Listening to Lizard Point from "On Land" I always got the impression it was played back significantly slower than the source recording. Here it is sped up 2x to reveal what sounds like rhodes, guitar and barking dogs.

Double Speed Lizard Point

⻤?

hi/lo-fi house/techno/noise/drones ----
made w/ machines and microphones and love and trash, lots of trash----

friendship & booking & etc:
  twitter: @rbxbex
  insta: @rbxbx

releases available at:
  http://neondoom.bandcamp.com
  http://immigrantbreastnest.com
  http://twinsistercompanyrecordings.bandcamp.com/

guitariste , compositions et improvisations avec instruments virtuels , avec séquenceur MIDI et addition  de jeux de guitares réelles   .JE N'UTILISE PAS DE BOUCLES .sauf rare exception
JE suis ici aussi : musicaserj  II https://soundcloud.com/musicaserj-ii
Vous pouvez aussi visiter notre site:regroupement d'artistes multidisciplinaires

http://www.maisonbleuecollectifartistes.com/

Vous pouvez aussi écouter les magnifiques compositions/ chansons de Cathrinta ici SERJINTA :  soundcloud :https://soundcloud.com/cathrinta-musicaserj



Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

Member of the Nether Edge Amateur Music Co-operative.

Irritable Hedgehog is the publishing imprint of music by David D. McIntire as well as a label that explores minimalist, postminimalist and soundscape repertoire.  To date they have released seventeen physical releases, garnering considerable praise for their excellence. Our Soundcloud space is a place for David to post works-in-progress, live-electronics improvisations, and performances of his trio the Ensemble of Irreproducible Outcomes. More info at www.irritablehedgehog.com.



My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness

Double Speed Lizard Point

Joshua Davison