Bookings:
i@toitoimusik.com ( Europe and more)
booking@melismalabel.com 
for South America : bookings@kickclapagency.com

DJ: bookings@darkroomdubs.com
Label: hq@darkroomdubs.com
Press: dina@eclectica.berlin

https://miguelbastidamusic.bandcamp.com

Worldwide bookings to oscar@cumacbookings.com

Promos: miguelbastida@beonerecords.com

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

There can be few artists attempting to bridge cultures through the power of music with quite the same impact as Adil Hiani. The Moroccan artist has been on a mission to unite the sounds of Western electronics with the traditional folk music of his homeland since 2009, when he helped launch Cosmo Records from his base in Casablanca. Since then he has rapidly developed both as a label manager and as an artist in his own right. 

He first found notoriety in Morocco from an early age, learning the trade as a DJ thanks to his cousin DJ Key, one of the leading lights in the country’s hip hop scene. From 2003, at the tender age of 14, he was regularly touring and refining his scratching and beat-juggling skills, and within a few years he had branched out to try his hand at production. Once the internet became more widely accessible in Morocco, his natural appetite for new sounds led him to discover all kinds of music, from jazz to blues and unsurprisingly on to electronic music. Early dalliances with funky house found him plenty of gigs, but as his knowledge and taste deepened towards more experimental kinds of club music, he quickly moved beyond the interests of the crowds he was playing to. 

The online connection provided the only outlet for his music for a number of years, while he refined his production skills and reached out to portals that might be interested in hosting his mixes. It was through this determined networking that Laurent Grumel, a Frenchman in Morocco, discovered Adil’s sound and pitched the idea for a record label that combined contemporary electronic artists with local Moroccan musicians in a cross-cultural collaboration, and so Cosmo Records was born. Alongside Driss & Mehdi they launched the project by inviting Argenis Brito to Casablanca to record the first release in the summer of 2009, and so the label grew from there to work with Masomenos, Rene Sandoval and Philip Bader, and Pier Bucci. 

Due to his location, international bookings were a challenge for Adil due to visa complications, until he moved to Toulouse to study in 2011. As a result of the connections he had forged through the label work, gigs soon materialized alongside Sonja Moonear and Dandy Jack in Lausanne and Geneva, and then across Europe from France and Spain to Italy and Greece. One of the defining gigs of this phase of his career was being invited to play the infamous Club Der Visionaere in Berlin in 2013, where he ended up playing for 11 hours straight.

After three years living in Europe he ended his studies and returned to Casablanca to focus on developing his own music production as well as the sound of Cosmo Records. The label released its most ambitious project to date in 2015, celebrating five years of operation with artists such as San Proper, Radiq, Dandy Jack and Yapacc collaborating with Moroccan players such as Khansa Batma and Saad El Bouaamri. 

With his own productions sitting comfortably alongside these celebrated musicians, Adil continues to expand as an artist in his own right. Rather than lazily dropping samples of African and Eastern music into formulaic house and techno structures, he pushes his craft to deal in rhythmic arrangements influenced as much by the Far East as the music of his own country, seeking to create a true fusion of Eastern and Western cultures grounded in an innate understanding of sounds from all over the world. In this way his sonic identity goes against the grain, driven by an unquenchable passion for meaningful musical experience even when he could have taken an easier road to success a long time ago.

words by Oli Warwick

Strep inicia  su carrera como Dj el año 2005, luego de haber compartido con grandes amigos e influencias, tales como Dj Frank y Dj Shinoe - los grandes maestros de scratch en la quinta región - quienes facilitaban sus máquinas para improvisar. Por esa época Strep descubre su pasión por la música y las tornamesas, en el mismo año comenzó a coleccionar vinilos y a comprar sus primeros equipos de sonido.

En el año 2006, Strep comienza a tener participación en diversos festivales culturales, fiestas y eventos varios en la región.
Durante el año 2008, participa en el evento "Redbull Batalla de los Gallos" como Dj amigo de la destacada marca, con sus méritos y experiencia en las tornamesas, logró formar parte de un tour con la misma marca junto a artistas como Mawashi, Sonido Ácido y DJ Sien, visitando los clubes más importantes del país.

"Mixing & Scratching" es su particular forma de mezclar los beats con scratch y efectos, logrando cautivar a los asistentes en sus shows y presentaciones. Su estilo de música ha sido denominado "freestyle", ya que puede pasar fácilmente de la mezcla de Hip Hop a algo más fresco como Trap, recordar sonidos del Old School Rap, para terminar saltando al ritmo del Electro.
Durante su carrera ha compartido escenario junto a destacados artistas como Los Tetas, Tiro de Gracia, Djraff , Erok, Ana Tijoux , Dj Dzol, Sonido Ácido y Seo 2, entre otros. 
 
