Exploring the deeper and more abstract end of the ECM catalogue.

Lot Radio 4/27/25 ECM Special #2

Pressing Invites DJ CZ: 18th May '25

https://www.instagram.com/abbyechiverri
https://www.instagram.com/claywwilson
https://www.instagram.com/iamthespiral

Tonal Fiction and Sensoria @ The Lot Radio 05-22-2025

Ken Meier DJ Set @ a private soiree 5/16/25

This was a DJ Mix created by Pete Namlook for a radio broadcast in 2002 - uploading this here for any fans. Enjoy.

Pete Namlook HR-XXL 10 Year Mix

Playful sound explorations by Weird Science crew & guests.

https://www.instagram.com/shawn_osullivan_

https://soundcloud.com/shawnosullivan 
https://soundcloud.com/weirdsciencenyc



WEIRD SCIENCE with Shawn O'Sullivan @ The Lot Radio 07-31-2025

Palm Reader 11: Israel Vines
"disquiet, reprieve, unbind"

Aired on VPN Radio, virtualpublic.net, on August 7th, 2025
Recorded live at Plata Lounge on the Palm Reader label series preview night on 06.13.2025  @israel-vines

~

We’ve been big fans of Israel Vines ever since hearing him play out in LA warehouses some 15+ years ago. A true veteran of the US underground, Israel spent his formative rave years in Detroit and Chicago in the early 90’s - where he worked at the legendary Gramaphone Records - before going on to become the distinguished producer/DJ we know him as today, with releases on Tresor, Semantica, Cult Figures, and Eye Teeth (sub-label of Detroit’s own @ithqdetroit ).

Both Israel’s productions and sets reveal his encyclopedic knowledge of, and a deep love for, abstract electronic music - always carrying his signature heady sound and flair for bold artistic expression. Israel has played for us several times before at @gradientcampout and other collabs with our homies eternal @printshop.club ❤️ We're thrilled and honored to have his contribution to Palm Reader, our series dedicated to ambient and experimental for wayfinding in stillness. This mix was recorded live at our Palm Reader label preview night (!) on Friday, June 13th, indoors at Plata in Silver Lake. Thank you Israel for joining us that night, and trusting us with your beautiful mix 🙏 Enjoy! ~


TRACKLIST >>> 
F&E - Emotions - (Nullpunkt, 2021)
:ZOVIET*FRANCE: - Ciels Ténébreuse - (DOVe, 1991)
WILLIAM SELMAN - A Soft Degeneration - (Mysteries Of The Deep, 2023)
LEMNA - The Dawn - (Self-Released, 2025)
NSI. - Detached To Reality - (NAKID, 2024)
KLAUS SCHULZE - Melange - (Elipsis Arts, 2000 *recorded in 1978)
LEMNA - Caught In Mud - (Self-Released, 2025)
COSEY FANNI TUTTI - The Secret Touch - (Conspiracy International, 2017)
JACK DANGERS - Come Back To Earth With Me - (Important Records, 2004)
DEATHNESS - Daughter Of Slaughter - (Self-Released, 2025 *recorded in 2017)
FRENSEL LENS - Tireless Wait - (Self-Released, 2022)
LEMNA - Hallucination - (Self-Released, 2025)
AZU TIWALINE & CINNA PEYGHAMY - Canopée Imaginaire (Live Version) - (Self-Released, 2024)
PUB - Dilema - (Ampoule, 2001)
NATHANIEL YOUNG - Graying Dawn - (Mysteries Of The Deep, 2019)
SENZA TESTA - ॐ ऐं ह्रीं क्लीं चामुण्डायै व ि च्चै - (Northern Electronics, 2022)
COSEY FANNI TUTTI - Corridor - (Conspiracy International, 2022)
JON HASSELL - Viva Shona - (Lovely Music, Ltd., 1978)
RASHAD BECKER - Themes I - (PAN, 2013)
IRENE BIANCO - Hvid // - (Permanent Draft, 2024)
DEMDIKE STARE - Ghostly Hardware - (Modern Love, 2009)
DOPPLEREFFEKT - Computronium - Curtis Electronix, 2024)
DEMDIKE STARE - Mephisto’s Lament - (Modern Love, 2012)
DOPPLEREFFEKT - Pascal’s Recursion - (Leisure System, 2013)
STAVE / KARIM MAAS - The Center Is Dead - (Standards & Practices, 2025)
HILDUR GUONADÓTTIR - Bridge Of Death - (Deutsche Grammophon, 2019)
KING MIDAS SOUND - Bluebird - (Cosmo Rhythmatic, 2019)
COSEY FANNI TUTTI - Ritual Awakening 2t - (Conspiracy International, 2000)
STARS OF THE LID - Adamord - (Sedimental, 1995)
COSEY FANNI TUTTI - Selflessness Part One - (Conspiracy International, 2004)
MELVINS - A Really Long Wait - (Scion Audio / Visual, 2012)
BLACK SABBATH - Planet Caravan - (Vertigo, 1970)

Palm Reader 11: Israel Vines

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's long-awaited debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations, the first of ten mixes this week. Recorded live at fabric last December as part of RA's collaborative party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2020). A capture of the Sound Signature boss on the dancefloor is hard to come back. On RA.1000, you'll hear Theo in his element.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by image-driven marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. Theo, once again, proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Theo Parrish

Some DJs treat genre boundaries like walls; others see them as doors. Craig Gonzalez belongs firmly to the latter camp. A staple of Detroit’s underground and a resident DJ at Paxahau’s Third Thursday monthly, he has long been drawn to what happens when techno’s linear propulsion collides with the restless syncopation of drum & bass. That liminal space, the “grey area” between the two, has become one of the most fertile playgrounds in electronic music over the past decade, and Gonzalez shows why. In this mix, recorded as the opening set on the Movement main stage, he handles tempo as a fluid variable, shifting gears without friction and letting polyrhythms function as the connective tissue. It’s the kind of approach that resists the obvious peak and instead builds a topology of groove, a groove that bends but doesn’t break, carrying dancers across time signatures almost without them noticing. 

And while opening a stage that would later host Deepchord, Sama’ Abdulhadi, Octave One, and Jeff Mills could be seen as a daunting warm-up role, Gonzalez treats it less as preparation and more as architecture. Across ninety minutes, he layers patterns with patience, calibrating intensity so that tension rises and releases without tipping into spectacle. The set moves like a conversation that shifts from whispers to declarations, never overstated but always persuasive. It’s a reminder that flow is not just sequencing but narrative logic, and that true mastery lies not in domination of a dancefloor but in shaping the conditions for everything that comes after.

@craig-gonzalez
http://instagram.com/cgonz313

Write up by @gilleswasserman

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Delayed with... Craig Gonzalez (@ Movement, Detroit, May 24th, 2025)

Listening to Lizard Point from "On Land" I always got the impression it was played back significantly slower than the source recording. Here it is sped up 2x to reveal what sounds like rhodes, guitar and barking dogs.

Double Speed Lizard Point

VINLY ONLY. no track listing. heads have to dig blind! for bookings contact readewhite@gmail.com. #techno #house #bass #bleeps #readetruth #cartulis #electro #oldschool #sonicgroove #classics #vinyl #DJ #brooklyn #frankfurt

Double Speed Lizard Point

Joshua Davison