Alternative-Ambien(TM)-Electro-SingervSongwriter-Trash

Written mostly in the psych ward in Columbus, these tracks were born in isolation and fed on fluorescent lights, wrong medicatios, and the loud tumbling of unraveling minds.
Influenced by Slinkmeal’s gritty work and a nod to the legend Millie Jackson, this album stitches genres into a blood-soaked bowtie —lo-fi, noise-core, garage punk, and demonic psych-funk all vomited into a minor key and remixed until it screamed.
The sound? Sweaty, mildewy, unhinged, and mean.
The vibe? Post-overdose. Pre-apocalypse. Always real.
You’re not just listening.
You’re trespassing inside my mind -
a beast from the underworld, a stripping prophet, a glitter-stained banshee clawing at the padded walls.

Artist, musician, free pen hoarder, photo bomber, atheist, pervert.

Hi, 

  What I do fulltime is completely different to what I do here. What I do here, I do as a hobby - with having a complete Love of most Music, from Punk to the Classical Genre. 

  I am a self taught amateur Musician. I have had a complete passion for making Music since I was a teenager, having played in an Acoustic Punk Band (Toby's Red Sock) with 2 friends in the mid 80's. I purchased my first synth in 1993 along with some other hardware gear and have been writing, composing and recording compositions ever since. I have a vast collection of Synths, Drum Machines, and EFX units and buy and collect new Instruments as often as possible. 

  I do not have a studio setup as such, I just set gear up, which can be time consuming and sometimes a waste of time if I'm not happy with what I come up with. However, I never thought that what I create would ever be good enough to be heard outside my own four walls - thats until I discovered sound cloud. I'm very surprised with the response I have had from my compositions being heard - and I welcome all comments(either positive or negative) with Love and Respect for what you all share on here also. :c)

  My Music is Influenced mostly by Personal Feelings of Love, Hate, Happiness & Heartache. Other Influences Include This Mortal Coil, Nine Inch Nails, Boards Of Canada, Cindytalk, Massive Attack, Coil, Wire, Bauhaus, Sisters Of Mercy,  Joy Division and much much more.

I hope you enjoy what you hear and feel free to love it or hate it. Just press play.

Love,

S.G.C

PS: I now have side project that consists of myself & 3 friends. We get together now and again, drink lots of beer and attempt to cover our favourite songs. This takes place in a small cottage/caravan in The Highlands and used to sometimes be performed in Aberdeenshire. We don't have a band name as of yet but we have a Genre called Drunk Rock. Check out the Drunk Rock Set on my Sound Cloud page. Davy & Dave do all the Guitars, Jeb & I share The Vocals & I play some Keyboards. Thank You. Enjoy. :c)

Glasgow based musician.
Electronic,Synthpop,Goth,Industrial,Alt Rock music.

Please Also Consider FOLLOWING My Other Accounts and those of my Many Collaborators As Well.  Thank You
Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

Dark Matter Clear Pattern was set up as a ying to the yang of the acid techno music and culture myself and some close friends had been enjoying for some years. Playing in Clubs such as 414 in Brixton and Electrowerkz in Islington and partying in dank dark squats, majestic collapsing factories and forgotten spaces all over London. DMCP was born in south London over a discussion between myself and DMCPs host Justin’s, love of cosmology and the Roland TR-808. Mystereid soon joined and helped move the ideas into becoming a musical entity. With similar tastes in music and an eclectic palette it wasn’t difficult to find a common ground and soon we started to produce soundtracks for the Stoogiezone collective (www.youtube.com/stoogiezone). our first live performance was early in 2008 at The Foundry Great Eastern St London and was a live rendition of a soundtrack to accompany the projection of “endzone… by Stoogie” this was followed later in the summer by a second performance at The Foundry by Stoogie again with DMCP providing the soundtracks to three projected films and providing of course some acid techno for the after party.The later part of 2008/09 was spent assimilating new equipment and software into DMCP punctuated by the improvised sessions that have become the core matter for DMCP. In 2010 were looking to get out and play more gigs and festivals and continue to evolve the sound and the line up.


D-Kon 90 were a 2 piece early industrial pioneer outfit that were way ahead of their time. These were all recorded on a Sansui 6-track cassette porta studio with pretty shit gear. Just wish we  had the gear I have now, we would have ruled the world....
All songs written and performed by Stewart Grieve and Barry Stewart.

Followers of stoogiezone