SLAPS ORCHESTRA
Studiolo Laps Live Recording Vol.4

Remo De Vico: Conductor
Giuseppe Bottino: Loop Guitar
Ciccio 'Gonzo' Falcone: Double Bass
Massimo Palermo: Feedback System
Valerio Panettieri: Electric Devices
Alessandro Rizzo: Live Electronics
Giuseppe Scola: Cello
Mario Lino Stancati: Effects Guitar, Keyboard

Live Concert Recorded at Galleria Nazionale "Palazzo Arnone", Cosenza, Italy - December 18, 2015
Sound Engineer: Alessandro Rizzo

Released 10 January 2016
Studiolo Laps 2016 ___SL054___

Slaps Orchestra /// Studiolo Laps Live Recording Vol.4

With over two decades actively searching for music and with a bunch of legendary dj sets behind his back, [d.y] is one of the most experienced and significant figures of Hungarian electronic underground. To date he is a restless selector, and makes no compromise when it comes to style – his sets are characterized by musical versatility and unmached mixing skills.


Két évtizednyi aktív zenegyűjtéssel és legendás fellépésekkel a háta mögött [d.y] a hazai színtér egyik legelőremutatóbb és legtapasztaltabb alakja. Mindmáig megalkuvás nélkül, fáradhatatlanul kutatja a zenét, szettjeit a sokszínűség és a csalhatatlan mixeléstechnikai rutin jellemzi.


https://www.instagram.com/jjjhhgguiikj?igsh=bW9mYTF1bXQ5eXVx

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

Gargyzaa is a one-man band located in Espoo, Finland.
 I play all the instruments manually (guitars, keyboards, bass, plastic  didgeridoo, Korg monotron duo, fipple flute etc.) and sing all the vocals. Plus I have written these lyrics and peculiar poetry/ bizarre dialogues you hear (in Finnish&English).
Some people have asked me who plays the instruments and I have answered them several times that it´s me who is responsible for all this trippy noise and musical weirdness.
It has been quite tedious and more or less irritating to explain this relatively often, hahaha.
I´m a also a self taught "musician" and "vocalist". I play by ear.
The drum parts are made from short loops with Audacity and then the so called rhythm track is upoaded to my Zoom R-24. After that I will start recording the instruments/vocals on top.
I don´t have or play drums. Well, maybe one day.
So basically I use Zoom R-24 to record and even master these tracks. I bring the finished "product" to SoundCloud through Audacity.
My equipment is very amateurish, cheap and in some cases semi-broken. 
I use those infamous progressive rock structures, but deliver them with a punk rock attitude/gear, hehehe.
The cover art/design is just basically a few collages/paste-ups, psychedelically distorted&enhanced pics and a couple of random photos I took. Nothing special.
This is a non-profit project. Enjoy!
Many thanks to all of my listeners and followers!

.°.°.°.°.°.°.°.°.°.°.°.°.°.°.°.°.°.°=°.°.°.°.°.°.°.°.°.°.°.°.°.°.°.°.°.°.

If you need to Collab, PM me. Check out @halphprice @fireneverlies @rocketmonsterking and @worthlesspos for other styles of mine :D.  So I like to have my own style, I've been making music for a long while, and I like my unique take on music.  I've tried my best to improve mixing skills, but really I just like different sounding textures and synths.  I don't like or really want to reproduce other musics that people have done and do something new.  I can do it if I need to, but I usually make the music for myself when left to my own devices.

Let me know if I succeeded doing new music or just ripping of others, thanks a lot!

Studiolo Laps
Unconventional Musical Research
Netlabel
www.studiololaps.com