mixes

.Whatever You Love, You Are.

Must hear mixes I've not heard

[ohne Titel]

三月の俳句

冷汗や心臓震え寝床中

The Month in Mixes - March 2016

It's been a while since I've posted a mix online but I came accross so many nice tunes these last few weeks that I felt it was time for a little home session on the 1's and 2's. This set goes in many directions and features music from Vakula, Kim Brown, Baikal, Headless Ghost, Eduardo De La Calle, CVBox and Mark Seven among many others. Oh and there's even a track from my upcoming EP on Muhk ;-)

Golden Autumn DJ Mix

This is »I love you«. A slow dance – both dark and light, high and low, bitter and sweet, soft and deep. A musical odyssey compiled by Christian S from Cologne. Enjoy and hold on to your love.

Playlist:

Ren Groot: Soft Vocal Staging
Klaus Weiss: Survivor
Hype Williams: The Throning
Lo Borges: Eu sou como voce é 
El Perro Del Mar: Change of heart
Susana Estrada: ¡Gózame Ya!
Dr. Otto Gomez - Love Junky
Alessi Brothers: You can have it back
Daniel Mathieu: C'Etait Un Beau Dimanche
Raymond Scott: Baltimore Gas & Electric Co.
Sagor & Swing: Mire Mare
Marc Ushmi & Reverent Galloway: Land! Sie Bereit, Vorwärts Die Zeit
Tammi Terrell: All I Do Is Think About You
Jackie Mittoo: Wall Street
Toni Tornado: Sinceridade
David Lee Jr: Love Parable

Radio Cómeme - "I Love You" 08 radio show by Christian S

Episode 56 w/ Planet B

You and I alone .. Far away from home .. 
Into the great Unknown .. Hand in hand we roll ..
Apple from the tree .. Give a taste to me ..
Kiss me in my sleep .. Dream in all so day ..
Paradise is lost. Innocence is gone ..
Won't you come along Into the great Unknown? 
Won't you come along Into the great Unknown? ...

Hand in hand we stand .. Strangers in this land.
Catch me if you can .. Before I fall again..
Catch me if you can .. Before I fall again..
Catch me if you can .. Before I fall again...

Before I Fall - Sami Freeman - Latch Key Kid

two years after "Dub by sub", MAHOM comes back with a new album: "The skankin' cat" ! With exclusives remix of FabassTone, Panda Dub & Gary Wide ..
Free Download on ODGprod: http://www.odgprod.com

Many many thanks for your support !

Trouble Of The World

From the album "From The Fallen Page"

Tracklist: 
01. Get Down Goblin 
02. Your Love Attack 
03. Breakout 
04. Entertainment 
05. Lost In Time 
06. Little Bad Habits 
07. Doom Disco 
08. Music Box 
09. Distance To Nowhere 
10. Japan

MINUS101 Magda - Lost In Time

Take It All Back is the second single from the forthcoming Sui Zhen album Secretly Susan, to be released on Remote Control Records / Dot Dash later in 2015.


beckysuizhen.com/
 facebook.com/suizhen
 twitter.com/beckysuizhen
 instagram.com/beckysuizhen

Mixed by Todd Dixon at Mechanical Sounds: mechanicalsound.com/
Mastered by Dave Cooley at Elysian Masters: www.elysianmasters.com/

Sui Zhen – Take It All Back

PHNCST219 - Les Yeux Orange

Dear Teri is the third single from the forthcoming Sui Zhen album Secretly Susan, to be released on Remote Control Records / Dot Dash on August 28 in 2015.

beckysuizhen.com/
 facebook.com/suizhen
 twitter.com/beckysuizhen
 instagram.com/beckysuizhen

Mixed by Todd Dixon at Mechanical Sounds: mechanicalsound.com/
Mastered by Dave Cooley at Elysian Masters: www.elysianmasters.com/

Sui Zhen – Dear Teri

Up next on in Phonica Mix Series (and just in time to get you hyped up for the Bank Holiday weekend) is Akua Grant AKA ‘The First Lady of Deep House’ aka Lady Blacktronika!

