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HOTEL COSTES PRESENTS...STUDIO HC

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download: https://highwayrecords.bandcamp.com/track/miss-you

Немного красоты U2, вселенская грусть blink-182, щепотка organic house на танцевальной основе из progressive - рецепт нового блокбастера Miss You.

concept by https://soundcloud.com/grandmastagleb

A bit of beauty from U2, the universal sadness of blink-182, a pinch of organic house on the progressive house dancefloor foundation - the recipe for the new blockbuster 'Miss You' by Mike Spirit.

download

Mike Spirit - Miss You

Out April 8th on 12" vinyl & digital.
Pre-order: https://lnk.to/SIAMESE028

https://soundcloud.com/johannesbrechtmusic / https://soundcloud.com/adriatique

We are both very pleased to introduce Johannes Brecht to the Siamese family! A highly talented, trained and decorated musician is a fair description of Johannes and we’re proud to call him a friend and sometimes even a mentor.

This record has been in the works for a long time and since all of us wanted to have this EP out on vinyl too it took some time to get everything in place. As expected the three originals show a wide array of Johannes Brecht's world of electronic music. 

'Voicing Something' dives deep into what it means to be a conscious being. "Tell me this do you believe that you are strong enough to be a better man, a better breed, a better kind of company so take a stand before you leap and breathe.“ Your dreams and fears are guiding you while you figure out the puzzle of life. 

Adriatique’s Remix of 'Voicing Something' almost appears like a dub version of the original although it wasn’t a full vocal version. The chorus from the original, 'We live and die trying I saw I light revive me‘, gets a prominent placement in this remix. 

Next we have the beautiful ‚Orca‘, an exciting and complex dance track that sucks you deep into an ocean of carefully chosen and crafted sounds which sound like nothing you have heard before. 


Closing the release is 'Astral Travelling‘, first heard as the stellar beginning of Adriatique’s art.set at for ARTE concert at the renowned Fondation Beyeler. The name resembles perfectly what the title suggests; a journey deep into time and space carried by human emotions and translated into music. 

And this is what Johannes is all about; creating something with love and passion rather than staying on safe ground.

Adrian + Adrian

Johannes Brecht - Voicing Something feat. Luke Marzec

loafeye24

Second Connection

Travel

Buy/stream: https://kompakt.fm/releases/allein

The man who gave us countless classics from the Kompakt catalog delivers his latest stroke of genius. “Allein” is based on “Ich war allein,” a schlager song by East German pop icon Ina Martell from 1967, of which there is only a video recording from DFF that never made it onto a record. Jürgen Paape conjures up two versions from it: a heart-wrenching downbeat pop version and “Allein in Italien,” his most catchy earworm since “So weit wie noch nie.” Caution, highly addictive!

Allein

Allein in Italien

Jürgen Paape - Allein in Italien

Jürgen Paape - Allein

JURGEN PAAPE - So Weit Wie Noch Nie

Protassov ft. Bajka - I Wonder

« Hôtel Costes presents... » is a collection of exclusive music recorded at Studio HC, the hotel studio, and composed by Masomenos and guests.

The first opus, 12 days a week, sounds like a modern tribute album to the chill out vibes of the Hôtel Costes legacy music collection.

Masomenos, composed of Joan Costes and Adrien de Maublanc, has a long collaboration with the french hotel music history. In fact, they have been in charge of the Costes presents serie, a minimal electronic oriented serie of albums by glacial, seuil and themselves, that hosted their first music project called “Costes presents BON VOYAGE”.

Since two years now, they have located their studio in the Hôtel Costes extension that have been on works, and named the place Studio HC. The music they produce there has shifted from a clubby energetic vibes to
a textured and organic down-tempo mood.

This first album @ studio HC definitively marks a new era in Masomenos sound.

Hôtel Costes Presents…12 DAYS A WEEK

Masomenos - Friday

Masomenos - Thursday

Masomenos - Wednesday

Masomenos - Tuesday

Masomenos - Monday

SLACKWAX - CLOSE TO MY FIRE

Masomenos join forces with ambient artist E/Tape this April for the fifth EP in the Hôtel Costes Presents...Studio HC series.

Parisian duo Masomenos are the minds behind the fledgling Studio HC project, which has already gained widespread recognition for its contemporary electronic twist on a classical and jazz leaning aesthetic. Here we see the pair deliver a project alongside E/Tape, a Slovenian producer and DJ operating in the ambient and experimental scene and highly praised for his emotive, atmospheric style, which has seen him, play alongside the likes of Jan Jelinek, Midori Takada, Mark Ernestus and Jeff Mills.

‘The Sound Of The Earth’ is made up of two parts, both fourteen-minutes long and split across the two sides of the record. ‘Part 1’ on the A-Side sees the duo fusing murky pad swells and modulating synths alongside vacillating percussion and thunderous low end pulses.

‘Part 2’ then continues the composition with the introduction of mediative voices, more percussive nuances, tripped-out resonant synth licks and gritty bass leads ebbing and flowing throughout the track sporadically.

Hotel Costes presents Studio HC #05

B - The Sound Of The Earth Part 2

Ida Engberg - Disco Volante

Born in Berlin, raised in Paris @hotelcostes, and now expanding beyond borders.
STUDIO HC ORCHESTRA is a hybrid entity -part studio, part label, part ever-evolving ensemble founded by Joan Costes and 
Adrien de Maublanc (Masomenos)...A living orchestra without fixed form, shaped by collaborations, textures, light, and places.
It started in Berlin, then disappeared behind the construction dust of Hôtel Costes, where everything  grew quietly, in the in-between.
A studio carved into a building in transformation.
Music composed among unfinished walls, flickering bulbs, and dichroic filtered shadows. Private sessions in a space not yet meant to be seen — or heard. That’s where the orchestra found its voice.
Where silence, texture, and light became instruments in their own right layered not only with sound and silence, but with voices:
Terence McKenna, Aldous Huxley, Graham Hancock thinkers who challenge perception, decode the dream, the orchestra doesn’t just play.It listens, samples, reinterprets, and invites.
In the future: live conversations, unscripted dialogues with minds that bend the frame. This is not a genre. It’s a frequency. An invitation to tune in. Every contributor - sonic, visual, intellectual- part of the composition.