@torben-fugger Thank you for your amazing playing the Chalumeau, lovely phrases (starting at 0:23!

Great track!!! Congratulations to both of you to this beautiful collaboration. I like the overall sound including the „Duduk“.

I'm not much into soundtrack abd orchestral music but this arrangement got me

This piece was designed as the theme song for an imaginary detective series

On Youtube : https://youtu.be/U9AU223mhZ8?si=SYgQ1puWiEcjulRH

#filmscore
#filmsoundtrack
#netflix
#series
#sadmusic

Buried Secrets

Smooth as glass on the surface but beneath the calm of still water runs a deep relentless current. Don’t be fooled by a still appearance on top when below the mighty power of a torrent moves unseen.

Original music, no AI, produced digitally using a MIDI keyboard and DAW

Synths, synth guitars and pianos with reverb, synth bass set to a 2-step thump beat with bongos, congas, repique, and snare cajon at 75 bpm.

Water audio recorded live in February 2024.

COVER ART: My own photos designed in Photoshop

.

Still Water

No dicen nada.

Tremenda balacera hubo en un barrio.
No se si me da el pico pa contarlo.
Hoy dos gorriones miran para arriba
y se ha reunido a tanta comitiva.

Cuendo pasé ya todos lo sabían.
Caídos dos, ninguno se movía.
Al fierro lo encontraron en el carro.
Ya listo pa tirar algun petardo.

Hoy, quedó un extraño sabor,
no dice nada la radio,
tampoco los diarios, no hay fotos.

Hoy, quedó un extraño sabor.
No dice nada la televisión, ahí tampoco veo notas.
No dicen nada

Sus caras enterradas en el barro.
Algunos dicen que fueron sicarios.
Y otros que  estos pibes ya tenían
alguna vaina con la policia.

Los chicos van llenando sus agujeros.
Con goles en el arco del potrero.
Y saben que la muerte es una espina,
que vive a cada vuelta de la esquina.

Hoy, quedó un extraño sabor,
no dice nada la radio,
tampoco los diarios, no hay fotos.

Hoy, quedó un extraño sabor.
No dice nada la televisión, ahí tampoco veo notas.
No dicen nada.


Letra y música
Pichy Sotomayor

Master
Santiago Sotomayor

Cancion original 2015

No dicen nada

No Dicen Nada

Bach's Composition from the Afterlife

Here is a little interlude that could be described as more of a jingle really. I was just experimenting with the keyboard functions, as you do. I thought, 'that sound is a bit out of my comfort zone.' I just hope the melody justifies it. But more than that, I hope you enjoy the track.

Interlude No. 02

YOUTUBE CHANNEL: www.youtube.com/user/WrittenForGuitar
BANDCAMP: georgewanat.bandcamp.com/

Mosaic (Free Download)

Chapter Four

Mist still clung to the earth as the father and daughter descended from the ridge, the gleaming city now behind a veil of soft cloud. This valley was unlike the haunted one they had crossed—no growls, no flickering eyes. Here, silence reigned, not with menace, but with mystery.

A sound floated through the mist. It was delicate and searching—its voice rising and falling like wind over dunes. The girl paused. “What is that?”

“An old sound. It means someone is here.”

They followed the music deeper into the valley. The path was overgrown but not wild. Vines embraced ancient stone walls etched with symbols. Towering sculptures stood half-buried in earth and time—guardians of something long forgotten.

Soft rhythms joined the mysterious melody, barely more than a pulse beneath their feet. It was as though the valley itself breathed, alive with memory.

The girl reached out, brushing her fingers across a mural carved into the side of a sloped stone. It depicted travelers like themselves, standing before a radiant figure with arms outstretched. Her eyes widened. “Do you think… they came here too?”

Her father nodded slowly. “Long ago, perhaps. Or maybe this place remembers everyone who passes through.”

They walked on in reverent silence.

Still wrapped in the valley’s quiet awe, they moved forward, the melody guiding them toward whatever lay ahead.

Chapter Five

The first tremor came through the ground—a low thrum that rolled through the soles of their feet like the heartbeat of the earth. Then came another, stronger. The girl stopped mid-step. “Do you feel that?”

Before the father could answer, the sky filled with sound: thunderous drums, layered and immense, beating in rhythm like giants marching across the heavens. The air itself pulsed with it. They climbed a low rise of stone and brush, and then they saw it.

An army.

It marched in perfect formation, stretching like a living river across the open plain below. Rows upon rows of armored warriors moved with synchronized grace. Their weapons shimmered gold in the diffused light—long spears, curved blades, massive shields engraved with symbols that echoed those carved in the valley walls.

Banners fluttered in the rising wind, each marked with a sigil neither of them had seen before but which seemed ancient and absolute. At the head of the force rode figures mounted on towering beasts, their armor impossibly ornate—gilded and dark, reflecting both sun and shadow.

The drums continued, unrelenting and vast, their beat not one of chaos, but of discipline and intention. The girl’s eyes widened, not with fear but awe. “They’re protecting the city.”

“Yes,” her father said, his voice hushed. “This is no army of conquest. This is a wall of living honor.”

He watched the formation, noting the way each soldier held themselves—upright, steady, eyes forward. There was strength here, but not reckless strength. It was the strength of guardianship, of quiet, deliberate power.

The girl leaned into him. “They don’t look like they want to fight.”

“They don’t,” he replied. “But they will, if they must.”

The wind shifted, carrying the scent of the city once more—spiced air, warm stone, something older still. And through the towering sound of the drums, a single, higher note sang faintly in the distance, threading the thunder like a voice in a storm.

Together, the father and daughter watched the golden army pass, silent witnesses to a force both fearsome and noble, standing between the world and something sacred.



There and back again Part 4_5

Cast of Characters:

Cgmaness – @cgmaness – Chris – acoustic guitar, composition, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by following this link. https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?si=L0PZPN1FThy8C7mRVZMu6A
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say...

Better Not Say (Eclectic Collective by CGManess, with Nyla K)

Setting down 
Beautiful perfect feast
Settings are impeccable 
Laid flawlessly 

But I can’t live without your love
I’d starve to death
Fade to nothing
Without your love

Dropped off alone on an island
I could get by
Fully quenched
By your love

Bounty heaped
Steaming culinary delight
Platters brought to
Pleasured sighs

But I can’t live without your love
I’d starve to death
Fade to nothing
Without your love

Dropped off alone on an island
I could get by
Fully quenched
By your love

All the closeness we share
A familiar love in perfection

Bonded at the table side
Closeness we share
Familiar love
Sustenance

But I can’t live without your love
I’d starve to death
Fade to nothing
Without your love

Dropped off alone on an island
I could get by
Fully quenched
By your love

All the closeness we share
A familiar love in perfection


Steaming Culinary Delight

Collaboration :
PatrickDA : Guitar.
Me : Shakuhachi flute.

Windy Blues.

The war within - (A side)

In addition to SC - tracks available on 
Spotify: http://bit.ly/3sGsCG8
iTunes: https://apple.co/2RAe9DU
Apple Music: https://apple.co/40TPePO
Youtube Music: https://bit.ly/40Uky0W
Amazon Music: https://amzn.to/3QZhU5C

Composing using PC, Cubase Pro, Reason and various orchestral libraries among others. Focused mainly on orchestral, atmospheric, cinematic soundtrack style.

For licensing queries and commision work contact Sturle on Sturlestrausscomposer@gmail.com

There and back again Part 4_5

Sturle Strauss Lisaeth-Composer

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Sturle Strauss Lisaeth-Composer

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