Tracklist & Mini interview on our blog: http://www.phonicarecords.com/web-blog/official/post/75/phonica-mix-series-16-lady-blacktronika

Phonica Mix Series 16: Lady Blacktronika

Click the [↻ Repost] button if you like it ! (:


Warner Music/Tonspiel/We-play-Music

CONTACT: alex.musicandbookings@t-online.de

Bookings : mario@fakeartists.com

Follow me <3

Alex Schulz & Gabrielle Aplin - Please Don't Say You Love Me

FIT SIEGEL - DJ @ UNSOUND 2015 (PART 1)

We are very happy to have one of our New Years Day headliners, Seven Davis Jr in the mix for our podcast series. Enjoy ! 

Mixed by: Seven Davis Jr | https://soundcloud.com/seven-davis-jr
Presented by: Dylan Griffin
Post Production by: Adam Barclay 

Tickets & Festival info: 
http://letthemeatcakenyd.com.au/

Follow Seven Davis Jr on Facebook:
https://www.facebook.com/SevenDavisJr?fref=ts
Follow Let Them Eat Cake NYD on Facebook:
https://www.facebook.com/letthemeatcakenyd?fref=ts

TICKETS

Let Them Eat Cake 016 Seven Davis Jr

Add to playlists on Spotify: http://smarturl.it/DusseldorfSpotify

The first single taken from Teleman's new album Brilliant Sanity, due for release on 8th April. Pre-order the album now to get an instant download of this track at http://www.telemanmusic.com

They tour the UK & Europe from March 2016 with NZCA Lines in support (with the exception of Cambridge & Birmingham, where it's Oscar): http://smarturl.it/TelemanLive

http://www.telemanmusic.com
http://www.twitter.com/telemanmusic
http://www.facebook.com/telemanmusic
http://smarturl.it/TelemanSpotify

Brilliant Sanity

Teleman - Dusseldorf

This is a mix I created for the PRETTY WITCHES event series presented by Corinne Loperfido. 

THE WITCHTAPE is a concept mix that is comprised of all songs by women/queer/poc artists using the word "bitch."  While the word has been used to both objectify and demean, we are reclaiming it to satirize and counter these connotations while simultaneously empowering women & queer individuals in the process.

Msg me for track list <3

PRETTY WITCHES:  THE WITCHTAPE

Ida Dillan Mix 4 Despotin Beat Club

W0RKW0RKW0RKWORKW0RKW0RKW0RKW0RK

ty @tdoyle 4 the name

TEEN WITCH FAN CLUB - W0RK PARTY

F1FTH H4RMONY - W0RK FR0M H0M3 (lindsaylosam nxc edit)

DUCKY - W0RK (ALF1E CASAN0VA REMIX)

BR1TN3Y SP3ARS - W0RK B1TCH (V1RTUAL RI0T REMIX)

R1HANN4 - W0RK (K0NI REMIX)

H3NRIK THE ART1ST - PERFECT W0RKout

PA2TY MIX: WORKIN HARD OR HARDLY WORKIN

i-D exclusively share the brothers' set from their New Era collaboration launch party. 

Read more on i-D: https://i-d.vice.com/en_gb/article/i-dj-the-martinez-brothers

http://i-D.co 


i-DJ: The Martinez Brothers

BLACK FORREST HAM.WAV

WOW VERY RARE LIVE GUITAR MIX SHOUTS OUT TO @1833.fm

1833 Mix Series, Vol 88:  #LISTENSTOSNAKEDONCE

More info and download here: https://crackm.ag/2SDwUpZ

Crack Mix 108 - Red Axes

bio, infos & download here:
http://www.lesyeuxorange.com/mixes/lyo-060-clandestino/

LYO#060 / Clandestino

Interview and more info: https://dotheastralplane.com/2016/03/17/huntleys-palmers-mix-for-the-astral-plane/

Download: http://we.tl/gFf1uZlZ81

Follow:
@huntleyspalmers

Huntleys + Palmers Mix For The Astral Plane

Funkineven NTS Apron Show - 30th March 2016

eMeL - Mental Rendez-Vous

A live recording from a FallingUp club session [10.03.12] feat. the one and only Dez Andrés.

We were honoured to have the Detroit legend grace the 'tables at our party. 
Thanks to everyone who came and made the night so special.
Bigup Dez Andrés for bringing the vibes!

