Red Light Syndrome

WARNING: This is one of my Avant-Garde theatrical pieces and NOT a love song! It's an instrumental about the dangers of war and the horror of a Nuclear bomb being dropped somewhere! Perfect timing for today, right? It's not a pleasant theme or thought but I'm really worried about the mindset that this world is in at the moment, even the doomsday clock is the closest it has been to midnight ever! Whichever country is stupid enough to drop a nuke, will be the country that dooms us all! The planet may survive but humanity and the animal kingdom will certainly perish with the nuclear fallout. I'm a veteran and I don't want us to end in such a selfish, cowardly, idiotic manner such as this!! 

VIDEO - https://youtu.be/V76mqew2Ji8

The video is a remake and a remix and it deals with the reality we all must face now due to some very stupid people in charge here and around the world! This a WARNING to everybody, if you love your family, friends, children, neighbors, anyone! Please, let's remove anybody in power that thinks this is a good idea! There are many such non-thinking individuals in power around the world right now, that simply couldn't care less about you and your loved ones! Please watch the video, it goes with this soundtrack! A NUCLEAR WAR WILL NOT HAVE A WINNER! We will all be losers!! Please share this song/video with all your friends and family. A warning to the wise from a musical vet. Take care and beware and may God bless us all before it's too late.🙏✌🏼

"OBLIVION" (Video - https://youtu.be/V76mqew2Ji8)

An electronic/industrial piece, with some fusion elements.

Cosmic Call

Azul:  Vocals
Ben Juul:  Drums, Mix & Master at Tone Hill, NY
Dirk Taubenheim:  Guitars, Bass, Keys, Vocs

This song is more relevant than ever, even though it was released in 1983.

Original version by Men at Work. Thanks for your attention!

Overkill  ft. AZUL

Thanks to @Encym @markjbennett, @mark-hoogslag and @pleudoniem for feedback on earlier versions

Through the trees, a forest
The end has started,
the beginning begun.

Tides are turning
War was over, 
or so we thought

*Out with the old
In with the new
if you don't know 
which is which
what you're gonna do?

You chose, you stepped, 
you thought you knew, 
Yet the tree still asks: 
Who chooses who?
Who chooses who?

Keep on climbing the decision tree
Up the branches, to infinity
decided for you and me

For Regulo Tortolero:

A través de los árboles, un bosque
El fin ha comenzado,
el comienzo comenzó.

Las mareas están cambiando
La guerra había terminado, 
o eso pensábamos

Fuera el viejo
Dentro el nuevo
si no sabes 
cuál es cuál
¿qué vas a hacer?

Elegiste, diste un paso, 
creíste que lo sabías, 
Sin embargo, el árbol sigue preguntando: 
¿Quién elige a quién?
¿Quién elige a quién?

Sigue subiendo
el árbol de las decisiones
Al final seremos libres

Decision tree

slide with me

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

meeteng of planets Part I

Organic Meditation Music avec forte composante Sound Healing et World Music Meditation

Carrier Wave 37.74 acoustic

Wanna free beat or collab?
hit my DMs on Instagram or SoundCloud.

"100 Racks" Juice Wrld 
148 BPM
Key: D♯ Minor

Instagram - @juicy_the_kidd
Email - thekiddjuicy@gmail.com
Beat - DMs

Much love 999

FREE [Instrumental] "100 Racks"  Juice WRLD x Lil Durk Type Beat (Prod. by JuicyTheKidd)

After updating my new time travel profile pic, I figured it was also time to refresh the bio. The amount of world-class talent on the Cloud never ceases to amaze me. I don’t say that lightly – I’ve learned so much from so many of you. There are artists here I genuinely consider among the best musical talents I’ve heard anywhere. And I have heard a ton of music.
I’m a lifelong music addict. For me, music can be transformative, cathartic, joyful, and intellectual – often all at once. My taste? Almost anything done well. Almost. My own music is eclectic: from acoustic guitar pieces to jazz fusion, to prog/alternative/psychedelic rock, to electronica.
What really keeps me here, though, is the community – the interaction, and the sense of connection that somehow forms even when we never meet in person. The goodwill and respect are something special, and I don’t take that for granted.
Finally, regarding recording – if you’re still reading! – my humble studio hasn’t changed in 15 years. I’m even still running Windows 7 to support my old Steinberg DAW. No AI tools – just me, I like to control the physical process at every step, from idea, to playing, editing, mixing, and final production.

Cosmic Call

Steve Matthews