua Unavyopiga"

All the worlds a stage to play the 'Grand Game' of life upon.   

Recorded and Mastered at Rose Pro Studio
Produced By Kit Gratrix

The Grand Game

Tiden må gå. ( 1993 ) Eddy Mango ( Eddy )

Paroliers : Lucien Morisse - André Michel Charles Salvet
Musique : Jacques Dutronc \ ASCAP : 884349551
Label : Disques Vogue
Sortie : 1962

*************************************************************************************
English translation below the French

*************************************************************************************
Hommage à Françoise Hardy disparue le 11 juin 2024
---------------------------------------------------------------------------------------------------

Je fais honneur à la chanson française et aussi aux Followers "Français" 😊

Petite parenthèse : Je suis d'origine Vietnamienne, née au Laos 
où j'ai vécu pendant 10 ans étant petite.
Je vis en France depuis un certain temps et un temps certain...
Et mes goûts musicaux sont anglo-saxons. (Compliqué !... 😩)

Je suis navrée de ne pas faire beaucoup de reprises de chansons françaises...
___________________________________________________________

Cette chanson était connue dans le monde, même au Laos. 😁
(Le Laos faisait parti de l'Indochine Française)

Il y avait même une version italienne "L'Età Dell'amore"

************************************************************************************

Tribute to Françoise Hardy, who passed away on June 11, 2024

--------------------------------------------------------------------------------------------------

I honor French music and also my “French” followers 😊

A little aside: I am of Vietnamese origin, born in Laos 
where I lived for 10 years as a child.
I have been living in France for quite some time now...
And my musical tastes are Anglo-Saxon. (Complicated!... 😩)

I'm sorry I don't do many French covers...
___________________________________________________________

This song was known around the world, even in Laos. 😁
(Laos was part of French Indochina)

There was even an Italian version, “L'Età Dell'amore.”
___________________________________________________________

Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : July 24, 2025
___________________________________________________________

Le Temps De L'Amour - Cover (Françoise Hardy)

Naked

SP/LIT

Cast of characters:

The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering

J.J. Terrell– @j-j-terrell – electric piano and synth

Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitrar

This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honored than to be the subjects of his wild and boundless creativity.

  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, not only editing it to fit the cool drum and strings bridge, but supplying the VST timbale drums, as well. Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 

  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.


Original lyrics by The Perfect Dark:

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave


Rhythmic Mountain - Eclectic Collective w/ The Beautiful Dark

JJ Calls - Session 1

Hillsong Worship - King of Kings piano cover by Lucas kim

(HD & earphone) for best audio quality!
Like, comment & subscribe for more videos! 

Facebook  - https://www.facebook.com/lucas.kim.14... 
Instagram - https://www.instagram.com/lucaskimusic/ 
God bless you all !

Álbum de Eu

Hillsong Worship - " King of Kings "

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

I like Soundcloud because it's a friendly community for sharing our music. When I like your music, I say how it affected me, maybe something about how you wrote, performed or produced it. I have musically diverse interests: pop/rock songs, jazz-rock fusion/prog instrumentals; acoustic guitar. Main instrument is guitar, I'm not a keyboard player or singer, but hopefully I can do enough there to make my work sound ok.

Cosmic Call

Steve Matthews