Like: http://www.facebook.com/djdezandres
Follow: http://twitter.com/djdezandres

...and check out his rather prolific Livestream channel here: http://www.livestream.com/djdezandres

Andrés Live @ FallingUp Bristol 100312

Pervasions Pt 3

Available end of September, 2013. Early pre-orders for those on the mailing list:

www.fac-ture.co.uk/Mailing-List

The audio process…

Light Folds by The Seaman and The Tattered Sail is a collaboration between Craig Tattersall (The Boats, The Remote Viewer, The Humble Bee, Cotton goods, Theodore and Hamblin, The Famous Boyfriend, etc.etc. and artist/designer) and Bill Seaman (SEA, Attsea, Otic.Info.Set, sp.op.cit, Spilly and the Drops, etc. and media artist exploring linear and interactive works). The work took place via the internet, sending differing files back and forth using Drop Box, wetransfer.com, and vast quantities of email. After about 2 years Tattersall and Seaman met face to face!

It started with a simple back and forth set of responses to a few audio files, building up loops and tracks. Over time it built up to over seven hours of music. We initially made a double CD of works but we kept abstracting and remixing and colliding things. Tattersall brought his distinct form of “dusting” which explored unique forms of noise, tape ambience, tape degradation, etc. Seaman often explored abstraction using Ableton Live, especially in terms of time / pitch manipulation, and exploring the combination of a multitude of Ableton plug-ins. Huge amounts of data were sent back and forth! Occasionally we went a bit mad with naming and keeping track of things… Usually a number of mixes for each initial work emerged out of the process. Sometimes the abstractions went quite far away from the original tracks. The double album on Vinyl came late in the game where a series of shorter versions and new abstractions were defined.

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise).

Seaman was working primarily with Ableton Live and contributed Piano, vocal, text, fragment constructions and reconstructions, time abstractions, quartet samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.

We worked with some excellent musicians in the construction of the samples…

Trumpet (sample recordings) – Robert Ellis-Geiger; Ciompi Quartet (sample recordings) – Eric Pritchard (violin), Hsiao-mei Ku (violin), Jonathan Bagg (violin and viola), Fred Raimi (cello); Clarinet drones (sample recordings) — David Beaudry; in Ableton Live (construction space), and Seaman used a Roland Edirol R-09HR Ver.3.0 for instrument and voice recordings.

The musical influences run the gamut from ambient, industrial, glitch, dance, pop, jazz, classical, experimental, noise art, etc. Seaman has called this alt.genre in the past… although it really defies a single musical label.

The working process was quite exciting to hear what each had done with the tracks as an ongoing process… The project is incredibly rich in its subtle exploration of psychoacoustic spaces and layerings, and it is vast… The works form a series of plateau-like spaces where time is explored and erased, and an atmosphere for reflection and association is presented. Duration was not worried about and many of the works are quite long. The entire project has been incredibly exciting and rewarding in that we each seemed to pull the best out of the other!

It is also worth noting that as an aside to creating within this album, there was a huge element of learning within the album.

Working with a new creative partner always begins with finding a commonality in working practices, then from this you can bring your individual approaches to working practices, it is in the dialogue whilst working through these passages that you learn from each other.

The artwork process…

Like most work undertaken there is a underlying aesthetic language that has been built up over years of arts practice, whether this be audio or visual production.

An aesthetic language seems to span audio and visual works that is to say that you use a language and approach to creation in the same way whether it be audio or visual work, so it seems obvious that visual artwork that is in creation at any given time will in some ways mirror audio creation at the same time.

So as we where in the thick of creating the audio I had started making some experimental pin hole lumen prints (a photographic technique where you work with photographic paper within direct sunlight).

These were simple images of dots created with holes in little metal boxes. They were interested in capturing light and time rather than a conventional image. So the images were created using one (pin) hole exposed for one hour, two (pin) holes for two hours and so on up to 12 holes/12 hours.

I was sharing these with Bill and as well as Bill liking the work/process it became apparent that they seemed to share an aesthetic with the audio we were working, looking at light, time, space.

So in conversation with Bill I started to take the photographs into digital forms, exploring how the ‘dust’ of the analogue process could be extrapolated through digital forms, and then of course taken back into the darkroom and analogue processes, exactly how we were working in the audio work.

From there, and through extensive email conversations the artwork developed into the body of work that comes with the release.

Like the artwork the titles also reflect the abstraction process. Needless to say – “Light Folds” can be understood from many different perspectives. – Craig Tattersall

Funkineven NTS Apron Show - 30th March 2016

Steven Julien