Another great production Certainly a unique sound

Well balanced dynamics in a fantastic groove !!

Such a good feel on this. Sweet concept and writing. Nice guitar for sure!  Banjo, cool. Great work throughout!

Great beat, I like the watery and open feel

I really liked this. Normally I don't like songs like these, but in a way i felt that I could connect with this.

habitual shipwreck listening trainwreck.  is i ⚓

It's good. I like the guitars and I think I hear a banjo in there. The lyrics are beautiful.

WHAT TO BE WITHIN THIS GAME

Recorded online on Soundtrap: https://www.soundtrap.com

28 weeks later ( remix )

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

***
Track name: Lyric Grand Piano
Music by Michael Herter
Free Download: https://cutt.us/LyricGrandPiano
Video: https://www.youtube.com/watch?v=zesgA5s4KOo 

A simple romantic piano piece written to promote moods of passion, reflection and beauty. 
Very beautiful, delicate and lyrical, but at the same time very emotional music, which is ideal for movies, slideshows, background to and special events!

Fis-Dur; 4/4; 85 bpm

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Lyric Grand Piano

Cast Away

Bruce MacLeod: Composer, Guitar, Bass, Synths.
Jimmy Hobson: Drums

Scam Likely

The Book of Goddesses
For Flute, Harp, Percussion, and Optional Choreography
Commissioned by MAYA with funding from the  New York State Council on the Arts
Duration: 36'

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1011

For More Information: https://robertpaterson.com/the-book-of-goddesses

PROGRAM NOTES
My initial inspiration for The Book of Goddesses, and the source of the title, is the beautiful, lavishly illustrated book of the same name by Kris Waldherr, a Brooklyn based author, illustrator, designer and cellist. Waldherr’s book contains descriptions and images of hundreds of female deities from around the world, some featured more prominently than others. Rather than focus on goddesses in one particular culture, I highlight a few that seem to evoke something musical, dance-related or sensual. The cultures, countries and continents I draw on for musical material and styles are India, China, Greece, Ireland, North America, Nigeria and Cuba.

The flute and harp parts in each movement are often inspired by similar instruments found in each culture. For example, the harp part in Xi Wang Mu is inspired by the Konghou, and ancient Chinese harp, and the solo bass flute movement, Estanatlehi, is inspired by the sound of a Native American flute. Percussion instruments provide an earthiness, at least with regard to timbre, and each of the trio movements uses instruments that are not common in Western music, including an Indian Gatam, a Middle-Eastern Dumbek, an Afro-Cuban Cajón and the Udu drum, an instrument traditionally played by Nigerian women.

In order to achieve the right feel for each movement, I use non-Western scales, rhythms and other elements, and I occasionally appropriate patterns and other material from pre-existing music. My goal is to merge some of the qualities of traditional music with my own sensibility, and then filter it through flute, harp and percussion.

Many goddesses are associated with dance, certain colors or creativity in general, and with that in mind, I imagine The Book of Goddesses being performed live with choreographed dance. It may be presented in its entirety, although subsets—such as all of the movements for flute and harp—or single movements may also be extracted and performed.

The Book of Goddesses was commissioned by MAYA with funding provided by the New York State Council on The Arts.

The Book of Goddesses

The Book Of Goddesses - VI. Xochiquetzal

A piano arrangement of 'Song of the Ancients' from the Nier OST (2010). Featuring the voice of Emi Evans. Originally composed by Keiichi Okabe.

