love this abstract vibes! damn,ill drums!

Spooky Shit show this month introduces Al-Qadima Escola Trio, presenting the first live extract from their all-night jam sessions in the Language Room

Poetry and linguistic experiments intertwine with live electronics; resampling and reinterpreting one another in a feedback loop of boundless mantras.

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Spooky Shit show este mês apresenta Al-Qadima Escola Trio, trazendo o primeiro  extrato ao vivo das jam sessions que atravessam a noite na Language Room. 

Poesia e experimentos de linguagem entrelaçados com eletrônica, resampleados e reinterpretados em um feedback loop de mantras sem começo ou fim.

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قدم برنامج Spooky Shit هذا الشهر عرض Al_Qadima Escola Trio , حيث يقدم أول مقتطف مباشر من جلسات الإرتجال طوال الليل في غرفة اللغة.

تتشابك التجارب الشعرية واللغوية مع الإلكترونيات الحية ؛ إعادة تشكيل وتفسير بعضهم البعض في حلقة تغذيها طاقات لا حدود لها.

AQET - SUNRISE 01 [Spooky Shit show at Threads Radio - 01.08.21]

صعيدي فالجامعة الأمريكية

Retiring to pursue a new project, Al-Mutreb (The Singer, aka The Human Oyster, aka Ja7eem Hafezz) leaves us with the very best and last of what has jeopardized his health, sanity and a number of friendships.

An almost ten-year long journey traces some tracks like Ladyyyyy 2020 (produced by Amjad Shahrour [2017-2020] and appearing on HIZZ’s ‘Kombile 002’) morphing from a dreampop song to an apprehensive doom and gloom track overlaid with the sound of a hospital ventilator. Another track that fell under Al-Mutreb’s incessant urge to butcher is nar el ghera (fire of jealousy, produced by 1800s Internet [2020-2021] and appearing on a fundraiser comp for Gaza on Avon Terror Corps). Starting out with a song about a love ruined by jealousy, to then be devoured by Abul-Loul and 1800s Internet and spat out, mutilated beyond recognition, nar el ghera is inspired by an almost palpable hatred and a desire to self-destruct if it means taking down the enemy.

Al-Mutreb’s voice shapeshifts throughout the album; from self-indulgent romance (Sorry Habibti, produced by 1800s Internet, and appearing first on Bokeh Versions’ NTS show [April/2021]), to intimidation (nar el ghera), to provocation (Al-Mutreb [The Singer], the result of a chance encounter with Amaury [Ulan Bator,Faust] in Napoli, recorded Live at the Hermann Nitsch Museo [Sep/2021]) all the way to a slurred recitement (Uhrob Min El Hob, produced by jinjin [2022]) from two spotty livers in a cloud of tobacco smoke.

Following a long tradition of plagiarists, from Abdel Wahab and Fairouz to Serge Gainsbourg and Nick Cave, Al-Mutreb, borrowing the Mutreb status from the formers and the devil-may-care attitude from the latters, steals proudly, changing the language, context, music and -in most of them- the words to the point where if you were not reading it here you wouldn’t know.

Al Mutreb also repurposes some of his personal field recordings throughout the album; one of which in particular is the little girl we hear in the prelude, which, upon the Mutreb’s request back in 2012, sings about fear in a captivating performance following the humdrum attempts of her colleagues and mentors to do so.

The project of Al-Mutreb Abul-Loul (Abul-Loul, a nickname that translates to The Father/The King of Pearls) culminates in a bodily manifestation of a very real and very rare pearl; a case with hardly any medical literature; the development of a scrotal pearl, removed under general anesthesia, adding to the series of the many unfortunate and absurd occurrings that describe Abul-Loul’s life, and calling for the abortion of this project to make room for a new undertaking. 

