Kyoto-based producer Stones Taro is launching a new self-released series titled "Byproduct," with the first installment, an EP of the same name, dropping exclusively on his Bandcamp.

This new series pushes Stones Taro's experimental side, distinct from his label NC4K. As the title suggests, these tracks are like musical "byproducts"—challenging and different from his usual style. However, even with these unique sounds, his signature dancefloor-ready beats are still very much present.

Stones Taro plans to continue releasing more tracks on his Bandcamp. Keep an eye out for his evolving sound.

Stones Taro - Trippy Slider Ball

Stones Taro - Spin Watcher

'Bite The Hand That Feeds You' is the debut EP from Amsterdam-based DJ and producer Jasmín. Blending genres, moods, and eras, it draws on her Dutch-Argentinian roots while channeling the nostalgia of teenage discovery: "that formative era of girlhood where you're growing up online and building your world digitally." Across three tracks, Jasmín explores the tension between this lasting inner world and the harsher realities outside, weaving techno, bass, and dub into percussion-driven music defined by both force and introspection.

Jasmín - Bite The Hand

Process - (Beam Recordings)


Beatrice M. - ‘Midnight Swim’ EP / 23.10.25 / TEC125
Bandcamp: https://beatricem.bandcamp.com/album/midnight-swim-ep

Tracklist:
1. Oval
2. 132 Trek
3. Midnight Swim
4. Slowly Drifting ft. Sub Basics

For their debut EP on Tectonic, Beatrice M. drops four deep, dubby cuts bringing weighted bass energy together with techno sensibilities and advanced percussive manoeuvers. Elegant but powerful tracks built for sound systems and curious ears!

Midnight Swim is an ode to the “softer” club sounds, repetitive aquatic grooves that remind Beatrice of their go-to sport: swimming. No phones, just back and forth in the cold water, settling into a mechanical groove. The opening track, Oval, carries its title from the appreciation of soft edges, little distortion, minimal rhythmic pattern.

Upon hearing Pinch’s tune 136 Trek, (itself a nod to Zinc’s 138 Trek), Beatrice decided to name a tune 132 Trek, to continue the lineage of their musical heritage. The tune was already called Trek because it was made after spending some months in London, and realising “everything is a bloody trek”!! 

The EP’s title track is about warm-up music and enjoying the earlier hours of the party - a quick immersion and then time for bed, rather than banging club tracks all night long. Beatrice likes to show up early at the club, watch it fill and then leave as it packs out. Midnight Swim is a dip into a roller. 

The last tune of the EP features Sub Basics, the first artist to have a vinyl release on Beatrice’s own label, Bait, and one of their biggest musical inspirations. Sub Basics’ immersive progressive sounds fit simultaneously in the deep techno world and the dubstep world. A beautiful in-between.

https://www.instagram.com/beatricem._bait
https://www.instagram.com/tectonicrecordings 



Midnight Swim EP (clips)

Black Box

Channeling inventive sound design into incisive, characterful techno variations, Jurango returns to Livity Sound with an eight-track double EP — his longest release to date. Taíno Gold captures a moment in time for Bristol-based Nate Reece's continually evolving sound as it draws on the full spectrum of UK club music. 

Following a debut for Livity's reverse label in 2021 and last year's An Amorphous Mass EP, Reece is more assured than ever tackling a variety of club-focused cuts. The tracks on the release all came together before, during and after a two-month visit to Reece's grandparents' home — an idyllic tropical environment in a small community at the top of a hill in the northern part of Jamaica. 

Taíno Gold refers to the island's indigenous Taíno community and the legend of a witch luring Spanish settlers into a trap on the Martha Brae river. There are no messages explicitly embedded in the music, but the release is both a personal reflection of Reece's own experiences and family heritage, plus a reminder about the enduring sceptre of colonialism and the continued need to fight against it. From absorbing Jamaica's fraught history through museum and plantation visits to the abundant nature in the garden surrounding his grandparent's house, the double EP marks a place in time for Reece, with eight advanced, ear-catching tracks as the end result.

From the cascading arps of 'Black Torches' to the tunnelling chords of 'Waiting For Trelawny', the melodic dimension of the Jurango sound is more confident than ever. 'Hibiscus' is a shimmering celebration of dub techno and crooked drum pressure and 'Chalk On Trees' basks in aqueous, fathoms-deep pads to close out the EP. Elsewhere, Reece brings new textural and tonal detail to his percussive workouts, splashing acidic noise around the angular experimentation of 'Maybe It's Broken' and firing off double-time rhythms to inject 'Double Sevens' with infectious urgency. 

With the space afforded by a longer release, Reece widens out the scope of his artistic identity while absorbing the particular scene and setting that surrounded him while making the tracks. Taíno Gold is a vibrant next step for Jurango and a natural continuation of his work with Livity Sound.

Bandcamp

Waiting For Trelawny

Stoned Elephant

techno heat (1)

"Reborn" (WIP Draft Original 10/30/25)

Janet Jackson - Promise of You (illest's unbreakable remix)

House, Breakbeats, UKG and Jungle.
Producer /DJ based in Kyoto.
Boss of NC4K(https://soundcloud.com/nc4k) with Lomax(https://soundcloud.com/magochine).

[Bookings]
Asia: florian@fufucreative.com
Aus: mitchell@solidcircles.com.au
EU/UK: carl@suomotubookings.com
Japan: stonestaro.jp@gmail.com