Part of the debut EP Tabula Rasa:
https://swiftredvox.bandcamp.com/album/tabula-rasa

Lyrics:
Kuwata tsunowo vralai
Tzuriji pforaalekai
Kwondzuvai undovartu wronduwail
Tjortetei jeghi hiartro

Jinnata ivelichpfulei
Deftyoma sorepiyamei
Schidiyako alefni fatalliliya
Nic'hpisha unhoreselye

Utrashain aforenje kurasol
Towari hatasei mic'hatasei tsufrallai
Utrashain aforenje kurasol
Towari hatasei mic'hatasei tsufrallai ilja
Ullilya kojijichatjukaijai-wa nyame tetsumekri setsumekri linganmai
Ulreri manja huteharraku-mu hanich lahadachfei lahadachfei shindulhwo

The Timeworn Reverie - Nier Cover (Song of the Ancients)

01 - SA - ORBIS - Mamachor clean x 2
02 - SA - ASE - A Good Start
03 - Sonuscore - The Orchestra Complete _Spitfire Audio - Albion One - 9000 Piece Choir Hold Down
04 - UVI - FALCON - Cinematic Shades - India - Ice Kingdom

Orbis Orchestra

Bleeder

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

A song about the feeling of going in never-ending circles like a broken record

LYRICS:

The colors fade into grey at the close of the day
You’re calling, for what you can’t say
You’re falling away

You stumble through the town
The voices are loud
You’re humbled by the sound that echoes around

This old refrain
Dirty words sung again
It stains my days with the shame of the time we lost playing games

The colours fade in from grey at the turn of the day
We throw ourselves in the fray to keep the boredom at bay

This old refrain

The words you shout carve grooves throughout your brain
And anger twists itself inside your grain
It's why we’re here time and time again
Singing this tired old refrain

This Old Refrain

The second track of our acoustic project. Becomes less acoustic towards the end!

LYRICS:

Walking on coals to keep your feet warm
Burning the soles and changing your form
The end never comes ‘til your fingers and thumbs are bleeding and raw and your spirit is torn

Fighting the cold and working the land
It’s taking its toll when you’re sowing in sand
Kneel down in the field and accept that you yield to the futile battles you wage with the shield in your hand

We’ll find you where you fell and we can bring you around
We’ll hide you so that no one can tell and you can never be found
You can sleep for a thousand years because we won’t make a sound

Won't Make A Sound

Another track with the banjo ukulele but this time in a more electronic-rock setting

LYRICS:

It’s too cold to travel on your own
So alone
With a bottle and a map on your phone

It’s you who unravelled what was sewn into bone
Push the throttle and collapse what was known

You run until you hit the wall
You trip and fall
You tell us that you had it all
Did you have anything at all?

You’re closing on the perfect deal
Your final meal
Was any of it ever real?

Unravelled

Нам всем бывает не легко
И мы мечтаем о другом
Нас просят ничего не ждать
Ведь нас не будут осуждать

Все так живут вокруг взляни
Но я и ты – мы не они

Но я и ты – мы идем на все ради своей мечты

Нам нужно все принять как есть
И лучше никуда не лезть
Да рот закрыть и сделать вид
Что все нормально – без обид

Все так живут вокруг взляни
Но я и ты – мы не они

Но я и ты – мы идем на все ради своей мечты

© Odd Petals 2021

The Answer

Я и Ты

Throw Um Up

Just saw this band March 25th, 2023 and they were amazing!!!!!

Late at night gazing out into the late at night
I see deep in the world 'til I open my eyes
Every day brakes screech outside my window
Those crashing cars never seem to collide
Sometimes when I'm staring out my window
Catch the stars and watch as they go by
I've been getting messages from outer space
They spiral like a finger in the sky
It blows my mind
Every day I'm drawn to my window
I can hear it if I open my eyes
Sometimes flashing lights seem so familiar
I know I've seen them circling me at night
I've been sending signals into outer space
They spiral like a finger in the sky
It blows my mind
Every day the restlessness takes over me
I can see it as I'm closing my eyes
I've been sending signals into outer space
They spiral like a finger in the sky
Sometimes when I'm staring out my window
Catch the stars and watch as they go by
I've been getting messages from outer space
They spiral like a finger in the sky
Like a finger in the sky
Like a finger in the sky
Like a finger in the sky
Like a finger in the sky
Like a finger in the sky
Like a finger in the sky
Like a finger in the sky
Like a finger in the sky
Like a finger in the sky

Deeper Into Movies (Yo La Tengo cover)

I wrote this somewhat loopy lyrics, when it was announced on CNN that Joe Biden had won the race for president against Donald Trump. My hope for a return of a real democracy in the sense of Willie Brandt's " More freedom daring", which for me always also means more humanity, more tenderness, more creativity and ultimately more love daring, experienced a powerful upswing that evening. And so these lines of text with the basic message "Still Love is there" literally poured out of me. 

