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Lamentation

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Bruno Sanfilippo: Piano
Manuel Del Fresno: Violoncello
Pere Bardagí: Violin
Barcelona based piano player and electronic musician Bruno Sanfilippo is a classically trained musician and composer who has been exploring the borders of minimal piano concepts and electro-acoustic music for more than 20 years. His CD series "Piano Textures“  sets him in a direct tradition of artists as Harold Budd and Brian Eno, combining slow piano tunes with electronic soundscapes. With "ClarOscuro“, he now makes his step into the genre of modern classical music by presenting his first composition work for piano trio. Most of the nine tracks on the album feature Sanfilippo accompanied by Spanish musicians Manuel del Fresno on Violoncello and Pere Bardagí on Violin, while some of the tracks still let the sensitive piano playing stand on its own. With the fragility and beauty of some Arvo Pärt compositions and a high cinematic touch, "ClarOscuro" brings the perfect soundtrack for an imaginary movie.
www.bruno-sanfilippo.com

ClarOscuro

Luciana

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Original score from 'Cilla', a three-part ITV drama series about the singing career of Cilla Black. The series was written by Jeff Pope (Oscar-Nominated for 'Philomena').

Together

12 Hamlets Of Aquilonia

Soundtrack to About a man (Short Film) by WASTE | Julien Pietri
Watch the film here: http://vimeo.com/26755601
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Credits:
Film Written &amp; Directed by Julien Pietri | another-waste.com
Music Written &amp; Recorded by Sophie Kazandjian | http://soundcloud.com/sophie-kazandjian | sophiesmusic.com


Soundtrack to About A Man (Short Film) by WASTE | Julien Pietri

"Vocatio Abrahae" (The Calling of Abraham) is a two-hour symphonic odyssey, divided into 12 main parts (plus optional postlude), designed for performance or sectional listening. Inspired by the Romantic tradition of programmatic music, it follows the biblical patriarch Abraham as a metaphor for radical faith — leaving home, journeying through trials, receiving divine promises, interceding for others, and ultimately facing the supreme test at Mount Moriah.

The work begins with a brooding Call in Ur, grows into the restless Journey, expands in wonder under the Starry Promise, and erupts into conflict in the War of Kings. A solemn Covenant passage anchors the symphony in sacred ritual, before turning toward the playful Hospitality at Mamre and the tragic shadows of Sodom’s Cry.

The final two sections, The Ascent to Moriah and The Sacrifice of Isaac, are the emotional and spiritual summit of the symphony: an immense meditation on obedience, anguish, and redemption. Here, motifs from earlier movements return, transformed into radiant light as the angel intervenes and the promise of faith is fulfilled.

The Postlude closes the journey with a gentle pastoral benediction, leaving the listener in peace after the storm.

Elegy

Steven Gutheinz

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