Actualmente se encuentra recorriendo los clubes de norte a sur de Chile, además de trabajar en un promocional llamado "Motherfunkerz", el cual mezcla los sonidos del Dubstep con el ritmo del Funk.

Brett Johnson's sound is best known as groovy, bumping house with a hearty dose of techno elements, crafted and mixed in a way that is truly identifiable as his own. Whether DJing or creating music, his wild card is an ability to inject warmth and soul into his electronic sound. The result is an impressive discography filled with unique statements, otherworldly surprises, and undeniable club stompers.

Releasing his first record in 1999 on the now-defunct, Aesoteric Records, Brett has released over 100 records and remixes for some of dance music's best labels. The list includes Classic Music Company, Freerange, Crosstown Rebels,  20/20 Vision, Get Physical, Visionquest, Magnetic, Cynosure, Edible, F-Communications, Seasons; the list goes on and on. Aside from a busy remix schedule, Brett is currently releasing his own music on the labels Classic Music Company, Cynosure Recordings and a select group of labels.

Brett's DJ'ing career has had an amazing trajectory over the past couple of decades. He's traveled the world spreading his musical might to revered nightclubs and festivals like fabric in London,  Panorama Bar in Berlin, Rex Club in Paris, Smart Bar in Chicago, Cocoon and the list goes on. Festivals include Scotland's legendary T In The Park, both the 10 Days Off and Dour festivals in Belgium, Les Rencontres Trans Musicales in France, Solar Festival in the Netherlands, together with tours throughout Asia, Australia and beyond. 

Bookings: bookings@mbmmusic.co

Global Bookings | Rado  rado@demandartists.com

Agents Of Time is the project of Andrea Di Ceglie and Luigi Tutolo. A revered two­man live act, DJs and masters of their sound in the studio. 
Since starting their journey together as Agents Of Time, the two Italians have combined their talents and shared influences to become a globally in­demand dance act, releasing on a number of leading labels along the way. A much­loved debut 12” on Correspondent in 2014, ‘Polina’, marked them out as an exciting new name in the realm of emotional, melodic techno and kickstarted their touring career. 
A hardware­heavy, improvisational live set spanning house, techno and acid is at the heart of what they do. The two members perform around a square table, facing each other, translating a symbiotic energy through the machines and communicating through instinct and gesture. A complex, unique and unpredictable dance between human minds and analog equipment that invariably creates moments of magic. Their live set was partly inspired by an expert of the craft in Mathew Jonson, and it is telling of Agents Of Time’s success that they now count Jonson as a collaborator. ‘Repeating Patterns, Numbers and Letters’, Agents Of Time’s first studio collaboration with Jonson came out in March 2019, following live shows together at Rex Club (Paris) and Movement Festival (Torino). 
The adventurous spirit and heady sound palette is channeled into house, techno and more obscure selections. 
Their work in the studio is a free­flowing ritual, an extension of what they do on stage. ‘Spread The Word’, their debut album came out Stem Records in 2014 and was followed by hit EPs for Maceo Plex’s Ellum Audio, their own label Obscura and Curle Recordings. A relationship with Tale Of Us and multiple appearances at Afterlife events has also led to Agents Of Time signing to Afterlife with the stunning ‘Dream Vision’ EP and 'Paradigm' on the Realm Of Consciousness compilation. 

The Agents Of Time are taking careful steps and showing themselves to be gifted, versatile performers with each one. Whether on record, on stage or at an any event, count on a high­quality output, finely balanced between experimentation and a straight dancefloor vibe.

BOOKINGS

Pieces (Europe):  alexandre@pieces.live
Nomad (North America & Central America): denis@nomadtalent.com
Estamos Felices (South America): fran@estamosfelices.com.ar

MGMT: becci@frameartists.co.uk

A contemporary UK electronic music institution, Eats Everything (AKA Daniel Pearce) has a global reputation built on versatility, superlative skills and a positive outlook - core fundamentals that have made him one of the most in-demand artists around. With his roots firmly embedded in the vibrant, influential music culture of his hometown, Bristol, Eats Everything channels his broad musical palette into every aspect of his output. In 2021 the globetrotting DJ, accomplished producer, prolific remixer, label owner, radio host and mastermind behind a collection of popular party brands will celebrate 10 years of his now infamous pseudonym.

Dj Strep is following