Still love is there (Lyrics in English)

Black holes glow
Moths wear jewelry

Cows dance ballet
Bugs have a bun

The stars, they come by for a coffee
Admission free
Plumb free

The sharks have put on pink lipstick 
The naked mole rats are on top of the golden wagon

Even the blindworms dare to come out of their hiding place
Revealed
The seeing discovered

The aquarium Fishes swim out
The barbed wire fences start to stroke

A tadpole basks in the white house

The earth gently leans back

Still love is there
Still love is there

Scissors become hands
Air mattresses can fly

Folding wheels embrace each other
And can have children

A letter carrier settles into a mailbox 
Invites us 
Come in

A holy water kettle befuddles the senses
Prohibition signs begin to yearn

SUV's open up
And can be tamed

The solar system dances itself free

Still Love is there
Still Love is there
Still Love is there
Still Love is there
Still Love is there
Still Love is there
Still Love is there

Diesen etwas durchgeknallten Text schrieb ich, als auf CNN bekanntgegeben wurde, dass Joe Biden das Rennen um das Präsidentenamt gegen Donald Trump gewonnen hatte. Meine Hoffnung auf eine Rückkehr einer echten Demokratie im Sinne von Willie Brandts "Mehr Freiheit wagen", was für mich immer auch heißt, mehr Menschlichkeit, mehr Zärtlichkeit, mehr Kreativität und letztendlich mehr Liebe wagen, erfuhr an diesem Abend einen kräftigen Aufschwung. Und so quollen diese Textzeilen mit der Grundbotschaft "Still Love is there" förmlich aus mir heraus.


Still Love is there (Deutscher Originaltext)

Schwarze Löcher leuchten
Motten tragen Schmuck

Kühe tanzen Ballett
Wanzen haben nen`Dutt

Die Sterne, sie kommen auf einen Kaffee vorbei
Eintritt frei
Bleifrei

Die Haie haben Lippenstift rosarot aufgetragen 
Die Nacktmullen stehen ganz oben auf dem goldenen Wagen

Selbst die Blindschleichen trauen sich aus Ihrem Versteck
Aufgedeckt
Das Sehen entdeckt

Die Aquariumsfische schwimmen hinaus
Die Stacheldrahtzäune streicheln

Eine Kaulquappe sonnt sich im weißen Haus

Die Erde lehnt sich sanft zurück

Still love is there
Still love ist there

Scheren werden zu Händen
Luftmatratzen können fliegen

Falträder umarmen sich
Und können Kinder kriegen

Ein Postbote richtet sich in einem Briefkasten ein 
Lädt uns ein 
Kommt herein

Ein Weihwasserkessel benebelt die Sinne
Verbotsschilder beginnen sich zu sehnen

SUV’s öffnen sich
Und lassen sich zähmen

Das Sonnensystem tanzt sich frei

Still Love is there
Still Love is there
Still Love is there
Still Love is there
Still Love is there
Still Love is there
Still Love is there

Still Love is there

Still Love Is There

(Don't follow me here, best on my main page ;)

The Welton Shipwreck is a UK-based rock duo made up of Stu Head and John Culkin. Formed at the start of the 2020 pandemic lockdown period, their songs are written and recorded by means of long-distance collaboration from their homes in Scotland and Yorkshire. The music they make combines elements of shoegaze, post rock, folk and psychedelic.

Stu and John are old friends of over 20 years. Both originally from the Greater Manchester area, they met at university in Leeds in 2000. The band name refers to a street they lived on as students.

Both Stu and John sing, play guitar, bass, keyboards and drums across their various tracks (along with a few less conventional instruments.) They mix and produce all of their own music.

New tracks always in the works and posted right here!

Thanks for visiting.

Unravelled

The Welton Shipwreck

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