Mastered by jinjin
Lyric reinterpretations by Shereen Amarin and Laith Demashqieh

The Very Best and Last of Al-Mutreb (2012 - 2022) Retirement LP

Al-Mutreb Abul-Loul - MARAD Prelude ft. 1800s Internet

Carl Gari & Abdullah Miniawy mint a sub-label of Molten Moods with "Between The Bullet And The Front Sight, Casting Lots (Live At Haus Der Kunst)" after releases for The Trilogy Tapes and Whities (now called AD 93), plus a contribution to a Berlin Atonal compilation.

It's out digitally and on vinyl from February 25th. The sub-label is simply titled Carl Gari. "Between The Bullet And The Front Sight, Casting Lots" was recorded as part of the online edition of Rewire Festival in 2021, when the band performed live at Haus der Kunst in Munich. Later the film was featured by Fact Magazine. The live record contains 8 tracks, 6 of them never released before. All pieces take their names from Miniawy's poems, which are abstract reflections on modern day Egypt and the brutal oppression under the Al-Sisi regime.

12" Vinyl + Digital: moltenmoods.bandcamp.com/album/cg01-c…us-der-kunst

A1: Preachers never said one true thing
A2: The point minarets and institutions cross
A3: The Cyg
A4: Atatn'i
B1: Haj
B2: Pearls for orphans
B3: Protruding cheeckbones
B4: Wanta-Fad / Each lonely prisoner today

Mixed by Johannes Wagner aka J.Manuel.
Mastered by Marc Landendinger.
Cover artwork taken from "Tlamess," by Ala Eddine Slim.
Layout and Design by Anja Lekavski.

Between the bullet and the front sight, casting lots. (Live at Haus der Kunst)

Carl Gari & Abdullah Miniawy - The point minarets and institutions cross (Live at Haus der Kunst)

https://www.youtube.com/watch?v=VpA5aXFnO80

Omar Souleyman - Sounds Of Syria A Little Mix Eshkounjay اشكون جاي

Launched over ten years ago, SeekSickSound is first and foremost a webzine dedicated to electronic music, from bass music to ambient, from 85 to 170BPM. Their monthly show showcases this musical vision by offering a selection hosted by Background, alternating between SSS residents, guests from their events, and artists highlighted on their website.

Tune in for Seek Sick Sound every 4th Sunday of the month from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

SeekSickSound Marco Kabbale invite Insignio - 23 Octobre 2022

Cairo based label Special Project presents Tarkeeb. A new special project that brings local artists together to express their sounds live. 
Kicking off the live sessions series with one of our favourite locals and Tafkeek resident Zeft Funk.

Mahmoud Okasha (Zeft Funk) is a musician/producer based in Cairo, Egypt, Okasha started his career in 2020 with influences from experimental arabic, funk, disco, garage and Electronic music in his sets.

All materials presented on this series are copyrighted by their respective copyright owners and are subject to use for informational purposes only.

Follow us on Instagram: @_specialproject_ @C0D3X_R3C
Artist Page: @Mahmouok_

TARKEEB 001 - ZEFT FUNK

https://soundcloud.com/chebrocky And me, We Did This Weird And Sad Masterpiece That Represents Our Life Story 
One 5 mins Trip That Explains a lot About Us

Ansaa | أ ن س ى - MaثMatix X Cheb Rocky

https://radioflouka.com/residents/karim-serry

Kosom I$rahell w/ Karim Serry - 03/11/2023

a piece of my latest works...

Lamma tshawweb - لمّا تشوّب - "when it gets hot"

Lamma tshawweb - لمّا تشوّب

BUY DATURA ALBUM: http://asifeh.bandcamp.com
BEATMAKING VIDEO: https://youtu.be/i06i-kii7dI
IRADEH EP - FREE DOWNLOAD: http://bit.ly/1wBZ82T
LAFFEH EP - FREE DOWNLOAD: http://bit.ly/1P0w0fZ

MC/Producer from Palestine. Co-Founder of the Ramallah Underground collective. 

SoundClouder of the Day (April 9th 2013)
Booking: stormtrap@gmail.com

Lamma tshawweb - لمّا تشوّب

stormtrap / عاصفة

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